ballet
Shadows of War, Birmingham Royal Ballet, Sadler's WellsSaturday, 18 October 2014
Another week, another war commemorative; it’s the story of all the arts in 2014. But – because you can always rely on David Bintley and Birmingham Royal Ballet to be different – last night’s programme at Sadler’s was overshadowed by the Second World... Read more... |
Manon, Royal BalletSaturday, 27 September 2014
In a moment of wild fantasy, I thought I might try and write a whole review of Manon without mentioning sex. After all, there’s plenty of other stuff going on in Kenneth MacMillan’s tale, which last night at the Royal Opera House celebrated 40 years... Read more... |
Cinderella, Mariinsky Ballet, Royal Opera HouseMonday, 18 August 2014
It sure feels like longer than three weeks since the Mariinsky rolled into town – at least if you’re one of London’s ballet fans. Non-balletomanes might be wondering whether the feverish intensity with which the company’s doings are followed, its... Read more... |
Serenade/Sweet Violets/DGV, Royal BalletThursday, 15 May 2014
Some artists acquire (or create) cults of personality because – Byron, Wagner or Van Gogh – they are just so obviously fruity. Some others, though less fruity, are venerated because their work is so tear-prickingly astonishing that we are desperate... Read more... |
Cabell, RPO, Dutoit, Royal Festival HallThursday, 13 February 2014
This was the first of three Royal Festival Hall concerts during the first half of 2014 from the Royal Philharmonic Orchestra and its principal conductor Charles Dutoit, all three programmes consisting entirely of French music. The other two will be... Read more... |
Rhapsody/Tetractys/Gloria, The Royal BalletFriday, 07 February 2014
Is it odd that, in a bill containing an achingly contemporary première and a classic meditation on the First World War, a pastel-painted present for the Queen Mother’s birthday should race away with the honours?Not if it was by Frederick Ashton, the... Read more... |
Le Corsaire, English National BalletFriday, 10 January 2014
How silly is ballet allowed to be? It is a question that is not, well, as silly as it looks. English National Ballet’s director, Tamara Rojo, has set out her stall with a glitzy production of this 19th-century classic, her first full-length... Read more... |
Jewels, Royal BalletWednesday, 18 December 2013
It has been said that Mozart, so prodigiously talented so young, seemed to be merely a vessel through which God, or the music of the spheres, or whichever higher being one chooses, channelled the sounds of heaven. So, too, sometimes, does Balanchine... Read more... |
Sadler’s Wells, Ambitious New PlansTuesday, 05 November 2013Alastair Spalding, Sadler’s Wells’ Chief Executive and Artistic Director, today announced that the theatre is looking for a fourth London venue, which it hopes will open in just four years’ time.Not content with two proscenium spaces (the main stage... Read more... |
The Sleeping Beauty, Birmingham Royal Ballet, Sadler’s WellsFriday, 18 October 2013
Sometimes it’s better to be lucky than good. Sometimes, of course, it’s even better to be both. And Birmingham Royal Ballet, in their all-too-brief London season, have been both lucky and good. Lucky, because they have Peter Wright’s little jewel of... Read more... |
Bintley Triple Bill, Birmingham Royal Ballet, Sadler’s WellsWednesday, 16 October 2013
Is David Bintley the one that got away, the wrong turning the Royal Ballet took in the early 1990s? I have long thought so, and watching their current triple bill, the feeling only grows. Bintley trained at the Royal Ballet School, graduated into... Read more... |
Don Quixote, Royal BalletTuesday, 01 October 2013
The opening night of the autumn season brings a gala first night, Carlos Acosta’s staging of Petipa’s Hispano-Russo-Austro-Hungarische castanet-fest, Don Quixote, with starry leads (Marianela Nuñez and Acosta himself), a very obviously expensive new... Read more... |
