class system
Twelfth Night, Royal Shakespeare Theatre review - comic energy dissipates in too large a spaceSunday, 22 December 2024
It is not just Twelfth Night, it’s Twelfth Night, or What You Will in The Folio, a signpost of the choices the inhabitants, old and new, of Illyria must make. Perhaps it’s also an allusion to Will’s own choices as an actor/playwright in the all... Read more... |
All's Well That Ends Well, Sam Wanamaker Playhouse review - Shakespeare at his least likeableMonday, 25 November 2024
"All’s well that ends well". Sounds like the kind of phrase a guilty parent says to a disappointed child after they’ve been caught in a white lie and bought them a bag of sweets to smooth things over. It’s a saying that betokens bad behaviour, a... Read more... |
Alan Hollinghurst: Our Evenings review - a gift that keeps on givingMonday, 04 November 2024
In Alan Hollinghurst’s first novel, The Swimming Pool Library (1988), set during the summer of 1983, the young gay narrator, William Beckwith, lives in Holland Park. That same year and location furnish the setting of the first part of Hollinghurst’s... Read more... |
How To Survive Your Mother, King's Head Theatre review - mummy issues drive autobiographical dramedyThursday, 31 October 2024
It is unsurprising to learn in the post-show Q&A that each audience receives Jonathan Maitland’s new play based on his 2006 memoir differently. My house laughed a lot (me especially) but some see the tragic overwhelming the comic, and the laughs... Read more... |
The Forsyte Saga Parts 1 and 2, Park Theatre review - if Chekhov did soap operasSaturday, 26 October 2024
The misadventures and misbehaviours of the English upper-middle class is catnip for TV executives. All those posh types on which us hoi polloi can sit in delicious self-righteous judgement, as we marvel at their cut glass accents, well-tailored... Read more... |
Megalopolis review - magic from cinema's dawnMonday, 30 September 2024
“What happens if you’ve overstepped your mandate?” aristocrat-architect Cesar Catalin (Adam Driver) is asked. “I’ll apologise,” he smirks. Francis Ford Coppola’s forty years in the making, self-financed epic is studded with such self-implicating... Read more... |
The Birthday Party, Ustinov Studio, Theatre Royal Bath review - Pinter still packs a punchSaturday, 17 August 2024
Before a word is spoken, a pause held, we hear the seagulls squawking outside, see the (let’s say brown) walls that remind you of the H-Block protests of the 1980s, witness the pitifully small portions for breakfast. If you were in any doubt that we... Read more... |
Miss Julie, Park Theatre review - Strindberg's kitchen drama still packs a punchThursday, 13 June 2024
You have to tiptoe around the edge of the set just to take your seat in the Park’s studio space for Lidless Theatre’s Miss Julie. There’s a plain wooden table, a few utensils on it, wooden chairs and a small cabinet – not much, but, we’re smack... Read more... |
Hugo Rifkind: Rabbits review - 31 wild parties and a funeralMonday, 10 June 2024
In some ways I’m an appropriate person to review Hugo Rifkind’s new novel Rabbits, a coming-of-age comedy set in the early Nineties. I’m about the same age as Rifkind, and was going through the agonies of school and university, drinking and girls at... Read more... |
Boys from the Blackstuff, National Theatre review - a lyrical, funny, affecting variation on a television classicThursday, 30 May 2024
Prolific playwright James Graham was born in 1982, the year Alan Bleasdale's unforgettable series was televised. From Nottingham rather than Liverpool, Graham recognised in his own surroundings the predicaments of the main characters, the bonds... Read more... |
Testmatch, Orange Tree Theatre review - Raj rage, old and new, flares in cricket dramedySaturday, 27 April 2024
Cricket has always been a lens through which to examine the legacy of the British Empire. In the 1930s, the infamous Bodyline series saw the new nation, Australia, stand up to its big brother’s bullying tactics. In the 1970s, the all-conquering West... Read more... |
Cassie and the Lights, Southwark Playhouse review - powerful, affecting, beautifully acted tale of three sisters in careThursday, 11 April 2024
"In care". It’s a phrase that, if it penetrates our minds at all, usually leads to distressing tabloid stories of children losing their lives at the hands of abusive parents (“Why oh why wasn’t this child in care?”) or of loving parents separated... Read more... |
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