contemporary art
Visual Arts Lockdown Special 2: read, search, listen, createTuesday, 05 May 2020
Arguably one of the most poignant effects of the lockdown has been to simultaneously draw attention to the connections between the arts and the distinct ways they have evolved into their own forms. Sculpture, painting, textiles, performance art,... Read more... |
10 Questions for Irina NalisThursday, 19 March 2020
Normally we'd put a descriptor - "cellist", "film maker", "techno producer" for example - in the title of this interview, but for Irina Nalis there isn't space. Like, "10 Questions for psychologist, ministerial adviser, festival founder,... Read more... |
'A laboratory for everything': Jasper Parrott on the future of his classical music agencySaturday, 05 October 2019
Fiftieth anniversary? It seems incredible but also so exhilarating not least because these times we live in now seem to me to be a golden age for music of all kinds and in particular for what we label so inadequately classical music. This flowering... Read more... |
Anish Kapoor, Lisson Gallery review - naïve vulgarity and otherworldly onyxTuesday, 21 May 2019
There are children screaming in a nearby playground. Their voices rise and fall, swell and drop. Interspersed silences fill with the sound of running, the movement and cacophony orchestrated by a boy who leads on the catch tone. It's simultaneously... Read more... |
58th Venice Biennale review - confrontational, controversial, principledTuesday, 14 May 2019
There’s a barely disguised sense of threat running through the 2019 Venice Biennale. Of the 79 participating artists and groups, all are living and there’s a sharp sense that the purpose of the exhibition is to diagnose the ills afflicting the... Read more... |
Cathy Wilkes, British Pavilion, Venice Biennale review - poetic and personalTuesday, 14 May 2019
Dried flowers like offerings lie atop a gauze-covered rectangular frame. Pebbles surround its base alongside plaster casts, a desiccated dragonfly and an animal foot charm. Their placement is purposeful; their exact significance unclear. Four rib-... Read more... |
Sea Star: Sean Scully, National Gallery review - analysing past mastersTuesday, 23 April 2019
Either side of a doorway, framing a view of Turner’s The Evening Star, c. 1830 (Main picture), Sean Scully’s Landline Star, 2017, and Landline Pool, 2018, frankly acknowledge their roots. Abstract as they are, Scully’s horizontal bands of... Read more... |
10 Questions for Brighton Festival CEO Andrew CombenThursday, 28 March 2019
The Brighton Festival begins in May. Since 2014 theartsdesk has had a media partnership with this lively, multi-faceted event which takes place over three weeks. This year the Guest Director is the Malian musician Rokia Traoré, who inhabits a... Read more... |
Edwin Landseer / Rachel Maclean, National Gallery review - a juxtaposition of oppositesTuesday, 04 December 2018
Familiarity breeds contempt, which makes it difficult to look at Edwin Landseer’s The Monarch of the Glen (pictured below). The reproduction of this proud beastie on T-towels, aprons, jigsaws and biscuit tins blinds one to the subtle nuances of the... Read more... |
Imagine... Tracey Emin: Where Do You Draw the Line, BBC One review - entertaining but deferentialWednesday, 24 October 2018
It’s been a whirlwind year for Tracey Emin, CBE, RA. Her pink neon sign, “I want my time with you”, greets passengers at St Pancras station, she’s installed bronze birds all over Sydney city centre, she’s making a derelict print works in Margate... Read more... |
Modern Couples, Barbican review - an absurdly ambitious survey of artist loversSaturday, 13 October 2018
What an ambitious project! Modern Couples: Art, Intimacy and the Avant-garde looks at over 40 couples or, in some cases, trios whose love galvanised them into creative activity either individually or in collaboration.The best thing about the... Read more... |
The Everyday and the Extraordinary, Towner Art Gallery, Eastbourne review - the ordinary made strangeThursday, 04 October 2018
There’s a building site outside the Towner Art Gallery and a cement mixer seems to have strayed over the threshold into the foyer. This specimen (pictured below right) no longer produces cement, though. David Batchelor has transformed it into an... Read more... |
