coronavirus
10 Questions for Harry Grafton of Red Rooster FestivalWednesday, 14 July 2021
Harry Grafton (b. 1978) is the preferred title of Henry Fitzroy, 12th Duke of Grafton, custodian of Euston Hall in Suffolk and the man behind the Red Rooster Festival. The latter, during its six pre-COVID years of existence, built a reputation for... Read more... |
Never to Forget, Spitalfields Festival review – moving musical tributes to lost care and health workersFriday, 02 July 2021
During early lockdown in 2020 Howard Goodall published an article pondering the role of the composer in a pandemic. His answer was that music has throughout history been successful at memorialising people and events, and that it could do so again.... Read more... |
Nichola Raihani: The Social Instinct review - the habits of co-operationFriday, 04 June 2021
An army on the move must be as disturbing as it is, on occasion, inspiring. In E.L. Doctorow’s startlingly good civil war novel The March, General Sherman’s column proceeds inexorably through the southern United States like a giant organism. It... Read more... |
Jonathan Calvert and George Arbuthnott: Failures of State review - a devastating exposé, slightly mistimedWednesday, 14 April 2021
Almost a year ago, in the midst of the first national lockdown, The Sunday Times broke the news that Boris Johnson had failed to attend five consecutive Cobra meetings in the lead up to the coronavirus crisis. The article went viral, reaching... Read more... |
Assembly, Donmar Warehouse online review - the future is coming, ready or notWednesday, 24 March 2021
“Your task is to imagine the future.” That’s what the citizens of Assembly, a new streamed production performed and devised by the Donmar Warehouse’s Local Company, are told. It can be anything they like, so long as they make it together – which is... Read more... |
Prix Pictet: Confinement review - a year in photographsThursday, 18 March 2021
Sustainability and the environment are watchwords for the Prix Pictet, the international photography prize now in its ninth cycle. Since its launch in 2008, it has responded to the state of the world with urgency and compassion, its shortlists all... Read more... |
Album: Maxïmo Park – Nature Always WinsSaturday, 20 February 2021
Composed in the first lockdown, and recorded remotely, the seventh album from Newcastle’s Maxïmo Park was produced by Ben Allen (Animal Collective, Deerhunter). But it is not so much a record of the times as a snapshot of a time in the... Read more... |
Sauti za Busara Festival 2021, Zanzibar review - 2500 gather to celebrate music unlockedFriday, 19 February 2021
“Zanzibar, are you ready?” yells the singer from the stage.There’s a huge cheer. It seems the crowd – and it is a crowd – is certainly ready. In shades, a flat cap and dreadlocks down his back, singer Barnaba Classic (pictured below left)... Read more... |
Malcolm & Marie review - actorly grandstanding in beautiful black and whiteFriday, 05 February 2021
Do you want to spend 105 minutes trapped in a house with two people arguing, or do you already feel that your life under lockdown is quite quarrelsome and claustrophobic enough? If your answer is the former, then Malcolm & Marie is the... Read more... |
theartsdesk Q&A: actor Polly Walker on 'Bridgerton' and the new breed of period dramaMonday, 25 January 2021
Polly Walker's character in Netflix's sumptuous new Regency romance, Bridgerton, could've easily been little more than a villainous Mrs Bennet. We meet Lady Featherington as she's forcing one of her daughters into a tiny corset, muttering about how... Read more... |
Albums of the Year 2020: Fiona Apple - Fetch the Bolt CuttersMonday, 28 December 2020
Back in October, Fiona Apple – whose Fetch the Bolt Cutters, released in April, captured a particular early pandemic mood – was interviewed by Emily Nussbaum for The New Yorker Festival. “I think we women should be marrying our friends,” she told... Read more... |
Best of 2020: FilmSaturday, 26 December 2020
It all started so promisingly. Parasite's triumph at the Oscars was a resounding response to 2019's saccharine and problematic Green Book. Art house was in and here to stay. And in some ways, this came to pass - with cinemas caught in a cycle of... Read more... |
