Barbican
Le Grand Macabre, LSO, Rattle, BarbicanSunday, 15 January 2017
The Big Mac – as in Ligeti's music-theatre fantasia on the possible death of Death – is here to stay. Back in 1990, three critics (I was one) were invited on to the BBC World Service to say which work from the previous decade we thought... Read more... |
Written on Skin, Royal OperaSaturday, 14 January 2017
There’s a passage in Martin Crimp’s impeccable libretto for Written on Skin that describes a page of illuminated manuscript. The ink, he tells us, stays forever wet – alive with moist, fleshy, indecent human reality rather than dried into decorous... Read more... |
Royal Concertgebouw Orchestra, Gatti, BarbicanTuesday, 20 December 2016
Time was when the principal conductor of a top orchestra could afford to refine mastery of a small and familiar repertoire, covering a century and a half of music at most. The rest he (always he) would leave to loyal or youthful lieutenants. The... Read more... |
Monteverdi Choir, English Baroque Soloists, Gardiner, BarbicanTuesday, 13 December 2016
Add three natural trumpets, flawlessly wielded, to chorus and standard period-instrument orchestra, and the seasonal spirit will flow no matter the context. It's true that Bach's Magnificat is not that common a visitor at this time of year -... Read more... |
Gerald Finley, Antonio Pappano, BarbicanMonday, 12 December 2016
This would have been an intriguing recital at any time. But in the context of Brexit, a programme of songs in a second language, of music expressing composers’ fascination with another country, another landscape, another sound-world, had a poignancy... Read more... |
Josefowicz, LSO, Adams, BarbicanFriday, 09 December 2016
Praise be to the spell cast by top players on great composers. Without the phenomenon that is Leila Josefowicz, John Adams would never have created his often prolix, fitfully hair-raising Scheherazade.2, more "dramatic symphony" for violin and... Read more... |
El Niño, LSO, Adams, BarbicanMonday, 05 December 2016
Second and third times lucky: after the migraine-inducing multimedia overload of Peter Sellars's premiere production of El Niño, first seen in London in 2003 and subsequently excoriated in eloquent prose by the composer himself, John Adams's layered... Read more... |
Douglas, LSO, Søndergård, BarbicanWednesday, 30 November 2016
Thomas Søndergård stood in for this concert at a day’s notice – Valery Gergiev is apparently recovering from a knee operation and unable to travel. He left behind a curious programme, centred around Prokofiev’s quirky but dour Sixth Symphony. It’s a... Read more... |
Alice's Adventures Under Ground, BarbicanTuesday, 29 November 2016
Having musicalised the madness in the method of Wilde's The Importance of Being Earnest, what would that wackiest of composers Gerald Barry turn to next? Why, dear child, what else but the method in madness of Lewis Carroll's Alice books. Except... Read more... |
Total Immersion: Richard Rodney Bennett, BarbicanMonday, 28 November 2016
Send in the paradoxes. Richard Rodney Bennett (1936-2012) had been so obsessed as a young man by music of the avant-garde, he would hitch-hike to Darmstadt to be in the same room as his (then) idols Berio, Maderna, and Boulez. He and Cornelius... Read more... |
Large, Hudson Shad, BBCSO, Gaffigan, BarbicanThursday, 24 November 2016
Has there ever been a more pertinent time to revive the poetic mythologies of Brecht and Weill? The writer said that the good-life-for-dollars city of Mahagonny was not exclusively an American state of mind and should be set in any country where it'... Read more... |
DiDonato, Il Pomo d'Oro, Emelyanchev, BarbicanWednesday, 23 November 2016
Most singers give recitals, and very nice they are too. But there are some – Bartoli, Florez, Netrebko, Terfel – who really put on a show. Mezzo Joyce DiDonato might just be the queen of this select band, and between the projections, smoke, sound... Read more... |
