fri 27/06/2025

Beethoven

Fidelio, Royal Opera House

I have no problem at all with updating Beethoven's early-19th-century paean to love and liberty: there are any number of tyrants and prisoners of conscience to whom its universal message could apply. But in this revival staged by Daniel Dooner,...

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Soloists of the Bavarian Radio Symphony Orchestra, Uchida, QEH

There is always a moment after you've mauled a musician in review when guilt bubbles to the surface. Your inner nursery school teacher (the little voice that thinks potato prints deserve Nobel Prizes) starts tugging at your conscience. This spell of...

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Biss, London Symphony Orchestra, Davis, Barbican

Sir Colin Davis's year has not been a happy one. There've been heart problems, cancellations and, during a performance of The Magic Flute at Covent Garden last month, a major fall. Last night at the Barbican Hall he faced a strenuous Beethoven...

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Interview: Violinist Daniel Hope

Daniel Hope sets off to explore the legacy of Joseph Joachim

In the later 19th century, violinist and composer Joseph Joachim was hailed as the most brilliant fiddler of his day, but today his name lives on via the great works that he helped to bring into the classical repertoire. Brahms dedicated his...

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Zehetmair Quartet, Wigmore Hall

Austere celebrants of Beethoven and Shostakovich: Ursula Smith, Kuba Jackowitz, Ruth Killius and Thomas Zehetmair

This is the second Sunday in a month that I've sat in the Wigmore Hall and been plunged into an evening of ferocious concentration from the very first bars. Mid-January saw violinist Leonidas Kavakos and his phenomenal pianist Enrico Pace carving...

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Los Angeles Philharmonic, Dudamel, Barbican Hall/ Beethoven Masterclass, LSO St Luke's

Believe it or not, some critics can't get enough of London's superabundant concert scene. I could hardly be sour about not catching Gustavo Dudamel's first Barbican concert on Thursday night, spellbound as I was by his predecessor at the Los Angeles...

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Los Angeles Philharmonic, Dudamel, Barbican Hall

There had been murmurings that his star had dimmed. That Gustavo Dudamel's partnership with the Los Angeles Philharmonic (greeted with such fanfare in 2009) had yet to set the West Coast on fire. Had this Icarus flown too high? Would their debut...

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Opinion: If the classical concert scene ain't broke, don't fix it

Most of us don't object to experiments in concert presentation - the occasional one-off showcase to lure the young and suspicious into the arcane world of attentive concert-going, the odd multimedia event as icing on the cake. It's only those...

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Hough, Budapest Festival Orchestra, Fischer, Royal Festival Hall

Ivan Fischer's conducting: All about colour and texture and an open-air freshness

Who knew the changeover of the EU Presidency could be this much fun? Amid the formal bowing and scraping at the Royal Festival Hall bunfights last night that signalled that the Hungarians were now at the tiller of this sinking political ship were...

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Zimmermann, LPO, Saraste, Royal Festival Hall

Jukka-Pekka Saraste: Electrifyingly assured in toughest Nielsen

If you've just come back from a taxing, tiring orchestral tour, as has the London Philharmonic, the last thing you want to face is a programme of four tough works which demand, at the very least, bright-eyed vigilance but more often a tense, finger-...

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theartsdesk Q&A: Conductor Riccardo Chailly

When Riccardo Chailly (b 1953) left the Royal Concertgebouw for the Leipzig Gewandhaus, Richard Morrison said it was as if Bill Gates had ditched Microsoft for Aeroflot. The Gewandhaus has since become one of the lustiest of orchestral beasts in the...

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100 Years of German Song, 1810-1910, Schade, Martineau, Wigmore Hall

As we take in news of the cuts that the arts will have to absorb, and wait for the Cassandras to start hollering, it's important to remind ourselves of one arts venue that won't be wiping one bead of sweat off its brow as a result of today's...

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