Carlos Acosta
Elizabeth, Royal BalletSunday, 10 January 2016
Please, sir, I want some more. Will Tuckett and Alasdair Middleton's Elizabeth is soul food for the hungry dance fan; an ingenious blend of words, music and dance that beguiles and entertains in equal measure. The shame is that it will be seen by so... Read more... |
Carlos Acosta: A Classical Selection, London ColiseumThursday, 10 December 2015
“Every time I go on stage it could be the last,” Carlos Acosta warned a few years back. And now that moment has come – or very nearly. There are a scant six performances of this farewell gala at the Coliseum (largely a reprise of an Olivier-winning... Read more... |
Carmen, Royal BalletWednesday, 28 October 2015
Carlos Acosta is that rare 21st-century phenomenon – a performer who has become a household name without the help of reality TV. Even people who run a mile from ballet know the story of the Havana slum boy made good through perseverance... Read more... |
The Four Temperaments/Untouchable/Song of the Earth, Royal BalletSaturday, 28 March 2015
After the second piece of last night's triple bill, Hofesh Shechter's Untouchable in its world premiere, my friend asked me why it had been put on the programme with the first piece, George Balanchines 1946 Four Temperaments. He wondered if there... Read more... |
Swan Lake, Royal BalletWednesday, 11 February 2015
Is there an art-form more tied to bad as well as good tradition than classical ballet? Yolanda Sonnabend’s unatmospherically if expensively kitsch designs for this Swan Lake wouldn’t have lasted more than a season or two in the worlds of theatre and... Read more... |
Don Quixote, Royal BalletWednesday, 26 November 2014
The 1871 ballet that goes by the name of Don Quixote has always been a challenge to stage. Barely a tenth of its two hours-plus concerns the titular knight and his crackpot wanderings. The rest is fixed like a town hall security camera on the non-... Read more... |
Giselle, Royal BalletSunday, 19 January 2014
Ah, Giselle. Despite being cobbled together from a huge stack of 19th-century literary and dramatic tropes – fans of La Sylphide, Robert le Diable, Lucia di Lammermoor, Walter Scott and German Romanticism will feel right at home – and having a score... Read more... |
Don Quixote, Royal BalletTuesday, 01 October 2013
The opening night of the autumn season brings a gala first night, Carlos Acosta’s staging of Petipa’s Hispano-Russo-Austro-Hungarische castanet-fest, Don Quixote, with starry leads (Marianela Nuñez and Acosta himself), a very obviously expensive new... Read more... |
Carlos Acosta, Classical Selection, London ColiseumWednesday, 31 July 2013
The mighty adorable Carlos Acosta is at the London Coliseum this week in all his might and all his adorableness - four times, you may like to know, he appears without his shirt on. This is relevant, because it’s not the preening bare-... Read more... |
Mayerling, Royal BalletSunday, 16 June 2013
My great-grandmother used to say, "In the fall, leaves fall," meaning that as the weather gets colder, people die. The Royal Ballet has had leaves falling all year, and in the height of the (ha!) summer one of the most tenacious, and most beautiful... Read more... |
Apollo/ New Ratmansky/ New Wheeldon, Royal BalletSaturday, 23 February 2013
Two world premieres in one night is almost more pressure than anyone can bear - choreographers, commissioning company or audience. Still more when the spotlit dancemakers are probably the two top Western names in the art, Alexei Ratmansky and... Read more... |
Concerto/ Las Hermanas/ Requiem, The Royal BalletMonday, 19 November 2012
With a reputation as the prince of unflinching emotional catharsis, Kenneth MacMillan emerged from the Royal Ballet’s triple bill marking the 20th anniversary of his death as a lord of lyricism. The new bill presents MacMillan three ways, his... Read more... |
