thu 12/12/2024

digital technology

Berlin: True Copy, Brighton Festival 2019 review - tricksy forgery masterclass

This brilliantly conceived and executed show is about provenance in art. It’s also about our perceptions of the truth. However, it’s a show where it would be churlish to reveal too much of what goes on. This is, of course, perverse since some will...

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CD: Holly Herndon - PROTO

To consider the third album from experimental composer Holly Herndon solely as a piece of music is to miss the point. PROTO is part artwork, part research project, on which Herndon teams up with collaborators both human and inhuman to discover...

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10 Questions for Candice Edmunds of Theatre Company Vox Motus

“When we graduated we were seeing lot of theatre as a literary form,” explains Candice Edmunds of the theatre company Vox Motus, “But we were really excited by it as a visual form and everything we make, from our earliest scratch pieces up to Flight...

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Videogames: Design/Play/Disrupt, V&A review - gaming for all

Design/Play/Disrupt at the V&A covers a wide variety of games that are spearheading the gaming world at the moment. It takes a closer look at eight of the most innovative and different games that have changed the world of gaming in the last five...

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Far Cry 5 review – forget the story and just go with the flow

Civilisation is under threat from a bunch of religious rednecks, and it’s your job as the new Deputy Sheriff of fictional Hope County to right the wrongs of a year-long silent coup initiated by Eden’s Gate, a fanatical doomsday cult, intent on...

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Ready Player One review - Spielberg goes back to the future

Suddenly Steven Spielberg movies are plopping off the production line like Ford Fiestas or Cadburys Creme Eggs. It seems like only seconds ago that we were greeting The BFG and the breast-beating earnestness of The Post, and now the director comes...

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Andrew O'Hagan: The Secret Life review – troubling tales from the online underground

Imagine that you come across a story by a journalist who, writing for the Daily Mail or The Sun, steals the identity of a real young man from a poor neighbourhood of south-east London. He had died of an overdose, aged 20, in 1984. Not knowing...

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CD: Gorillaz - Humanz

For some of us Blur were an irritant during the 1990s rather than one of the decade’s premier bands. However, once Gorillaz arrived it was impossible to ignore Damon Albarn’s outrageous talent any longer. His golden touch ensured his cartoon group...

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Artist Tyler Mallison: 'I don’t think about materials as being merely visible objects or things'

Artist and curator Tyler Mallison has chosen the world’s most generic title for his current exhibition. It's called New Material, and the surprising thing one discovers is that the hackneyed "new" really can be quite fresh. Sculpture and painting...

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Warcraft

The Warcraft series of "massively multiplayer online role-playing games" (or MMORPG if you must) has apparently amassed over 100 million users since it all began with Warcraft: Orcs & Humans in 1994. Ergo, turning it into a 3D multiplex-buster...

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Digital demands: time for artists to speak up?

Galloping technological change, collapsing incomes and a climate of violence facilitated by anonymity are just a few of the challenges facing creative artists in today's digitally driven world. What can be done to put all this right? The man to ask...

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CD: Orlando Voorn - In My World

Once upon a time, techno was the future, and Orlando Voorn was right at the heart of building that future. The Dutchman was in early on the late-1980s wave of Detroit electronic production – in which small groups of black Americans surrounded by...

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