indie
Thomas H. Green
There’s been a quiet storm of critical approval building around Weyes Blood. American singer Natalie Mering has been releasing music for over a decade but, during the last two or three years a tailwind of positive verbiage has blown her faster forward. Her last album, Titanic Rising, the first of a loose trilogy, of which this is the second part, made low level inroads to commercial success on both sides of the Atlantic. And in the Darkness, Hearts Aglow, a fine balance of delicate singer-songwriter fare and something more baroque, has the potential to go further.Imagine the strident, indie- Read more ...
Thomas H. Green
The chorus to Working Men’s Club’s song “Money is Mine” usually runs, “Endless depression, it’s time/Suicide is yours when the money is mine.” Presented as the penultimate song of their set, frontman Syd Minksy-Sargeant distils this. Grim-faced, his hand twisting about under his tee-shirt as if suffering from an untenable itch, he spits “endless depression” and “suicide” into the mic on a jarring loop, backed up every inch by harsh, dark, techno-adjacent battering. It’s a moment that sums the night up.Appearing a couple of years ago from rural Yorkshire, Working Men’s Club are a contradiction Read more ...
Thomas H. Green
Even the jolliest number on Micah P Hinson’s new album, a banjo-pickin’, wistful campfire jig entitled “Waking on Eggshells”, has him singing, “Give me a knife, I’ll show you my vein”, alongside offers to “blow out your brain” with various firearms, and proclamations he “must be going insane”.If the listener is after jollity, best look elsewhere then, but those searching for world-weary Americana could do worse than settle down, lonely and broken, with these 10 tracks from the Texas-raised singer.Hinson has released numerous albums since he appeared 20 years ago. He has a penchant for Read more ...
Thomas H. Green
There’s a disconnect between Australian singer-songwriter Courtney Barnett on record and in concert. On record, especially on her latest album, her dryly-stated, touching emotional lyricism is to the fore, but in the live arena you’re as likely to be presented with a scorching rock goddess, playing with her fingers and no plectrum. Her grunge assault on 2013 single “History Eraser”, for instance, has proper garage heft, initially coming on like a Cobain firestorm then settling to something akin to fellow left-handed axe hero Jimi Hendrix. She doesn’t talk much between songs, but she sure Read more ...
Jonathan Geddes
There was something devilish about Alex Kapranos at this homecoming gig, and not simply due to the blood red shirt the Franz Ferdinand frontman was wearing. Throughout the night the singer would cajole and conduct the crowd with finger-pointing flair, as if tempting them to join him on the dark side, and when he spoke it was to demand more from the audience like a preacher zealously seeking extra funding for a mega church.The response, inevitably, was warm and eager. The original line-up of Franz Ferdinand may have come from across Scotland, England and Germany, but they were forged in Read more ...
Kieron Tyler
“When we started out we were really just an amalgamation of three bands – the Jesus and Mary Chain, My Bloody Valentine and the House of Love,” said Ride’s Andy Bell in 2012. The arrival of the literally-named double album 4 EPs – collecting their first four EPs in one place – brings a chance to ponder this.Oxford’s Ride formed in 1988. “Like a Daydream” the kick-off track from Play, their 1990 second EP, confirmed they'd transcended their inspirations. A pacey raver with wild drumming, it featured an outstanding guitar solo which was a double-speed transmutation of what had originally Read more ...
Thomas H. Green
After an unavoidable delay theartsdesk on Vinyl returns with over 9000 words on new and recent releases, ranging across the entire spectrum of known music. Dive in!VINYL OF THE MONTHEdrix Puzzle Coming of the Moon Dogs (On the Corner)Nathan Curran is an in-demand session drummer for the likes of everyone from Elton John to Kano. Ah, but like Hong Kong Phooey before him, he has an alter-persona that will surprise. Unlike Hong Kong Phooey, though, it’s not a canine crime-fighter cashing in on a global craze for martial arts. No, it’s a demented attempt to weld the fringes of jazz to retro sci- Read more ...
Kieron Tyler
It seems an ambivalent statement, perhaps estranging Ride’s Mark Gardener from what’s happening on stage. “I always loved this track off Going Blank Again, it’s called ‘Chrome Waves’.” He could be a DJ or a fan talking about what’s about to be played, rather than a member of the band itself – a member poised to launch into a live recreation of the fourth track from their 1992 second album.Maybe this is what so explicitly revisiting your own past feels like – looking back through the distancing mechanism of time. If that’s the case, it becomes fitting that something not played live back then Read more ...
Miranda Heggie
Other Voices is, according to its founder Philip King, a festival which celebrates what’s about to happen. Indeed, artists like Hozier, Fontaines DC and Amy Winehouse cut their teeth at this unique musical event which, although it has its home in the west of Ireland, has iterations across the world. Other Voices is currently two years into a five year residency in Cardigan, Wales, as part of a partnership supported by the Welsh and Irish governments. With a heavy focus on artists from Wales and ireland, Other Voices Cardigan 2022 had three main strands: headline sets at St Mary’s Church Read more ...
Thomas H. Green
London’s Morton Valence are one of those bands music journos love, not that it’s done their career much good. I’ve bigged them up a few times, myself, starting at least a decade ago, but widespread critical acclaim has not added up to countrywide recognition. They are now up to album eight, still based around core duo Anne Gilpin and ex-Alabama 3 dude Robert “Hacker” Jessett, and their latest album is as consistently pin-sharp as everything else they’ve done. If only more would hear it!As ever, their default setting is doomed Leonard Cohen-meets-Raymond Carver narratives, deliberately English Read more ...
joe.muggs
There is now a kind of “leftfield mainstream” in electronic music. It’s populated by people a decade or more younger than the original acid house generation, but who take their core inspiration from post-rave experimentation of the early-mid Nineties. Dusky, Bicep and to an extent people like DJ Seinfeld, Four Tet and Jon Hopkins all channel the rich melodies and textures of Future Sound of London, Orbital, early Aphex Twin, Underworld and co to arena-filling effect. And Daniel Avery has been chief among these. Running through his work from the beginning have been tones and Read more ...
Kieron Tyler
There’s a song by Kevin Ayers called “The Lady Rachel”. It was on his 1969 debut solo LP Joy Of A Toy. Play it alongside “This Still Life”, the second track on the second album from Ireland’s Aoife Nessa Frances and the aesthetic kinship is clear. The differing genders of the singer-composers aside, one could swap with the other and snugly fit onto either release.It’s not that the Kerry-recorded Protector sounds like it seeks to recreate the past, but that Frances has a sensibility – whether innate and instinctive or intentional – tapping into a seam of archetypal yet idiosyncratic Read more ...