Africa
Victory on the Fourth PlinthFriday, 21 May 2010
From his tall column in Trafalgar Square, Admiral Lord Nelson won’t be able to glimpse the new work on the Fourth Plinth, since he faces the other way. But of all the works that have occupied this space – from Marc Quinn’s Alison Lapper Pregnant, to... Read more... |
Fela Kuti, The One Who Emanated GreatnessFriday, 14 May 2010
With Fela Kuti's old band playing Brighton this evening fronted by his son Seun and on the same bill as Tony Allen, the drummer who co-created the increasingly influential Afro-beat sound, it seemed a good excuse to revisit the first interview I... Read more... |
Brian Eno on Fela Kuti and the Brighton FestivalFriday, 14 May 2010Brian Eno’s on the phone. He’s been up all night. But he does want to talk to theartsdesk about his Afro-beat concert in Brighton as part of the Brighton Festival he is curating which this evening sees Seun Kuti - the son of Fela Kuti, who has... Read more... |
Love the Sinner, National TheatreTuesday, 11 May 2010
Religion, and a sense of the revival of belief, is such an important part of everyday life in the wider population that it is one of the stranger facts about contemporary theatre that so few plays tackle this subject. In fact, the last new British... Read more... |
Aida, Royal Opera HouseTuesday, 27 April 2010
David McVicar's new Aida production had an opening mise en scène of such unashamed ugliness, a revolving main feature (a wall of scaffolding) of such audacious featurelessness, a wardrobe of such brazen tastelessness (think Dungeons and... Read more... |
Interview: Rokia TraoréTuesday, 27 April 2010
Rokia Traoré has always seemed most comfortable creating at trysting points, darting between different worlds without ever quite belonging to any one of them. The daughter of a Malian diplomat, as a child her favourite locations were airports, “this... Read more... |
Fool’s Gold and Benin City, Camden Bar FlyTuesday, 27 April 2010
Fool’s Gold’s debut album brims over with the enthusiasm of a band who have discovered - primarily through African music - that there’s another way to play the electric guitar other than to just form workman-like bar-chords, stamp down hard on the... Read more... |
theartsdesk Q&A: Sarnath BanerjeeSaturday, 13 March 2010
When the subversive graphic artist Sarnath Banerjee won a MacArthur grant he opted "to research the sexual landscape of contemporary Indian cities", embroiling himself in the aphrodisiac market of old Delhi and introducing the English reading public... Read more... |
Art Gallery: Sarnath BanerjeeSaturday, 13 March 2010
The subversive artist and film-maker Sarnath Banerjee, credited with introducing the graphic novel to India, features in a London show, Royale With Cheese, at Aicon Gallery, 8 Heddon Street, London W1, where his eight-scene graphic narrative Che in... Read more... |
Interview: Toumani DiabatéThursday, 04 March 2010
I am talking to Toumani Diabaté on a phone line into Bamako that, as he explains with an audible shrug, sometimes works and sometimes doesn’t. He was due in London a couple of weeks ago to promote Ali & Toumani, his album of duets with the late... Read more... |
The South African sound of MbaqangaTuesday, 02 March 2010On a new CD compilation from Strut Records out this week, Next Stop... Soweto, we’re back in Soweto in the 1960s and 1970s and it's the dark, dark days of apartheid; an era in which it was actually against the law for a black South African to even... Read more... |
New Music CDs Round-Up 6Sunday, 28 February 2010
This month's CD selection is headed up by extraordinary albums from modern folkist Chris Wood, a startling come-back from Gil Scott-Heron and pretenders to the New Rave throne New Young Pony Club. Among the new releases we have the late Johnny Cash... Read more... |
