tue 29/11/2022

Bach

Sheku Kanneh-Mason and Harry Baker, Noisenight 13, Jazz Cafe review - distinctive and easygoing chemistry

The elation in the queue was palpable as people stood laughing and chatting in the November cold waiting for the doors of the Jazz Café to open for the latest crowd-funded event organised by Through the Noise. This 13th Noisenight – which brings...

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Classical CDs: Masses, maths and memories

 Secret Love Letters – music by Franck, Szymanowski, Chausson and Debussy Lisa Batiashvili (violin) Giorgi Gigashvili (piano), Philadelphia Orchestra/Yannick Nézet-Séguin (DG).The concept and the packaging had made me far too sceptical. Once I...

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Mulroy, Aurora Orchestra, Kings Place review - old and new worlds of song

You invariably come away from an Aurora Orchestra concert with ears refreshed and mind revived. As a storm swept across London on Sunday, the audience at Kings Place enjoyed their own cleansing wind in the form of this genre-spanning gig in the “...

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Boris Giltburg, Wigmore Hall review - power and grace in elegies and monuments

A double-sided A4 sheet is better than a programme online only – the default for several London venues now – but the Wigmore Hall missed a vital trick in failing to tell us what Boris Giltburg intended in a transcendental sequence which should have...

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The Goldberg Variations, De Keersmaeker, Kolesnikov, Sadler's Wells review - keyboard harmony and atonal dance

Jean-Guihen Queyras and five dancers of Anne Teresa De Keersmaeker’s Rosas company in the Bach Cello Suites was a thing of constantly evolving wonder. So too is Pavel Kolesnikov’s ongoing dialogue with Bach’s Goldberg Variations, different every...

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Prom 57, Bach Mass in B Minor, OAE, Butt review - passion and precision

A strong team of musical chefs can blend and spice Bach’s mighty Mass in B Minor in a variety of different ways, and still prepare a feast to savour. We don’t know exactly why Bach felt compelled to bundle his decades of genius into this late...

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Prom 5, Power, BBC Philharmonic, Mena review - detail and breadth

I had anticipated a sweltering evening at the Albert Hall. Sadly, though, the heatwave prevented me from even getting there – buckled rails or some similar problem led to the cancellation of my train. So this review is of the Radio 3 broadcast,...

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theartsdesk at the Dublin International Chamber Music Festival - extraordinary women to the fore

The organisation now proudly and legitimately re-named the Dublin International Chamber Music Festival may be half a century old – of its 52 seasons, those of the two lockdown years can be lopped off the live reckoning – but its outlook is youthful...

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Classical CDs: mediation, survival and the conquering of shyness

 Karel Ančerl: Live Recordings (Supraphon)Karel Ančerl’s nascent conducting career was interrupted by World War II, Ančerl and his family being sent to the Theresienstadt camp in 1942. Two years later, he and his family were sent to Auschwitz....

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Classical CDs: Forests, mountains, cowbells and cushions

 Jugendstil: Music by Mahler and Schoenberg Beatrice Berrut (piano) (La Dolce Volta)“Is transcription betrayal?” asks pianist Beatrice Berrut in her booklet essay. Emphatically not, Berrut seeing transcription as “an act of homage to the genius...

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Esfahani, CBSO, Morlot, Symphony Hall Birmingham review - ghostly enchantments

Bent Sørensen has christened his new harpsichord concerto Sei Anime: “six souls”. The six concise movements, written for Mahan Esfahani and a chamber-sized orchestra, are modelled, apparently, on the dance movements of a Bach keyboard suite. But as...

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Six Brandenburgs: Six Commissions, Chamber Domaine, Malling Abbey review - metaphysical brilliance

"Contemporary classical", for want of a better term, works best in concert as a cornucopia of shortish new works offering a healthy range of styles and voices. Add to the mix six of the most exhilarating and original chamber concertos ever, by no...

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