thu 26/11/2020

Debussy

Classical CDs Weekly: Debussy, Respighi, The Red Book of Ossory

 Debussy: Images, Prélude à l'après-midi d'un faune Hallé/Sir Mark Elder (Hallé)That Debussy used the Geordie folksong The Keel Row in the first of his three Images for Orchestra is well known, and careful listening makes one realise that he...

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Louis Schwizgebel, Fidelio Orchestra Café review – gilt-edged postcards from around the world

A front-rank pianist only takes on Musorgsky’s Pictures at an Exhibition in full confidence of being able to handle the massive bells and blazing chants of its grand finale, “The Great Gate of Kiev”. To risk it in a far from large café space adds to...

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Javier Perianes, QEH review - not a Spanish fire-eater but a world-class poet

Expect no cliches about toreador pianism. Red-earth flamboyance is not Javier Perianes' style, and the seven dances he offered in his programme - eight including an encore - by fellow Spaniard Manuel de Falla were not the most consistently engaging...

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Classical CDs Weekly: Debussy, Feldman, Langgaard

 Et la lune descend – piano music by Claude Debussy Olga Stezhko (Palermo Classica)Olga Stezhko writes in her extended sleeve note of wanting “to look beyond the multifaceted beauty of Debussy’s piano pieces and bring out the edge and ambiguity...

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CBSO, Leleux, Birmingham Town Hall review - oboe extraordinaire

There’s always a special atmosphere when the City of Birmingham Symphony Orchestra returns to Birmingham Town Hall, and it’s not just because of the building’s Greek Revival beauty: the gilded sunburst on the ceiling, or the towering, intricately...

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Two-Piano Marathon, Kings Place review - dazzling duos, deep waters

You get a lot of notes for your money in a two-piano recital - especially when seven pianists share the honours for two and a half hours' worth of playing time. Well, they did call it a marathon, crowning the London Piano Festival so shiningly...

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Katya Apekisheva, Charles Owen, Kings Place review - one plus one equals a hundred

We could probably spend all day pondering what makes a great musical partnership. Is it long experience, special sensitivity, a shared sense of humour? We’d get nowhere, though because there is, genuinely, something about it that can't be explained...

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Prom 69, Skride, Boston SO, Nelsons / Proms at...Cadogan Hall 8, Berlin Philharmonic Soloists review - sophisticated limits

Crazy days are here again – many of us are lucky not to have been born when the last collectve insanity blitzed the world – and nothing in Shostakovich seems too outlandish for reality. On the other hand, there's a growing movement to liberate his...

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Prom 45, Capuçon, Orchestre de la Suisse Romande, Nott - scintillating new era for Swiss magicians

Who is the greatest British conductor in charge of a major orchestra? It's subjective, but my answer is not what you might expect. Jonathan Nott has done all his major work so far on the continent. He left the Bamberg Symphony Orchestra in excellent...

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Prom 44, Gringytė, CBSO, Morlot review - eloquently sculpted Gallic riches

This should have been the third much-anticipated Prom of the City of Birmingham Symphony Orchestra's inspiring communicator-in-chief Mirga Gražinytė-Tyla. She's now on maternity leave. So those of us who hadn't experienced Ludovic Morlot live before...

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Prom 28, National Youth Orchestra, Benjamin review - micro-music from a mega-band

Anyone who came to the National Youth Orchestra’s annual Prom in the hope of hearing some roof-raising feelgood blockbuster might have slunk out disappointed into the tropical night of Kensington. What an ambitious, high-concept menu Sir George...

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Prom 5, Pelléas et Mélisande, Glyndebourne review - for the ears, not the eyes

What a fabulous score Pelléas et Mélisande is, and what a joy to be able to hear it in a concert performance without the distraction of some over-sophisticated director’s self-communings. Well, if only. What last night’s Prom in fact served up was a...

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