Christmas
theartsdesk on Vinyl 35: Christmas 2017 Special with Pink Floyd, Mariah Carey, ELO, Madness and more
Thomas H. Green
The music business is about to disappear on holiday wholesale and we won’t see hide nor hair of it until mid-January. There’s just time for one last 2017 vinyl celebration. Regular readers should be warned that theartsdesk on Vinyl becomes rather easy-going at this time of year – must be all the Baileys – and prone to making allowances for the odd sliver of cheese and office-party silliness. It’s a Christmas special where, like Christmas itself, truly good music mingles more freely with the “fun” stuff, and music that might just make a good present. Have a top one. Enjoy yourself too much. Read more ...
Kieron Tyler
French stylist Gaspard Royant has recorded at London’s garage-rock-central studio Toe Rag and been produced by Edwyn Collins. Both fit a worldview which encompasses collaborating with Eli Paperboy Reed, who crops up here on “Christmas Time Again”, a cover of Reuben Anderson’s wonderful, soulful 1966 ska single. Drawing a line between garage rock, Sixties urban R&B and soul with dashes of blues and nods to Lee Hazlewood, Royant is a Gallic cousin to Richard Hawley. Unsurprisingly, his first Christmas album is a knowing affair.Scooping up tracks from Royant’s seasonal singles and marrying Read more ...
Saskia Baron
Theatreland is currently awash with pantomimes and rehashes of A Christmas Carol, so all credit to this ambitious new production, an adaptation of the 1935 children’s book, The Box of Delights. Long before Narnia, poet laureate John Masefield was concocting tales of children dispatched to mysterious country houses for safekeeping but encountering deep magic, time travelling and talking animals. Serialised by the BBC in the mid-1980s, this new stage version is the work of children’s writer Piers Torday and takes full advantage of the wonderfully ramshackle Victorian relic that is Read more ...
Barney Harsent
It’s easy to be cynical about Christmas pop albums. This is, of course, because so many of them are awful, hastily cobbled together collections of nothing, and about as much fun as munching your way through a kilo of sixpences hoping to find a tiny nugget of Christmas pudding.The idea that former Keane frontman Tom Chaplin could manage to reverse this trend might seem unlikely, but then this winter has been quite the season for shocks. From the President of the US trying to start a war in the Middle East to distract from his sexual misconduct, to a bungling burglar on a Christmas ad hugging a Read more ...
Thomas H. Green
Sia is a 21st century pop behemoth, an unstoppable figure who, despite no longer wishing to take part in the increasingly visual aspects of our social media age, still maintains a top-flight career. The best of her output hits the Venn diagram sweet spot where ear-bud phone-pop crosses over with wit and canny thinking. She’s not this writer’s bag – with the exception of Katy Perry’s smasher, “Chained to the Rhythm”, which she co-wrote – so it’s all the more of a surprise that her Christmas album proves such an endearing proposition.Everyday Is Christmas was created with another contemporary Read more ...
Liz Thomson
It’s that time of year again, and we’re forced to endure crap Christmas songs while waiting to pay for milk and loo rolls. The fingers of one hand are sufficient for listing the world’s only good Christmas albums and songs: Phil Spector’s Christmas Album, “Fairytale of New York”, “Happy Christmas (War is Over)”, “Merry Christmas Everybody” and “Do They Know It’s Christmas”. OK, that includes a thumb. As a child I was a great fan of “Little Donkey” by Nina and Frederick, and Harry Belafonte’s “Mary’s Boy Child”, with its faint hint of calypso. From Joan Baez’s long-ago Christmas album, Read more ...
Marina Vaizey
It is not just the season of holidays and holy days in the monotheistic religions; the art galleries and museums are busy reminding us of worlds beyond, with Imagining the Divine at the Ashmolean in Oxford, and Living with Gods at the British Museum (replete as is now de rigueur with illuminating radio programmes from Neil Macgregor, whose book will follow in March). God and gods are more than ever with us, even in the West’s secular age.As if to emphasise that, God: A Human History is an individual and idiosyncratic compendium of authorial and anecdotal observations on gods and God from the Read more ...
David Edgar
Since mid-August, I’ve been doing something I swore I’d never do again. I’ve been rehearsing a new adaptation of a novel by Charles Dickens. Sometime in the autumn of 1979, I received a phone call from Trevor Nunn, artistic director of the Royal Shakespeare Company. He explained that the company wanted to do a version of a Dickens novel, and would I be interested in adapting it?As my brain rushed chaotically through what I remembered of the Dickens canon, he explained that the choice was down to two: the dark and majestic late novel Our Mutual Friend and the earlier picaresque jollity Read more ...
Lisa-Marie Ferla
The best thing about a year without Doctor Who? It’s been a year since we last heard people (adults) complain that the show’s increasingly labyrinthine, convoluted plots were too complex for children.But the best thing about this year’s Christmas special? It was a self-contained, fast-paced hour which perfectly captured the childlike wonder and good fun that has always been at the heart of a show about a time-travelling space alien.Everything else was present and correct for this festive feastIn what was perhaps a nod to the show’s ever-increasing popularity on BBC America, The Return of Read more ...
David Nice
Five seconds of cadenza in Mozart's Exsultate Jubilate would be enough to tell you that there's no more magical stylist among sopranos than Lucy Crowe. In an evening of Allelujas, Glorias and heartfelt Amens beautifully modulated by director of sprightly La Nuova Musica David Bates - henceforth David Peter Bates - hers was the central spot, and you wanted it to go on for ever.Even as much as she gave - five consecutive movements in Bach's Cantata Jauchzet Gott for soloist, trumpet (the brilliant David Blackadder) and string/continuo ensemble before the interval, four in the Mozart after it - Read more ...
graham.rickson
Bach: Christmas Oratorio Dunedin Consort/John Butt (Linn)This set makes a brilliant counterpoint to last week’s modern instrument Sony recording, an earthier, differently flavoured set from one of the UK’s best period ensembles. John Butt uses just two singers for each vocal part, each pair swapping solo duties for the different cantatas which make up the oratorio. The Dunedin Consort’s playing is full of character: horns and trumpets are stretched to the limit but acquit themselves handsomely, and there’s some nifty bassoon work from the superb Peter Whelan. And who needs modern oboes when Read more ...
Barney Harsent
For those of you who aren’t parents, or a member of theartsdesk’s burgeoning under-5 readership, Mr Tumble is the comic creation of Justin Fletcher a children’s entertainer and TV presenter. Among his CV highlights is providing the voice of Jake, one of the the Noughties, pre-school phenomenon the Tweenies, and a character who made Joe Pasquale sound like Richard Burton after a packet of woodbines and half a bottle of decent Scotch.I’m not joking, compared to that voice, nails down a blackboard seems like a decent option for guided meditation, so I’m genuinely terrified going into this. I’m Read more ...