Concerts at the Wigmore Hall offer many types of pleasure, but not often an evening so straightforwardly fun as Monday night’s recital by baritone Benjamin Appl and Lithuanian accordion virtuoso Martynas Levickis. Appl is primarily a Lieder singer – but here dived into a stylistically diverse world of music ranging from Mahler to Copland, via Ravel and Kurt Weill.There were passages of seriousness: Gustav Mahler’s dolorous opener, leavened by the sunny and saucy Alma Mahler that followed, and Reynaldo Hahn’s touchingly ingenuous take on Bach, “À Chloris”. Bernstein’s “Simple Song”, from his Read more ...

I think my problem is that when I should have been listening in school assemblies or RE lessons, I had the Tom Tom Club’s joyous “Wordy Rappinghood” buzzing through my mind. That experience has given me a lifelong aversion to phrases like “The Word was made flesh”, the gospel of St John proving somewhat less than indispensable for me so far. Curiously, that quote, coming very early, marked a high point for two reasons: the novelty of the lip-synch approach had yet to wear off and genuinely interesting insights into the origins, power and unique qualities of speech communication were offered. Read more ...

If you saw Upstart Crow on television or on stage in the West End, you’ll know the schtick of Sheldon Epps’ dazzling show Play On! Take a Shakespearean play’s underlying plot and characters and relocate them for wit and giggles. “Make it a musical“, you say? Okay, but who’s going to do the score, who’s going to dare to follow in the footsteps of Lenny and Steve, of Cole, of Elton (okay that one came a bit later)? “Duke Ellington!” Right. You’ve sold it.And away we go, the opener suggesting Twelfth Night on 42nd Street as a kid full of moxie and talent pitches up at The Cotton Club in the Read more ...

Does absolutely everything have to get more difficult with each passing year? Apparently so. The amount of time I’ve spent deciding which of the many truly excellent albums I’ve reviewed this year should get the ‘top prize’ has, frankly, been ridiculous. I’m not an indecisive person. And, for God knows that reason, I feel personally loyal to the artists upon whom it would have been easier to bestow this huge honour (Nadine Shah, Elbow, Joan as Policewoman, see below). I am choosing the road less travelled. Sort of.Get over yourself, I hear you cry. And you’re right. The reason I’ve plumped Read more ...

Lady Gaga has made clear this is not her official new artist album. It’s a side project, inspired by Harley Quinn, the nom-de-chaos of the Arkham Asylum inmate she plays in Todd Phillips’ much-anticipated sequel Joker: Folie à Deux. The original Joker, deep-dipped in Seventies Scorcese aesthetics, saw DC Studios demonstrate they could take superhero fictions to exciting new places. Setting the bar higher, the new film is a musical. Judging from this album, it’s going to boast a whole heap of swingin’ jazz energy.As a stand-alone album, it’s very much in the vein of her two albums with Tony Read more ...

I first saw Bill Bailey at least 30 years ago in the cabaret tent at Glastonbury Festival, the audience lying on hessian matting, a fug of hash smoke in the air. He seemed one of us, a bug-eyed, Tolkien-prog hippy with a stoned sense of humour and charged musical chops. A lot of water under the bridge since then. Animal rights champion. Won Strictly Come Dancing. Mellow middle-of-the road chat-show regular. Cuddly national treasure status approaching. Even recently told The Guardian he’d forgiven Bryan Adams his multiple musical atrocities. No way, dude. No way. And yet, and yet… at 59-years- Read more ...

You don’t expect a couple of septuagenarian contraltos, aided by a spring chicken of a soprano in her fifties, to sing naughty ditties about jacksies and titties. Then again, if you are a Fascinating Aida fan, you do. Thousands of fans turned up for the FAs’ three-night run at the Palladium, greeting the trio with a roar as if they were rock stars entering an arena. They’re much more interesting than most rock musicians: a fearlessly outspoken, deliciously outrageous act whose political stance has become more passionately entrenched over the 40-plus years since FA was formed by Dillie Read more ...

As the panto season is in full swing, theatregoers will be expecting to hear some smut. For those who don't like the traditional artform but still like a bit of filth – with songs – then Reuben Kaye's The Butch Is Back will do nicely.It's a storytelling show in a cabaret format as the fabulously dressed Australian comic and singer performs with his six-piece band. He has an extraordinary voice and the songs (arranged by his musical director Shanon D Whitelock, who is on keyboards) – bombastic, full-throated affairs and camp-as-you-like rockers – recount his childhood or act as a soundtrack as Read more ...

The day after I saw the show, as went about the mundanities of domestic life, I wondered how long it would take to come across a reference to 1984. My best bet was listening to an LBC phone-in concerning next week’s conference at Bletchley Park on Artificial Intelligence, but the advertising break intervened, so I switched to Times Radio. Sure enough, at 12.11pm in a report on an apology issued by the Cabinet Office to journalist, Julia Hartley-Brewer, Big Brother Watch was mentioned as the organisation that animated the complaint. It was not felt necessary to explain much about its purpose Read more ...

Forty years ago, the world was very different for gay men. AIDS was devastating their communities, especially in the big cities where hard-won enclaves of acceptance were being hollowed out, one sunken-eyed friend after another. Media screamed “Gay Plague” and some politicians barely suppressed their glee at the “perverts’” comeuppance. Allies were thin on the ground, the redtop press with their finger on the outing trigger never happier than when destroying lives for circulation.Into such a hostile, fearful, vicious world, Harvey Fierstein and Jerry Herman launched La Cage Aux Folles on Read more ...

Flat & the Curves, Pleasance Dome ★★★★Flat & the Curves – Katy Baker, Charlotte Brooke, Issy Wroe Wright and Arabella Rodrigo – perform a gig-style musical comedy show with risqué material about what it means to be a modern woman. And there's a generous side helping about the inadequacy of men, too.The songs in Divadom feature an impressive range of musical styles and pastiche – from 90s girl groups, jazz cabaret and even light opera – as the foursome sing their anthems to womanhood, either to backing tracks or with keyboard accompaniment by Brooke. The lyrics are wonderfully Read more ...

Whether you believe that Ellen Brammar’s play, Modest, newly arrived in London from Hull Truck Theatre, succeeds or not, rather depends on your criteria for evaluating theatre. On storytelling, character development and nuance, it is two and a half hours that goes nowhere. On representation, audience appeal and addressing past injustices, well, the reaction in the house to this Middle Child and Milk Presents collaboration will confirm that the job is done.Elizabeth Thompson’s The Roll Call was the sensation of the Royal Academy’s 1874 Summer Exhibition. Owing something to Gustave Courbet and Read more ...