Beethoven
Beethoven Festival Weekend, Wigmore Hall review 1 - sparkle and charisma versus creative overkillMonday, 16 September 2019
While the Proms were ringing out the old season, the Wigmore Hall ushered in the big celebration of 2020: the 250th anniversary of Ludwig van Beethoven’s birth. The venue’s year-long festival (actually longer – the actual birthday is December ‘20)... Read more... |
Beethoven Festival Weekend, Wigmore Hall review 2 - total mastery in tone and depthMonday, 16 September 2019
Any festival would be proud and honoured to end with the great Elisabeth Leonskaja playing the last three Beethoven piano sonatas. Here the Everest was swiftly scaled as the tenth concert of a packed Wigmore Hall weekend. How I wish I could have... Read more... |
10 Questions for Cellist Raphael WallfischMonday, 13 May 2019
Cellist Raphael Wallfisch thinks outside of the box. His concert repertoire spans the popular concerto choices – the Elgar, the Dvořák – but he doesn’t stop there, and makes a point of seeking out the lesser-known and the little-heard. He has a... Read more... |
Benedetti, BBCSO, Oramo, Barbican review - Elgar challenges, Dvořák soothesSaturday, 27 April 2019
Among the greatest violin concertos in the repertoire, the Elgar is far too rarely performed. One of the reasons is its huge dramatic scale and almost hour-long duration – Sakari Oramo wisely programmed it here with Dvořák’s relatively modest... Read more... |
Philharmonia, Blomstedt, RFH review - gravity and graceMonday, 15 April 2019
Great conductors, like efficient auto engines, apply a lot of torque – they can use a little energy to achieve great surges of movement. Now aged 91, the American-born Swedish maestro Herbert Blomstedt sometimes hardly seems to raise his baton-free... Read more... |
Classical CDs Weekly: Beethoven, Mysliveček, TippettSaturday, 30 March 2019
Beethoven: Piano Concertos 1-5 Mitsuko Uchida (piano), Berlin Philharmonic Orchestra/Sir Simon Rattle (Berliner Philharmoniker Recordings)You can pick up a superb set of Beethoven piano concertos for under a tenner with little effort. This box... Read more... |
Soltani, LPO, Gardner, RFH review – disciplined and dynamic accountsMonday, 25 March 2019
No successor has yet been named to Vladimir Jurowski as Principal Conductor of the London Philharmonic, so it is interesting to note that Edward Gardner is making several appearances with the orchestra this season. The two conductors are similar in... Read more... |
Joanna MacGregor, Kings Place review - soul and stormFriday, 01 March 2019
How often do two contemporary women composers get to take a stage bow during a solo recital of no more than modest length? Last night at Kings Place, within an eclectic bill of fare dubbed “Soul of a Woman” as part of the venue’s Venus Unwrapped... Read more... |
Schumann Series 3 & 4, LSO, Gardiner, Barbican review - upstanding brillianceMonday, 11 February 2019
Schumann revitalized by John Eliot Gardiner and the London Symphony Orchestra last year left us wanting more: namely two of the four symphonies (transcendently great, as it turns out from these revelatory performances). But those concerts also... Read more... |
Lupu, Philharmonia, Järvi, RFH review - concerto magical in parts, symphony stupendousMonday, 04 February 2019
Pianists most often cite Radu Lupu alongside Martha Argerich and Grigory Sokolov as the greatest. So it was hardly surprising to see so many top musicians in a packed audience, buzzing with expectation for the 73-year-old Romanian's most recent UK... Read more... |
Hadelich, CBSO, Măcelaru, Symphony Hall Birmingham review - industrial strength Vaughan WilliamsThursday, 31 January 2019
Well, I didn’t expect that – and judging from the way the rest of the audience reacted, nor did anyone else. After Cristian Măcelaru slammed the City of Birmingham Symphony Orchestra full speed into the final chord of Vaughan Williams’s Fourth... Read more... |
Endellion Quartet, Wigmore Hall review - four decades of excellenceTuesday, 22 January 2019
The Endellion Quartet first rehearsed on 20 January 1979, deep in the throes of Britain’s so-called “Winter of Discontent”. That longevity – with three of the original players still on the team after four decades – makes the acclaimed ensemble... Read more... |
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