America
fisun.guner
Based on the novel by SE Hinton, The Outsiders is a tender coming-of-age movie set against a tough backdrop of flick-knives, rumbles and gang warfare. In Francis Ford Coppola’s vision, it’s also a romantic cinematic homage to Gone with the Wind.Released in 1983 to a fairly mixed critical reception, the story is set in 1960s Oklahoma and involves the gang rivalry between the Greasers, a bunch of kids born on the wrong side of the tracks, and the Socs, affluent prep boys. It's told through the eyes of Ponyboy (C Thomas Howell), a 14-year-old Greaser who is involved in an opening chase sequence Read more ...
Nick Hasted
As this remake’s director Rod Lurie, a former film journalist, well knows, competing with Sam Peckinpah is a loser’s game. His films are no more replicable than a Fred Astaire musical, inseparable from their demonic creator. Straw Dogs was his lone, 1971 excursion to Britain, with Dustin Hoffman as a mousey American mathematician who accompanies new wife Susan George’s return to her rustic Cornish home, which in Peckinpah’s hands is as hostile as the badlands his western heroes rode through. Hoffman’s civilised veneer cracks along with his marriage, and he becomes an atavistic killing machine Read more ...
Jasper Rees
He’s been in the presence of murderers, rapists and paedophiles. He’s auditioned naked for a porn movie and submitted his tender midriff to liposuction. He’s spent more time than can be good for anyone in the company of Mr and Mrs Christina Hamilton. Yet it was only last night that, for the first time ever, audiences glimpsed Louis Theroux in a state of unvarnished terror. And fair play, he wasn’t afraid to show it.The cause: a chimp, young but already powerful and, in the tentative Theroux embrace, threatening at any moment to remove, by force, the popular proboscis of documentary television Read more ...
graham.rickson
Dvořák: Symphony No 9, Czech Suite, Two Slavonic Dances Bournemouth Symphony Orchestra/José Serebrier (Warner Classics)It’s easy to become a little obsessed with obscure, underrated music. You bang on and on about works which you’re convinced are masterpieces which no one ever seems to play. Which means that it’s also easy to dismiss pieces of classical music which are genuinely popular. You think you know them so well as to never need to hear them again. Grieg’s Piano Concerto and Dvořák’s Ninth Symphony are perhaps the easiest of all to undervalue; they’re deservedly loved because Read more ...
igor.toronyilalic
Some pretentiousness was inevitable. Any film that sets out to tell the story of the universe (we get the whole caboodle - big bang to eternal blackout - with cameos for dinosaurs, microbes, DNA and even Sean Penn) is I'd say bound, perhaps even required, to sink into the mud of philosophical grandiloquence. But to focus on this, or the film's frequent slips into the coffee-table visual language of Anselm Adams (electro-static trees, smoky waterfalls) or the moralising family lectures through which this story of the universe is mediated, would be unfair. For, however familiar Read more ...
peter.quinn
Spoiler alert: this CD contains grooves that will bring out your inner air guitarist. From the album's lead-off song, “Tenderly”, whose sumptuous voicings lesser artists can only fantasise about, to its towering sign-off, “Fingerlero”, George Benson's 24-carat gift for free-flowing improv remains a thing of wonder. “Fingerlero” also features one of the most recognisable and heart-stirring sounds in jazz: Benson scatting in perfect unison with his deftly picked guitar lines. He makes you wait, but it's so worth it.Heard in both combo and solo settings, the 12-track set includes nods to Read more ...
Ismene Brown
On Thursday the London Symphony Orchestra plays a night of epic movie music by the man who gave America’s cowboy heroes their most stirring tunes. Dimitri Tiomkin was one of Hollywood’s film-score giants, John Wayne’s choice as composer for The Alamo, Wayne’s magnum opus, and Tiomkin's was the music that urged Gary Cooper and Clint Eastwood to ride out in iconic glory in landmark adventures such as High Noon or Rawhide.He was also a composer of suspense, of the knife-edge when a young wife is framed by her husband for murder, of the fateful convergence that brings two strangers together on a Read more ...
Veronica Lee
If you were to play a game as to who should play former US President Bill Clinton in a fictionalised account of his life, then George Clooney – liberal, politically active and drop-dead gorgeous – would surely be your number-one choice. So he must have been a shoo-in for the role of Democratic presidential hopeful Governor Mike Morris - who is charming, decent, ironic and very attractive - in The Ides of March.The film, which has shades of All the President's Men, Nixon and Primary Colors (and indeed Julius Caesar), is adapted from Beau Willimon's play Farragut North, said to be based on Read more ...
Russ Coffey
The anticipation of Glen Campbell’s valedictory concerts has gone far beyond the goodbye to his music. It’s involved a reflection on his entire life. The sugar-throated cowboy with film-star looks and ballads as epic as daybreak in Arkansas has lived life like a great American novel. One of 12 children of a sharecropper, he went on to play the guitar with The Beach Boys, act with John Wayne, marry four times, and count Ronald Reagan as his friend. But with the onset of Alzheimer’s this is the last time the public will get to see him reflecting on his extraordinary years.Recent interviewers Read more ...
Adam Sweeting
At the end of the first series, we left our bedraggled band of survivors in Atlanta, their expectations dashed that they might be able to find some glimmer of hope at the Center for Disease Control. Instead, all they'd discovered was a lone, slightly deranged scientist who had failed to find a cure for the zombie plague. Then the generators ran out of fuel, fail-safe devices kicked in and the CDC blew up.Back to the drawing board. Sheriff Rick Grimes (an increasingly haggard and stubbly Andrew Lincoln) is now leading his tattered troupe towards the army outpost at Fort Benning, where there Read more ...
joe.muggs
This is a strangely kaleidoscopic approach to documentary. A selection of recently unearthed footage and interviews which shows the Black Power movement in the USA through the eyes of idealistic Swedish film-makers, now re-edited and framed with the voices and music of both modern and veteran black radical cultural figures, it provides a disorienting, shifting set of superimposed viewpoints of a period in which in any case change seemed to be the only certainty.The footage itself is gripping and often truly eye-opening, particularly when it's at its most ordinary. The stories of dramatic Read more ...
emma.simmonds
Rich with cinematic life but existing doggedly in the shadow of death, Lynne Ramsay’s epically disquieting adaptation of Lionel Shriver’s bestseller is fluid and imaginatively realised. It's an emotional ambush, but executed with extraordinary precision. Steeped in a magnificent malice and caked in frosty beauty, We Need to Talk About Kevin deals with the lead up to and aftermath of a high-school massacre, and gives us every parent’s worst nightmare – spawning a monster.In We Need to Talk About Kevin Tilda Swinton plays Eva, the mother of the titular antagonist. Though it darts back and forth Read more ...