actors
Nick Hasted
Five Easy Pieces is the nominal sibling to Easy Rider, which put Jack Nicholson a step from stardom in 1969. But Pieces, this 40th-anniversary reissue reminds you, was a very different film. The soundtrack is Patsy Cline, not Steppenwolf, and we first see Nicholson working in a hard hat, the music and garb of pro-‘Nam hippie-bashers in 1970. But the cultural action is mostly in Nicholson himself, and the simmering storm of dissatisfaction and high intelligence in his odd-angled, lean face, not often inclined here to split into that trademark super-smile.Director Bob Rafelson and producer Bert Read more ...
Adam Sweeting
He wasn't a jack of all trades, said his friend June Whitfield, "he was a master of all trades". The charge of "smarminess" dogged Bob Monkhouse throughout his career, but as this quietly penetrating documentary made clear, he was highly intelligent, multi-talented and had a lot of layers he kept to himself. Actor, scriptwriter, singer, novelist (though they didn't really mention that part), stand-up comic, cartoonist, radio star, gameshow host and posthumous campaigner against the prostate cancer that killed him - the only thing Monkhouse couldn't manage too successfully was his work-life Read more ...
Jasper Rees
Julianne Moore (b. 1960) is a true rarity. It’s not just that her hair flames like no other star since Katharine Hepburn. Or that alone of her generation she seems impervious to middle age’s indignities. There’s something else. Having worked with dinosaurs in The Lost World and a cannibal in Hannibal, she is mainstream enough to be considered a genuine leading lady. But much of her most eye-catching work, often written for her by indie directors like Todd Haynes and Paul Thomas Anderson, is fiercely extreme in spirit. Pornography, incest, erotica of various hues – hers would be bargepole Read more ...
Nick Hasted
Filippo Timi plays the young Mussolini of Marco Bellocchio's Vincere as a glowering, virile force of nature. Watching this and his other recent films, it was hard not to think of the Brando of the early 1950s. Timi, too, combines bullish masculine power and delicate sensitivity - he's combustible and magnetic. I was still more sure he was someone special when Gabriele Salvatores, who directed him in As God Commands, mentioned that Timi has a terrible stammer and eyesight so bad he's "almost blind. He can't see and can't speak - the two things an actor needs most," Salvatores said. "But he has Read more ...
graeme.thomson
“Marc Wootton is playing characters in real situations with real people” read the message that followed the opening credits of La La Land, as though Wootton were a comedic Archimedes unveiling his Eureka moment, rather than simply the latest “provocative” British wit to go panning for comedy gold in the murky waters of American embarrassment. La La Land premiered in January on US channel Showtime to fair-to-middling reviews and a thumbs-up from Larry David, and has now been given an Anglicised voiceover by Mighty Boosh star Julian Barratt and sent out to battle on BBC Three.The six-parter Read more ...
edward.seckerson
Fiona Shaw talks about the not inconsiderable demands of juggling Restoration comedy with German Expressionism. It almost doesn’t bear thinking about. Between shows at the National Theatre, where she’s been delighting audiences with her rollocking Lady Gay Spanker in London Assurance, she enthuses about her second foray into the challenging business of directing opera: Hans Werner Henze’s early gem Elegy for Young Lovers for English National Opera at the Young Vic. She enlightens us about this strange, dream-like opera-play, about the not-so-delicate balance of being a working actor and Read more ...
Matt Wolf
Lesley Sharp could be thought of as an actor's actor: a talent equally at home in theatre, cinema and TV who has been impressing audiences and critics regularly for a quarter-century without quite becoming a star name. That looks set to change in theatre terms at least with Sharp's breakout West End double - first as the blowsy, ferocious Mari in The Rise and Fall of Little Voice, the Jim Cartwright play currently in revival until 30 January 2010 at the Vaudeville Theatre, followed by Mrs Alving in Ibsen's Ghosts early next year at the Duchess, in a production to be directed by Sharp's Pastor Read more ...
Graham Fuller
“You’ve no idea how boring everything was before I met you.” As written by Nick Hornby and spoken by Carey Mulligan in An Education, these words of gratitude come after a moment of stillness in which Jenny, Mulligan’s character, reflects on her experience as a 16-year-old schoolgirl taken on a social joyride by a 35-ish hustler, David (Peter Sarsgaard). It’s Twickenham in the early Sixties, the age of austerity's not yet over, and they’re sitting in his Bristol outside her house at night. She tells him she sometimes thinks he’s the only person who’s done anything in “this whole stupid Read more ...