BFI
graham.rickson
Orson Welles was commissioned by ITV in 1955 to make a 26-part series of travelogues. Always in search of money to fund his independent projects, he was initially enthused by the plan - though predictably he didn’t see it through. Only six episodes were broadcast – none of which stray out of Welles’ favourite European destinations.They’re full of artifice; sequences are repeated, and stock footage is used liberally. Welles is frequently seen posing with his handheld camera, though it’s obviously not his film that we’re watching. Some of the interview sequences seem stilted – largely because Read more ...
graham.rickson
Improbably described by the French archivist and critic Henri Langlois as “the greatest technician and the greatest poet of British cinema”, it seems incredible that Richard Massingham isn't better known. A doctor by training, his first shorts were made in the early 1930s as a weekend hobby, and he began shooting promotional and training films to make a living. Twenty two of them are collected here: they’re all highly watchable, the best combining rare technical skill with sardonic humour. Massingham‘s bumbling, childlike everyman stars in many of them, with a series of one-minute 1940s Read more ...
Demetrios Matheou
No-one could joke about the tragic aspect of Orson Welles’s career, the fact that his inestimable promise had only been partially realised, better than Welles himself. Once, when asked about the outrage following his panic-inducing radio adaptation of War of the Worlds, the director quipped, “I didn’t go to jail. I went to Hollywood.” And that was punishment enough.Welles, the boy wonder turned studio pariah, who nevertheless has more truly great films to his name than most filmmakers, was born 100 years ago: the BFI is marking the centenary with the retrospective Orson Welles: The Great Read more ...
Graham Fuller
Michael Keaton – like Cary Grant, Bill Murray, and George Clooney – is one of those stars who frequently convey their awareness that the situations they’re in are preposterous. He tautens his jaw muscles; his eyes express a mix of incredulity and suffering. That look is one of the many pleasures of Birdman or (The Unexpected Virtue of Ignorance), 2014’s Best Picture Oscar-winner and Keaton’s crowning achievement as a mature actor.Alejandro González Iñárritu's heavy dramas (Amoros Perros, 21 Grams, Babel, Biutiful) tend to the portentous. Turning to blackish comedy has rejuvented him. He didn’ Read more ...
Tom Birchenough
Among contemporary British documentarists Kim Longinotto has surely travelled the furthest afield internationally – Iran, Japan, Africa – to find her subjects. Love Is All brings her resoundingly back home to Britain, across a timeline that stretches from the very end of the 19th century when the moving image was born, right up to the present day. It’s a fluid anthology about human relations in every form you can imagine, drawn from both more formal feature and documentary films and informal footage from the archives of the British Film Institute and Yorkshire Film. Black and white material Read more ...
Demetrios Matheou
Cynical writer Macaulay Connor (Jimmy Stewart) and pragmatic photographer Elizabeth Imbrie (Ruth Hussey) are the tabloid team charged with getting the undercover scoop on the society wedding of the year, between old-moneyed Tracy Lord (Katharine Hepburn) and a self-made industrialist. Their way into the party: Tracy’s ex-husband, CK Dexter Haven (Cary Grant). Will Tracy actually marry a social-climbing stiff, or fall for the angry young reporter with an unnatural capacity for champagne? Will Dexter be able to turn the tables on Spy magazine’s diabolical editor? And why can’t we all dress like Read more ...
Jasper Rees
When people talk about the Heroic Age of exploration, the heroes are generally agreed to be the explorers. But we’d know a great deal less about Edwardian chaps pluckily struggling through far-flung snowscapes if there weren’t images of them in situ. And the men who caught those images can be counted heroes too. Herbert Ponting pioneered cold-weather photographic techniques in Antarctica with Scott. Frank Hurley hurled himself into a freezing flooded cabin to retrieve now iconic photographic plates from Shackleton’s sinking ship Endurance. And then there is Captain John Noel.It is no Read more ...
Tom Birchenough
More than once in André Singer’s documentary Holocaust: Night Will Fall – marking in advance the 70th anniversary, on 27th January, of the liberation of Auschwitz, having added that explanatory first word to the title with which the film was released in cinemas last year – his interviewees describe their experience as like “looking into hell”. We hear phrases like “world of nightmare”, “utter shock”, “beyond describing” repeatedly, uttered by the first Allied soldiers to enter the German concentration camps at the end of World War Two.We, the general viewer, have had seven decades to Read more ...
Tom Birchenough
French actress Marie Rivière had a specially close relationship with director Eric Rohmer. After seeing his work for the first time in the early 1970s, Rivière expressed her admiration in a letter, which led to a succession of parts and culminated with her appearing as heroine Delphine in Rohmer’s 1986 The Green Ray (Le rayon vert): the part was in some way centred on the experiences of the actress, who was allowed to develop the story through almost total improvisation. Rivière herself went on to make a documentary about the director which was finished shortly before Rohmer's death in 2010. Read more ...
Ismene Brown
What a day for piano-lovers and Beethoven-lovers – Elisabeth Leonskaja for lunch, Maria João Pires for supper. Beethoven from both, stupendous playing from both, all in all generating a general sense of disbelief in this member of the audience. I mean, really! The Wigmore Hall is the epicure’s choice for music, but even by Wiggie standards this was beyond expectations.Still more, these two grand pianists were bringing Beethoven the virtuoso pianist himself to life, turning from a display of his dynamic improvisation powers to his instinctive pleasure in the more rule-based working-out of Read more ...
Kieron Tyler
The key lines are “you’re reborn into an untroubled world” – a world “where everyone’s the same.” The 1956 Don Siegel science fiction film Invasion of the Body Snatchers is often taken as a response to America’s fear of Communism and the associated suppression of self, or as a commentary on the encroaching conformity brought by the spread of consumerism and a regimented suburbia. In both cases, homogenisation and standardised behaviour were the potential result.Seeing the film anew does nothing to alter these interpretations. In cinemas again as part of the BFI’s Days of Fear and Wonder Read more ...
Tom Birchenough
In his director’s interview for Goltzius and the Pelican Company Peter Greenaway describes the public profiles that his films have achieved over the years, dividing them into an effective A and B list. He counts his 1982 The Draughtsman's Contract as his most approachable work, while acknowledging that its follow-up A Zed & Two Noughts was greeted by a really savage critical and popular reaction (though the director himself thinks it’s his best film).With Goltzius Greenaway is back on form, coming at least close to the four-star mark, and the film achieved acclaim on its release around Read more ...