fri 10/01/2025

chamber music

St Lawrence String Quartet, LSO String Orchestra, Adams, LSO St Luke's

“It looks like the Coconut Lounge,” remarked John Adams as he stepped up jauntily to introduce the first of two big string pieces composed 30 years apart. The folk with their drinks at the candlelit tables, though, were never allowed to sit back and...

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theartsdesk at Chetham's: New Life for an Old School

Like a streamlined sandstone-coloured satellite berthed unexpectedly in Manchester’s medieval quarter, the new addition to the country’s largest specialist music school, Chetham’s (pronounced Cheetham’s), makes a confident statement for the future....

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CD: Message to Bears - Folding Leaves

Oxford's Message to Bears project – a fluid collective around one Jerome Alexander – is one of music's best-kept secrets. In one and a half albums in 2008-9, Alexander created a new kind of ambient music: floating, rarefied chamber pieces in which...

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Trpčeski, Australian Chamber Orchestra, Tognetti, Queen Elizabeth Hall

A music broadcaster commented after last night’s concert by the Australian Chamber Orchestra that all the hype, all the talk about the surf-obsessed, free-spirited leader Richard Tognetti, had left her half expecting them to surf onto the stage of...

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Classical CDs Weekly: Brahms, Gál, Holliger, Schumann

Brahms composed trios throughout his life - these well-loved pieces contrast with the much rarer works of Hans Gal and the oboist Heinz Holliger, here exposed in his parallel career as a composer.Brahms Piano Trios, Horn Trio, Clarinet Trio Soloists...

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BBC Proms: Les Talens Lyriques/ BBC Philharmonic, Noseda

According to Classic FM’s managing director Darren Henley there are many people who find the term “chamber music” offputting, if not downright intimidating. Perhaps the best explanation of the genre comes from a musicologist who has termed it “the...

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BBC Proms: Orchestre Philharmonique de Radio France, Chung/ Erben, Belcea Quartet

Violinist Corina Belcea-Fisher: 'Impeccable in technique and delivery'

The Father, the Son and the Holy Ghost materialised yesterday. And I'm not talking about the transcendental appearance of the Holy Trinity of News International. I'm talking Proms. Last night's two saw a geriatric performance of the Brahms double, a...

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Mendelssohn on Mull: Close-up with Chamber Music

Getting to Mull is an improbably romantic journey to classical music-making. One can easily understand why Mendelssohn was so affected by his experiences in Scotland – and Mull. On the three-hour train journey from Glasgow one sheds the habits of...

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theartsdesk in Cheltenham: Seven Concerts in Two Days

For so many days a year, Cheltenham's Regency symmetry and conservative values totter and buckle as they veer dangerously towards relative festive liberalism. As I sliced into one of the four annual beanfeasts, the Cheltenham Music Festival, it...

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Nash Ensemble, Drapers' Hall, City of London Festival

It takes a lot to humanise the hideous late-Victorian glitter of Drapers' Hall, but the City of London Festival's latest cornucopia knew how. Ornithologist-composer David Lumsdaine's soundscape greeted us with Australian birds fluttering invisibly...

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110th Anniversary Gala 2, Wigmore Hall

Elgar in 1917, the year before he composed the Piano Quintet

Ghosts legendary and personal dog the nostalgic footsteps of Elgar's utterly characteristic late Piano Quintet - though who knew the old man had as much red blood in him as last night's world-class team managed to squeeze out? And circumstantial...

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James Bowman, Mahan Esfahani, Wigmore Hall

The end of an era: James Bowman bids a gentle farewell to the London concert stage

The Wigmore Hall was full to capacity last night, its crowd gathered to pay homage to a great musician at the end of his career, and to discover the talents of a great musician at the very beginning of his. While Alfred Deller might have been the...

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