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Ralph Moore
The Robert Smith-curated Meltdown festival in London came to a close on Sunday night with a spectacular, concept-driven headline set by The Cure, or CUREATION 25, as the band was actually billed, presumably because of a previously contracted show at Hyde Park that's due to take place in two weeks’ time. Like Nine Inch Nails on Friday night at the same Smith-curated venue, seeing a band of this stature up close on such blistering form is a dream come true for fans, who have come far and wide to see Smith and his cohorts: bassist Simon Gallup plus Reeves Gabrels on guitar, Jason Cooper on drums Read more ...
Thomas H. Green
Norwich is remote, out near the Norfolk Broads, doing its own thing on Britain’s eastern-most edge. It’s not renowned as a place that’s contributed much to rock and pop. This may be about to change. The music of Let’s Eat Grandma, 19-year-old lifelong friends Rosa Walton and Jenny Hollingworth from Norwich, could only have developed in isolation, cultivated unhindered by the taste-arbiters of the outside world. They’re a fascinating unit and, happily, also engagingly off-the-wall.Where their debut album, 2016’s I, Gemini, was an intriguingly bizarre oddity, their new one moves towards Read more ...
Thomas H. Green
Earlier this year, in May, Brighton hosted the Vinyl World Congress where Paul Pacifico, head of the Association of Independent Music, told the assembled that, “People pay for vinyl not because they have to but because they want to - they want a physical representation of their emotional connection with an artist." There was a general agreement that vinyl collectors and fans account for the majority of sales, but also that things are still stable and/or rising. Here at theartsdesk on Vinyl, we cover collectible artists of yesteryear (below are boxsets by Buffalo Springfield, Brian Eno, Read more ...
Jo Southerd
Sophomore records are never easy, especially when your debut was as acclaimed and beloved as french artist Melody Prochet’s first outing as Melody’s Echo Chamber, and this follow-up has had its fair share of bumps in the road. Prochet first announced Bon Voyage in April last year, on her 30th birthday; a new song was released, and a string of tour dates to go with it. But shortly after, Prochet was hospitalised following a serious accident that left her with broken vertebrae in her neck and spine, and a brain aneurysm. The album and accompanying live shows were put on hold. It’s impossible to Read more ...
Javi Fedrick
Although once famous for her Australian drawl and hazy jams, on her most recent album Tell Me How You Really Feel, Courtney Barnett has transformed herself into an all-singing indie star, resulting in something more assured, vulnerable, and intense than her previous work. Touring the UK with her band of Bones Sloan, Dave Mudie and Katie Harkin, her 19-song set in Albert Hall in Manchester is faultless.Barnett starts by playing Tell Me How You Really Feel in its entirety. The reflective songs sound hefty and visceral live. The delicate “Need A Little Time Out” rests on chugging guitars and Read more ...
Javi Fedrick
Unknown Mortal Orchestra’s four albums all centre around off-kilter pop and flirtations with distortion; their latest LP, Sex & Food, carries this tradition forwards in a more laid-back manner. Their current European tour in support of the album seems to have lined up nicely with the schedules of American acts Deerhunter, Black Lips and Sam Evian (as well as much-hyped British act Boy Azooga), with all five artists descending on the Albert Hall in Manchester for the six-hour Strange Waves III.Between the criminally early start time of 5pm and Transport for Manchester’s bus timetabling Read more ...
Thomas H. Green
Before starting this review a decision was taken: that the over-used description of singer-songwriter Malcolm Middleton as a “Scottish miserablist” would not appear. However, this has proved impossible. Middleton is renowned, to the coterie who enjoy his music, for songs ripe with dejection but the first half of his set tonight is especially heavy with stark soul-searching. From the opening number, “Gut Feeling”, which contains the line, “I’ve got rows of wankers in my head shouting my gut feeling down”, to a song called “Love is a Momentary Lapse in Self-Loathing”, he assays a stark, poetic Read more ...
Thomas H. Green
Problem is Brighton is down in the Festival programme as an “alt-rock/pop pantomime”, with actors involved and the inference it’s some sort of musical featuring “instruments specially created by David Shrigley for the performance”. This turns out to be seriously over-selling it. In fact, Problem in Brighton is a rock band put together to play an hour of songs created in league with the maverick artist and Festival Guest Director. Putting any expectations aside, it’s a patchy show.The band – four men, two women – initially arrive on stage one by one, in regulation black cowboy shirts with Read more ...
Javi Fedrick
It’s been nearly 30 years since Gaz Coombes’s former band Supergrass released their first brash single “Caught by the Fuzz”, and he hasn’t stopped making great indie music since. His second solo album Matador received a Mercury Prize nomination in 2015, setting the bar high for World’s Strongest Man but, with its emotional complexity, melodic grace, and classically Coombes-ian soundscapes, it easily surpasses these expectations. As always, Coombes manages to cover a lot of ground across the album. “Shit (I’ve Done It Again)” calls to mind Radiohead’s more tragic, dramatic side, whilst “ Read more ...
Thomas H. Green
David Shrigley (b. 1968) is an artist whose work has become broadly popular via a wide range of formats. At first glance, his stark pen-on-paper drawings seem akin to humorous newspaper cartoons – and, indeed, he’s contributed to The Guardian for years – but there's another layer to his work, something odder, slyer, psychologically attuned to the relationship between the subconscious and the ruthlessness of the human condition.As well as a long series of books and multiple exhibitions all around the world, including forthcoming ones this year in Shanghai, Stockholm and on the Greek island of Read more ...
Thomas H. Green
Record Store Day 2018 – Saturday April 21 – is upon us. It should really be Record Shop Day 2018 as this is the UK but let’s not quibble. Instead, put aside cynicism about major labels cashing in, wander down to the nearest record shop – and, happily, new record shops are starting to pop up a lot lately – then rifle through the racks. Below are the releases that reached theartsdesk on Vinyl, quite a few of them rare as hens’ teeth. Dig in, see what takes your fancy, then go out and find them, out there on the high streets and back streets...theartsdesk on Vinyl's FAVOURITE RELEASE FOR RECORD Read more ...
Thomas H. Green
The National Jazz Trio of Scotland are not really that at all. With a name designed to sound like a stiffly formal unit they are, in fact, an entity based around Bill Wells, a Scottish institution, albeit an alternative one. He’s been around the block many times since the Eighties when he first started making waves with his very personally curated and individual perspective on jazz. Since those days, he’s worked with all sorts, ranging from Isobel Campbell to Aidan Moffat to Future Pilot AKA. His fourth National Jazz Trio of Scotland outing is a likeable, laid back odd-pop curiosity.Vol. IV Read more ...