biopic
Jasper Rees
A couple of series ago Alan Yentob took himself off to Monte Carlo to grill Dame Shirley Bassey for Imagine about her life in showbiz. Kissinger got more out of Gromyko at the height of the Cold War. (The Soviet foreign minister’s nickname was Nyet.) The BBC have had another stab at showing what makes the girl from Tiger Bay tick, this time in the form of drama, where there is licence to make things up.The first thing Shelagh Stephenson’s script put straight is this business about Tiger Bay. The multiracial dockside slums of Cardiff was her home for only a couple of years before her black Read more ...
Jasper Rees
There are biopics and there are biopics. The process by which an actor is made up to look like the character he has been cast to play gets an intriguing twist in The Devil’s Double. Latif Yahia, who was often confused with Uday Hussein when they were at school, many years later found himself involuntarily drafted as the lookalike of Saddam’s son. And now both men are played by Dominic Cooper, who finds himself in the odd position of being made up to look like he's been made up to look like a lookalike.The question at the heart of this gruesome tour of recent Iraqi history is whether Latif Read more ...
igor.toronyilalic
There are many ways to get to the truth. One of the best ways is to ignore the truth. That seems to be the mantra of Ken Russell's colourfully mendacious portrait of the composer Pyotr Ilyich Tchaikovsky, The Music Lovers, receiving its long-awaited DVD release. The script (by a young Melvyn Bragg) is breathless and ludicrous and yields too swiftly and too often to the hysterical - to carpet-clawing madness, glass-smashing fury and shirt-tearing lust - as it follows an improbably manic and louche Tchaikovsky (Richard Chamberlain) and his struggles to juggle the obsessive love of the women and Read more ...
Adam Sweeting
The way the BBC keeps knocking out these little biopics about the lives of various household names (John Lennon, Gracie Fields, Margot Fonteyn etc), you'd think there was nothing simpler than to get inside the mind of some complex public figure, deftly sketching in a bit of socio-historical background on the side with a bit of help from the props and archive department. And, as this low-rent effort to drill into the emotional life of the beloved comic actress Hattie Jacques amply demonstrated, you'd be completely wrong.Throughout most of its 85 minutes I was poised on the edge of my seat, Read more ...
emma.simmonds
Made with the same furious energy which has characterised so much of Danny Boyle’s output, 127 Hours goes from the macro to the micro. It opens with a pounding split-screen assault of imagery depicting the frenetic, dehumanising nature of modern life, before closing in on one man’s five-day ordeal in a crack in the earth. In Boyle’s exuberant interpretation of Aron Ralston’s real-life story, what starts out as a cruel lesson in the perils of hubris quickly reveals itself as a life-or-death scenario.Aron Ralston (James Franco) is a young, cavalier adventurer, full of pluck and derring-do. As Read more ...
howard.male
The recurrent image in this somewhat staid documentary is a monochrome photograph of Poe’s moon of a face with its panda-like eye sockets. Occasionally the camera moves in for a close-up on those eyes - perhaps hoping they’ll reveal something that mere biographical detail doesn’t - but appropriately enough the grim Gothic writer’s eyes are more black holes than windows on the soul, and they give nothing away. The horrors, scandals and tragedies of Poe’s life had to be exhumed from his words, and the words of those who came into his orbit.With Bauhaus’s “Bela Lugosi’s Dead” throbbing away in Read more ...
Veronica Lee
Verbatim drama, long established in theatre, has rarely been used in film. But director Clio Barnard uses the device to magnificent, and sometimes deliberately disjointing, effect in The Arbor, to tell the story of Bradford playwright Andrea Dunbar, who wrote The Arbor and Rita, Sue and Bob Too (made into a film in 1986) before she died at the age of 29 in 1990.Dunbar, one of eight children and the daughter of a violent drunk, had packed a lot into those 29 years - three children by three fathers, a number of failed relationships and a handful of plays - and who knows what her early talent Read more ...
Nick Hasted
Howard Marks was a pothead Errol Flynn, living a life of remarkable escapades and hair's-breadth escapes. A Welsh working-class Oxford graduate in nuclear physics and philosophy, he’d be fascinating company even if he wasn’t once the world’s most successful dope smuggler, and an associate of the IRA, the CIA, the Mob and MI6. His autobiography, Mr Nice, has let Marks earn a living reminiscing about it ever since. But Bernard Rose’s adaptation casts inadvertent doubt on such cult heroism. Marks’s life here seems somehow inconsequential.Played by Rhys Ifans, he’s presented as an accidental Read more ...
Graham Fuller
A drop of menstrual blood spatters the ground in the opening shot of The Runaways, an insolent enough metaphor for the unstaunchable female energy that drives writer-director Floria Sigismondi’s bracing biopic of the pioneering all-girl teenage 1970s rock band until it heads up a narrative cul-de-sac. The blood is leaked by future lead singer Cherie Currie (Dakota Fanning), experiencing her first period while scampering to a club with her less innocent twin sister Marie (Riley Keough), who’ll soon be left in the slipstream of Cherie’s fame to become a drudge. The evening later finds them Read more ...
Jasper Rees
She glides on the arm of a tail-coated swain into an elegant Belle Epoque drawing room. Music swirls, eyes swivel. And no wonder. Her thin black dress hugs a gamine frame, a look of masculine confidence rests on her face. Gabrielle Bonheur Chanel, better known to all and sundry as Coco, is making an entrance. Another one.There’s been a lot of Chanel about recently. Coco Chanel & Igor Stravinksy dramatises the couturier’s brief and possibly fictional dalliance with the composer in Paris in 1920. It is only the latest episode in the afterlife of the designer credited with changing the lives Read more ...
anne.billson
Serge Gainsbourg, like Charles Bukowski, is one of those blokes who should be banned as a role model for impressionable young men, who may start imagining they too can behave like disgusting old soaks and pull any gorgeous bird who comes into their orbit. Note to Gainsbourg wannabes - this only works if you're a creative genius as well.Joann Sfar, hitherto best known in France as creator of The Rabbi's Cat BD (BD being short for Bande Dessinée or graphic novel, long regarded in France as a bona fide artform), makes his directing debut with Gainsbourg, an adaptation of another of his Read more ...
Veronica Lee
If I had a fiver for every time I have heard a comic described (usually by the comic himself) as “the new Bill Hicks”, I would be rather comfortably off. It’s tosh, of course, and, as his brother astutely says in American: The Bill Hicks Story, only Bill Hicks could be Bill Hicks, because what you saw on the outside was what was on the inside. Hicks himself is in no position to argue either way: he died, aged 32, from pancreatic cancer in 1994. Those who die at the height of their powers are usually conferred icon status; some deserve it; many do not. On balance, Hicks almost certainly does, Read more ...