America
Chilling Adventures of Sabrina, Netflix review - girl power goes supernaturalSaturday, 03 November 2018
Not to be confused with Nineties supernatural sitcom Sabrina the Teenage Witch, Netflix’s new incarnation of the high-schooler with infernal powers is a ghoulish thrill-ride which boldly surfs the dark side, with a pronounced feminist and gay slant... Read more... |
The Hate U Give review - American teen drama takes on Black Lives MatterWednesday, 24 October 2018
Starr Carter is 16 years old and her life straddles two very different worlds, the posh prep school she goes to with its privileged white students and the troubled black neighbourhood she lives in with her family. And like its heroine, The Hate U... Read more... |
Donkeyote review - a quiet revelationTuesday, 23 October 2018
It’s an undeniably quirky set-up: an elderly Spanish farmer who takes it upon himself to travel to America and walk – alone – the epic, 2,200-mile Trail of Tears, following the westward route taken by the Cherokee fleeing white settlers. Alone, that... Read more... |
Science Fair review - big on ambition, light on rigourFriday, 19 October 2018
More than 1,700 teenage finalists representing 78 countries take part in the annual International Science and Engineering Fair, virtually the Oscars for exceptional young biologists, physicists, chemists, mathematicians, computer scientists, doctors... Read more... |
Fröst, BBCSO, Oramo, Barbican review - blood, sweat and sweetnessThursday, 18 October 2018
Single adjectives by way of description always sell masterpieces short, and especially the ambiguous symphonies forged in blood, sweat and tears during the Stalin years. The Barbican's advance blurb hit one aspect of Shostakovich's Ninth Symphony... Read more... |
LFF 2018: The Ballad of Buster Scruggs review - Wild West tales, and Redford and JackmanWednesday, 17 October 2018
The “portmanteau” form of film-making is almost guaranteed to deliver patchy results, and The Ballad of Buster Scruggs, the Coen brothers’ six-pack of tall tales from the Old West (screened at London Film Festival), can’t quite avoid this age-old... Read more... |
Barbara Kingsolver: Unsheltered review - too many issuesSunday, 14 October 2018
“When men fear the loss of what they know, they will follow any tyrant who promises to restore the old order.” Mary Treat, the real-life 19th-century botanist who is one of the characters in Barbara Kingsolver’s eighth novel, could be talking about... Read more... |
Reissue CDs Weekly: Rockin' in the USA - Hot 100 Hits of the 80sSunday, 14 October 2018
One marker arrived on 1 August 1981, when MTV began broadcasting. With its format based around screening pop videos, American radio had a competitor and would lose the edge it once had. And due to the lack of local product, a significant proportion... Read more... |
First Man - Neil Armstrong's giant leapThursday, 11 October 2018
Echoes of Phil Kaufman’s 1983 classic The Right Stuff resonate through Damien Chazelle’s new account of how Neil Armstrong became the first man to walk on the moon. The Right Stuff ended with the conclusion of America’s Mercury space programme in... Read more... |
A Star is Born review - Bradley Cooper and Lady Gaga make a compellingly combustible duoFriday, 05 October 2018
"It's the same old story, told over and over forever": So remarks the redoubtable Sam Elliott late in the most recent reboot of A Star is Born, which itself manages to take an oft-told story and reinvent it very much afresh. As the grizzled sage who... Read more... |
Heathers The Musical, Theatre Royal Haymarket review - a sardonic take on teen angstThursday, 20 September 2018
This London premiere of Kevin Murphy and Laurence O’Keefe’s 2010 musical (based on Daniel Waters’ oh-so-Eighties cult classic movie, starring Christian Slater and Winona Ryder) had a development period at The Other Palace – no critics allowed... Read more... |
Lucky review - fabled character actor stars in his own obituaryFriday, 14 September 2018
Harry Dean Stanton died in September last year aged 91, and will forever be remembered as the embodiment of the lean, lonely, laconic stranger, a man of few words but imbued with an enigmatic allure. This film, the directorial debut of character... Read more... |
