fri 29/03/2024

ballet

Within the Golden Hour/Medusa/Flight Pattern, Royal Ballet review - the company shows its contemporary face

Sidi Larbi Cherkaoui has come a long way since his early days as a hip hop artist, but the outsider status is obvious even before the curtain goes up on Medusa, his first commission for the Royal Ballet and the centrepiece of a triple bill...

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She Persisted, English National Ballet, Sadler's Wells review - a must-see triple bill

She does indeed persist, that remarkable Tamara Rojo. Dismayed by the fact that, in 20 years as a dancer, she had never performed a ballet made by a woman, she mounted a triple bill called She Said, featuring only work by and about women. That 2016...

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The White Crow review - gripping depiction of the brilliance of Nureyev

Genius is as genius does, and Rudolf Nureyev made sure nobody was left in any doubt about the scale of either his talents or his ambitions. Based on Julie Kavanagh's biography Rudolf Nureyev: The Life, The White Crow pairs director and actor...

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Van Woerkum, BBCPO, Gernon, Bridgewater Hall, Manchester review - a symphony of cinema

In contrast to a classic film soundtrack played live with the film, the idea in "symphonic cinema" is that the music, and its interpretation, come first. So the conductor is literally setting the pace, and to some extent the atmosphere, while the...

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Matthew Bourne's Swan Lake, Sadler's Wells - vivid, enchanting

The Matthew Bourne Swan Lake has become a classic. And – lest that word conjure up dusty tomes and a niggling sense of obligation – this is definitively not the old-but-worthy, improving-but-dull kind of classic. This is the "where has this been all...

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Elizabeth, Barbican review - royal romance under scrutiny

Everyone knows that Elizabeth I was a monarch of deep intelligence and sharp wit. Fewer know how good she was at the galliard. This was a virile, proud, demandingly athletic dance, usually performed by the men at courtly gatherings, and the fact...

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Unbound: A Festival of New Works, War Memorial Opera House, San Francisco review - ballet invests in its future

You have to hand it to the Americans: they think big. Where the Royal Ballet or ENB might put on three or four new works in the course of a season – because commissions are wildly expensive and a box office risk – San Francisco Ballet has just...

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DVD: The Ice King

Director James Erskine found a fascinating subject in the life of ice-skating legend John Curry and has fashioned it into an absolutely compelling 90-minute documentary. Curry was only 45 when he died of AIDS in 1994, but his professional career, in...

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Brighton Festival 2018 Preview

This weekend sees the Brighton Festival 2018 kick off. Anyone visiting the city on Saturday 5 May would find this hard to miss as the famous Children’s Parade makes its way around the streets, a joyous dash of colour and creativity. This year’s...

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The Nutcracker, English National Ballet review - a thoroughly enchanting performance

The familiar doesn’t have to get old. Last night at the Coliseum there were children in the boxes, adults in the circle and grandparents in the stalls. Seasonal favourite Tchaikovsky’s Nutcracker brings all ages to the ballet — as well as...

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The Nutcracker, Royal Ballet review - superb start to the festive dance season

For some people, the festive season starts with The Nutcracker. And as it happens, this year the opening night of Sir Peter Wright’s production for the Royal Ballet was also the performance beamed live to hundreds of cinemas around the UK and...

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Triple Bill, Royal Ballet review - Arthur Pita's 'Wind' is a howling success

Of all the stories Arthur Pita could have chosen to wrangle for his new narrative ballet, he chose one about wind, perhaps the trickiest element of all to represent on a live stage. Tricky because of course you can’t see wind, you can only see its...

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