thu 28/11/2024

BBC One

Steeltown Murders, BBC One review - eloquent true-crime drama about tracking a serial killer 30 years on

The thought of yet another primetime true-crime series might weary the soul, even if it has been created by Ed Whitmore (Manhunt: Martin Clunes heading two cases as DI Colin Sutton), directed by Marc Evans (Hinterland: Wales’s contribution to modern...

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Ten Pound Poms, BBC One review - a new life in the Great Southern Land

The Ten Pound Pom programme (or to use its official title, the Assisted Passage Migration Scheme) was devised to encourage British emigrants to Australia after World War Two. The idea was that the volunteers could escape from drab, rationing-...

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Magpie Murders, BBC One review - zinging TV adaptation of Anthony Horowitz's bestseller

Finding a fresh twist on the traditional detective mystery is virtually impossible, but Anthony Horowitz has made a bold stab at it with Magpie Murders. This TV adaptation (which appeared on the BritBox streaming platform last year) has been...

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Great Expectations, BBC One review - modernised, muddied and muddled

There’s no point in being upset with the writer Steven Knight for doing what he usually does; even so, many viewers will find what he has done with Charles Dickens’s Great Expectations far too Peaky for their tastes. Knight’s role is described...

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Happy Valley, Series 3, BBC One review - tension mounts as the Yorkshire crime drama approaches its conclusion

In this glittering era of global streaming, the viewer is constantly bombarded with the latest and most sensational TV drama from South Korea, Australia, Denmark, California etcetera. But Huddersfield’s own Sally Wainwright continues to show most of...

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Tokyo Vice, BBC One review - murder, extortion and corruption in the Japanese capital

There was originally a plan to make Tokyo Vice a movie starring Daniel Radcliffe, but it has ended up as a TV series starring Ansel Elgort. It’s almost certainly the better for it, because the eight episodes of this first season – the way it ends,...

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Am I Being Unreasonable?, BBC One review - comedy thriller delivers the gags

In case you're not au fait with Mumsnet, the title of Daisy May Cooper's follow-up creation to the stupendous This Country is a nod to the parenting website's readers' questions corner, where the responses boil down to “Yes, you are” and “No, you're...

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Crossfire, BBC One review - pacy and nail-biting, the holiday from hell

A sun-baked island resort; Keeley Hawes taking a leisurely dip in an infinity pool as we hear her in voiceover musing on how events happen unchosen, with you in them; then we are up in her room, where she is texting somebody. The sounds of gunshots...

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The Capture, Series 2 finale, BBC One review - gripping ride to a barnstorming conclusion

[Here be spoilers.] If you have been glued to the second season of The Capture, just ended, does it bother you that its content is borderline science fiction? Probably not. Writer Ben Chanan’s depiction of artificial intelligence may outstrip...

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The Capture, Series 2, BBC One review - caught up in the China syndrome

When the first series of The Capture arrived three years ago, theartsdesk liked it so much that we reviewed it three times. Writer-director Ben Chanan had successfully, and addictively, tapped into a secret dystopia of blanket digital surveillance...

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Marriage, BBC One review - a brilliantly executed drama series with a big heart

The gifted writer-director Stefan Golaszewski (Him and Her, Mum) has surpassed himself with his latest drama series, Marriage. Given hour-long episodes to play with, rather than the usual half-hour, he has created an unfeasibly rich four-parter out...

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Shetland, Series 7, BBC One review - Douglas Henshall is back for the last time as Jimmy Perez

The last couple of series of Shetland (BBC One) brought the previously much-loved series alarmingly close to shark-jumping territory, converting the remote and thinly-populated Shetland archipelago into a war zone teeming with people-trafficking...

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