Debussy
Boyd Tonkin
Water surged through this Prom from first spray to last drop. But there was nothing damp or diluted about Edward Gardner’s helmsmanship as he steered the London Philharmonic Orchestra through a succession of liquid rhapsodies: three from the early 20th century; one from 1993.Aigul Akhmetshina, the star mezzo (and ubiquitous Carmen) who sang in Ravel’s Shéhérazade song-cycle, went with the flow herself in a notably collegiate performance that impressively blended her own sumptuous instrument with the lush orchestration around the vocal line. On paper, this looked like an almost overloaded Read more ...
Rachel Halliburton
To mark this year’s summer solstice, a small audience gathered at London’s newest concert venue, the World Heart Beat Embassy Gardens, a small and perfectly formed hall bristling with “state-of-the-art” acoustics and digital facilities. On a balmy midsummer’s evening, the pianist and composer Rieko Makita invited us to reflect on the different moods and aspects of the night, in a programme that combined music with digital art projections.Makita is part of the ever-expanding movement in London to explore technology and new venues as a way of taking classical music to different audiences. For Read more ...
graham.rickson
Michel Béroff: Complete Erato Recordings (Erato)My associating French pianist Michel Béroff with ‘modern’ music says more about my age than it does about Béroff’s actual specialities. If you were looking for Messiaen in an early 1980s record library you’d probably find his EMI LPs of Turangalîla, the Quatour pour la fin du Temps and the Vingt Regards sur l'Enfant-Jésus on the shelves, the last named a work which Béroff played extracts from to its composer in 1961, at the age of 11. The mind boggles; as it does when you learn that the earliest recording in this 42-disc box is the Quatuor Read more ...
graham.rickson
Quartets Through a Time of Change: music by Ravel, Durey, Tailleferre and Milhaud Brother Tree Sound (First Hand Records)There are plenty – and I mean plenty – of recordings of the Ravel String Quartet, the majority, I would guess, paired with the Debussy Quartet, in what has become something of a programming cliché. The Brother Tree Sound quartet take the rather more enterprising approach of putting it alongside three other French quartets written between 1917 and 1919, none of which are very well-known if they are known at all. It works really well, both as exposure for the lesser Read more ...
graham.rickson
Beethoven: Diabelli Variations, Debussy: Préludes George Lepauw (piano) (Orchid Classics)Beethoven and Debussy don’t often share column space, but listening to these albums in succession proved to be an enjoyable experience. George Lepauw’s 2017 set of Bach’s Well-Tempered Clavier has long been one of my favourites, so I was keen to hear how he tackled Beethoven’s vast, multi-faceted Diabelli Variations. These aren’t variations in the Goldbergian sense: Beethoven’s German title for the work translates more accurately as ‘transformations’, and we frequently lose sight of the Read more ...
graham.rickson
Bloch: Schelomo, Bruch: Kol Nidrei, Dohnányi: Konzertstück Tim Posner (cello), Berner Symphonieorchester/Katharina Müllner (Claves)You know that some releases will be good within just seconds of pressing play. Here, the seductive, rich tone of Katharina Müllner’s Berner Symphonieorchester draws you in like a magnet, the string harmonics heard two minutes into Bloch’s Schelemo hitting you like a sharp poke in the ribs. And cellist Tim Posner sits so comfortably in the mix, sound engineer Johannes Kammann deserving a shout out – this is one of those rare recordings that sounds fabulous at Read more ...
Simon Thompson
While it is an incontrovertibly good thing that the classical music world has set about rediscovering the work of neglected female composers, not all rediscoveries are equally worthy of being found. Particularly on a day like International Women’s Day (IWD), concert programmers run the risk of unearthing work that tends towards the mediocre, and which can end up being tokenistic.Not on this IWD concert, however. I’d never heard of Mel Bonis (pictured below) until this Royal Scottish National Orchestra concert, but her Trois femmes de légende proved a delight. She studied with Franck in Paris Read more ...
Robert Beale
Back on home ground, the Hallé begin 2024 in Manchester with a repeated programme. I heard the first of three performances this week. It includes one piece they played only 10 days ago on a tour in Spain with the orchestra’s new principal conductor designate, Kahchun Wong. This time, however, the conductor was Alondra de la Parra (main picture), whose experience of working with young people was immediately apparent as she struck up a relationship with the parties of youngsters in the audience, talking to them about the music before the playing began.Two of the works – Debussy’s Prélude à Read more ...
graham.rickson
LICHT: 800 Years of German Lieder Anna Lucia Richter (mezzo-soprano), Ammiel Bushakevitz (hurdy gurdy, harpsichord, clavichord, fortepiano, piano) (SWR2/Challenge Classics)LICHT, 800 Years of German Lieder, from Anna Lucia Richter and Ammiel Bushakevitz does exactly what it says on the tin. Chronologically, the album’s eclectic programme takes us all the way from early 11th century Gregorian chant (it’s actually the final track, to make the story “run full circle”) to a song by Wolfgang Rihm published as recently as 2008. And on the way, it stops off to pay visits to (...wait for it Read more ...
graham.rickson
Debussy: Piano Works Volume 2 Dennis Lee (piano) (ICSM Records)I’m a huge fan of Colin Matthews’ idiomatic orchestral transcriptions of Debussy’s Préludes, so much so that it’s been a good few years since I’ve listened to the piano originals. This disc caught me unawares and made me reflect on just how difficult this music is to bring off. Bringing out every detail can impede the music’s flow, while concentrating too much on colour and atmosphere can make everything sound a bit blurry and vague. This is Malaysian pianist Dennis Lee’s second Debussy collection, and it’s something special Read more ...
graham.rickson
Vaughan Williams: Fantasia on a theme by Thomas Tallis, Elgar: Introduction and Allegro etc Sinfonia of London/John Wilson (Chandos)John Wilson has done it again! He is, at breakneck speed, building an extraordinary catalogue of recordings with his supergroup, the Sinfonia of London, which is – particularly in the realm of British string orchestra music – setting the pace both in terms of revelatory performances of canonic works and disinterred forgotten gems. Into that latter category must go last year’s wonderful John Ireland survey, and likewise the Berkeley and Bliss from 2021’ Read more ...
Robert Beale
Sir Mark Elder is back with the Hallé for the latest (and penultimate) filmed concert in their “Winter Season” of 2020 and 2021, including the world premiere of Huw Watkins' Second Symphony. He introduces it from the Bridgewater Hall foyer, and mentions plans for a six-concert summer series with audiences present in the hall – well, let’s hope so.There’s the usual “tuning up” brief clip of the busy streets of Manchester, and it’s straight into Debussy’s Prélude à l’après-midi d’un faune, with principal flute Amy Yule’s delightful solo, the harps of Marie Leenhardt and Eira Lynn Jones, and Read more ...