fri 06/12/2024

ballerina

theartsdesk Q&A: Nina Ananiashvili, founder of the State Ballet of Georgia

Great ballet dancers who boldly turn away from a stellar international career to grow a national ballet company in their homelands are few, but legendary. Alicia Alonso did it in Cuba, Ninette de Valois did it in Britain. And, dancing across the...

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The Red Shoes: Next Step review - teen dancer's crisis

Fans of Michael Powell and Emeric Pressburger's timeless classic The Red Shoes shouldn’t rush to The Red Shoes: Next Step expecting a sequel. This sentimental Australian teen drama is more of a step-change than a follow-up.At least its American...

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The unexpurgated Clement Crisp - in memoriam

To the international world of ballet, Clement Crisp was the British critic to fear for half a century. Crisp's dance reviews for the Financial Times – "the pink 'un" – from 1970 until 2020 were legendary for their passionate...

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Camille Laurens: Little Dancer Aged Fourteen review - the story of a sculpture

Edgar Degas is famous for his depictions of ballet dancers. His drawings, paintings and sculptures of young girls clad in the uniform of the dance are signs of an artistic obsession that spanned a remarkable artistic career. One work in particular...

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Alina, Sadler's Wells review - I think therefore I dance

It’s common to see the term “vanity project” applied to self-produced shows by ballet stars, but Alina – the first such London venture by Alina Cojocaru – was quite the opposite of vain. If the opening item (a duo for violin and cello, with no...

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Natalia Osipova: Pure Dance, Sadler's Wells review - a great ballerina branches out, again

Sometimes a dance talent arrives that causes the ground to shift and alters the landscape. Natalia Osipova is one such. Not content to be queen of all she surveys at the Royal Ballet, she is hungry for new territory. Pure Dance is the second solo...

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The deathless Alicia Alonso, in person

The magnificent, controversial Cuban ballerina Alicia Alonso, who asserted that she would live to 200, died yesterday in Havana, aged nearly 99. Legends are always well protected by their own mythology, yet in 2004, when attending the Havana Ballet...

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'It’s more fun to dance in a tutu': Tory Dobrin of Les Ballets Trockadero de Monte Carlo

Forty years on from its beginnings as part of New York's gay lib movement, Les Ballets Trockadero de Monte Carlo is playing to a global, largely straight audience. As the company launches a major UK tour, starting this week at the Peacock Theatre in...

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Giselle, English National Ballet, London Coliseum

In the annals of ballet directors, always searching for the perfect balance between heritage programming and new work, there can rarely have been a double whammy so successful. In pairing a brand new Akram Khan Giselle with Mary Skeaping's near-...

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Darcey Bussell: Looking for Margot, BBC One

Classical dancers conventionally have the briefest of all performing careers in the arts, knowing from the very beginning that they'll be lucky to have 20 years of performing at the top of their abilities, after at least 10 years training from...

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Carlos Acosta, The Classical Farewell, Royal Albert Hall

This is it. This is absolutely, definitely, finally Carlos Acosta's farewell to classical ballet. He has managed to spin out his retirement celebrations for almost a year: he gave his last performance on the Royal Opera House main stage last...

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Natalia Osipova, Sadler's Wells

Why does Natalia Osipova, one of the world's best classical, dramatic ballerinas, want to start a sideline in contemporary dance in the middle of her career? Two years ago, when she mounted her first self-commissioned contemporary triple bill with...

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