sun 24/11/2024

Birmingham Royal Ballet

These Go To Eleven: The Problem of Noisy Orchestras

“Last summer we played a gala performance at the London Coliseum which included extracts from Spartacus, and most of the brass players wore earplugs because the music was relentlessly loud,” says Paul Murphy, Principal Conductor of the Royal Ballet...

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Birmingham Royal Ballet, Pointes of View, Birmingham Hippodrome

Elisha Willis in Tharp's 'In the Upper Room': 'This is a thrilling, mesmerising dance'

It can take almost as much courage for a ballet company to look backwards as forwards, and it’s one of the quirks of Birmingham Royal Ballet that you’ll find rare heritage ballets popping up in the mix. John Cranko’s The Lady and the Fool, a Fifties...

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The Sleeping Beauty, Birmingham Royal Ballet, London Coliseum

Good dancing - never mind great dancing - calls for an investment of imagination in every point of the foot, every raise of the arm. Why otherwise do the constant drill of turning out the leg, stretching the instep, taking fifth position, if the...

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Birmingham Royal Ballet 1990-2010, Birmingham Hippodrome

What should a choreographer set before a Prince for a Royal Gala performance when his finest hour is a portrayal of Royal buggery with a hot poker? Well, possibly (sotto voce) clogdancing cobblers and pegleg pirates might be found more suitable, and...

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Royals at Birmingham Royal Ballet

Prince Charles and the Duchess of Cornwall will attend Birmingham Royal Ballet’s 20th anniversary gala tomorrow night celebrating two decades in Birmingham for the company which was once Sadler’s Wells Theatre Ballet. The Prince of Wales is...

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The Nutcracker, Birmingham Royal Ballet, Birmingham Hippodrome

Peter Wright’s superlative production of The Nutcracker has returned to Birmingham Royal Ballet's repertory for Christmas, a production he created for the company in 1990 and to my mind superior to any other presented in the UK today. Magic, the...

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Birmingham Royal Ballet, Cyrano, Sadler's Wells

Lush, romantic storyballets are as scarce as hens' teeth these days, despite the longing of much of the ballet audience to see them. Not because they're too elementary for today's dancemakers, I'd guess, but because to make one with lively dancing...

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