sci-fi
Nick Hasted
You may wonder: is this it? James Cameron’s Avatar sequel replays Earth’s colonial assault on Pandora in the original, cancelling out the blue-skinned native Na’vi’s victory under the Dances With Wolves-like, blue-white saviour command of Jake Sully (Sam Worthington), a paraplegic Marine mentally steering a genetically engineered Na’vi avatar.Sully has now merged into his avatar, and is chief of the jungle-dwelling Omaticaya, with an equally fearsome wife and five kids (including Sigourney Weaver as her previous character’s avatar’s teenage daughter, pictured below). Earth’s renewed assault Read more ...
Adam Sweeting
Baran bo Odar and Jantje Friese won delirious acclaim for their previous Netflix series Dark, a labyrinthine and fantastical account of children vanishing from a small German town. Anyone familiar with its baffling events and leaps across different timelines will probably feel at home with 1899, the duo’s similarly mind-bending follow-up.The story this time pivots around the disappearance of an ocean liner, the Prometheus, which has been missing at sea for four months. When a strange, constantly-repeating telegraph message is received, apparently coming from the vanished vessel, it prompts Read more ...
Shelley Roden
The projection screen reflects light onto the Foley stage. I can just make out the edges of the built-in cement and metal surfaces around the floor’s perimeter and the large dirt pit centre stage. Bamboo poles, a hockey stick, and a shovel poke out from storage bins to my right. The corner of a car hood winks from underneath a furniture blanket. These tools wait their turn to become something other than what they were originally designed for. There is a stillness in this repurposed garage the size of a small aircraft hangar. The cue begins. I focus on the screen watching Read more ...
Jon Turney
Scenes that stay in the mind: Arnold Schwarzenegger as the Terminator peeling back the skin on his forearm to reveal the gleaming machinery within; a beady-eyed, new-born Alien bursting from John Hurt’s abdomen; that all-species bar in Star Wars; the spaceship’s long-awaited descent in Close Encounters.You probably have your own selection, from films, from computer games or, perhaps, from Disneyland’s 14-acre Star Wars themed park-within-a-park in California, Galaxy’s Edge. Science fiction, once a minority sport, has been mainstreamed in recent decades via popular media – and above all by Read more ...
Saskia Baron
Vesper is a piece of arty European sci-fi, filmed in the forests of Lithuania (homeland of co-director Kristina Buozyte) and set in a dystopian future conjured up by its French co-director Bruno Samper (a "digital experience designer"). The two collaborated in 2012 on Vanishing Waves, which was the first Lithuanian sci-fi film to play in the US, won awards on the festival circuit, and came with quite a lot of explicit erotica.Ten years on, the directing duo have been working with a predominantly British cast to create an English-language film likely to appeal mostly to younger Read more ...
Katie Colombus and Caspar Gomez
FRIDAY 22 JULY by Caspar GomezWhen my regular festival pal Finetime and I have set up the wibbly, inflatable-poled tents he bought from Lidl, we settle to drinks, his from a chill-box, mine from a 35-pint container of Pilton Labyrinth scrumpy. We attune to the neighbours. Next to us is a tent-corral proudly flying a flag featuring a pink unicorn with penises for legs, spunking out rainbows. They are discussing the history of the Soviet Sputnik programme of the late 1950s. The people from the tents next door, that is. Not the unicorn’s penis-legs.As we will learn, this is the way people Read more ...
Saskia Baron
The animation may be stunning, but in every other department, Lightyear is a disappointment. It’s a crying shame for anyone who loved the original Toy Story and its (mainly) excellent sequels. If you were expecting a buzz from Pixar’s origin story, brace yourself instead for a damp squib. We’re told in a caption that what we're about to see is the sci-fi movie that Andy watched back in 1995, the thrilling adventure that inspired him to jettison his beloved cowboy figure Woody in favour of macho astronaut Buzz Lightyear. But something went wrong in Angus MacLane’s Read more ...
Nick Hasted
Franchise burnout continues apace, in this asteroid strike of a finale. Doctor Strange in the Multiverse of Madness showed the previously agile and humane Marvel machine weighed down by plot mechanics and fan service, and this Jurassic Park/World trilogy unification bout proves a pointless, often ponderous 146 minutes. As post-pandemic cinema moves to total dependence on such sequels, their creative entropy could be an extinction event for filmgoing itself.Mainstream cinema has long been based on childhood nostalgia, and is now aimed at adults weened on Jurassic Park, the Star Wars prequels Read more ...
Markie Robson-Scott
Emily St John Mandel’s wonderful novel of 2020, The Glass Hotel, featured people and places from her previous pandemic-themed blockbuster, the brilliant Station Eleven.In Sea of Tranquility, named after the "silent flatlands" on the moon where the Apollo astronauts landed, the small settlement of Caiette on Vancouver Island is a crucial reference point from The Glass Hotel. And several characters – Vincent, Mirella, and Jonathan Alkaitis, the Madoff-style Ponzi-scheme villain of the previous novel – all rear their heads, some of them, like Alkaitis, living in the alternative timelines posited Read more ...
David Nice
Most dystopian satires are located in a nightmarish future, but their scripts build on the worst of our world today. Adam McKay's Don’t Look Up is different: this is now, and the notion of a comet hurtling towards the assured destruction of planet Earth is the hub for a heaping-up and jamming-together of how media and government respond to the worst imaginable crisis.Clever, often brilliant, luxuriously but pointedly cast, sprawling – I was never bored but I understand the plea for the shedding of 20 or so minutes – and stylishly filmed. Don’t Look Up doesn’t disappoint in its bid to say many Read more ...
Joseph Walsh
Back in 1999, The Matrix offered something revolutionary. With a heady brew of William Gibson-influenced cyberpunk, Platonic philosophy and Prada, it proved that blockbusters could be both smart and action-packed. Remember those days? Two decades on, The Matrix films have been the subject of doctoral theses, inspired a new era of sci-fi's, video games, and spawned the idea we are all living in a simulation (it’s worth digging out Rodney Ascher’s incredibly enjoyable, A Glitch in the Matrix). Now in The Matrix Resurrections we return to the world created by the Wachowskis. Lana Read more ...
Adam Sweeting
Netflix is sometimes criticised for bringing too much of everything to its online feast, but the way it’s opening up previously under-exposed territories is becoming seriously impressive. Suddenly, South Korea is beginning to look like a powerhouse in the making, with consecutive big ratings hits with Squid Game and now Hellbound.Directed by Yeon Sang-ho (Train to Busan), Hellbound is derived from the “webtoon” series he created with cartoonist Choi Gyuseok. It depicts a nightmarish society where “sinners” are picked out seemingly at random by a mysterious “angel” and informed that they will Read more ...