documentary
Owen Richards
Don’t do drugs, kids. For the past 50 years, that’s been the consistent message. But how much of what we know about psychedelics is just fearmongering? Do you really want to jump out of a window? Will you permanently lose your mind? To find out the truth behind the campaigns, writer Donick Cary dives into the real-life trips of a gaggle of famous faces for this multicoloured Netflix documentary.When you think of rock stars on drugs, you might imagine tragic scenes of excess and overdose. It’s unlikely you picture Sting birthing a cow while tripping on Mexican peyote. But this farcical tableau Read more ...
Jill Chuah Masters
The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema. It reconfirms Women Make Film as a remarkable feat of excavation and curation, as its twenty chapters showcase overlooked, excellent work by far-flung filmmakers. Hungarian filmmaker Ildikó Enyedi and Wang Ping, socialist China’s first female director, are featured alongside film-school favourites like Denis and Akerman.The actresses Thandie Newton (pictured below) and Debra Winger are lead narrators now. Their Read more ...
Joseph Walsh
Equally ambitious in scope as his 900min ode to cinema The Story of Film: An Odyssey, Mark Cousins’ latest work, Women Make Film, is a fourteen-hour exploration of the work of female film directors down the decades.Cousins’ Irish brogue no longer narrates the action, having replaced himself with the likes of Tilda Swinton (who also produces the film), Jane Fonda, Adjoa Andoh, Sharmila Tagore and Kerry Fox (at least in the first 20 chapters that this review covers). They, and Cousins, guide us on a self-described ‘road movie’, that shifts from clip to clip, Read more ...
Veronica Lee
Ask any great sportsman or woman about greatness and they'll tell you it's as much achieved as made; natal talent isn't worth much if you don't practise, or are unfit, or don't have a hunger to win. But much of modern sport has become obsessed with statistics, performance levels and the crunching of numbers – many with dollar or pound signs in front.Gabe Polsky's film suggests that that approach is taking all the joy and individuality out of sport, and not just at the professional level because it has filtered down to schools. Polsky (who made Red Army) is helped to make his case by three Read more ...
Joseph Walsh
It’s fair to say that humanity’s relationship with nuclear energy over the last 50 years has had more highs and lows than a Spanish soap opera. From the Manhattan Project to Hinkley Point, it’s been a controversial technology that has promised both humanity’s salvation and damnation.Now, first-time director Vicki Lesley’s easy-going documentary explores the post-war history of nuclear power. Captured with an odd degree of lightness, she makes an otherwise heavy subject accessible. Lesley tells the history of the atom as if it were a romcom. Hiroshima and Nagasaki are swiftly brushed Read more ...
Owen Richards
Only those who really love you can deliver the hard truths, and for filmmaker Elizabeth Sankey, that one love is romantic comedies. Better known as one half of band Summer Camp, Sankey is a self-confessed romcom expert, having watched nearly every film from the 80s onwards. It was her happy place, but in this new visual essay on MUBI, she breaks down the huge number of problematic tropes that fill the genre.There are certain rules that nearly every romantic comedy abides by. There are the female-led films, with straight, middle-class, white women defined by their weight and career, until they Read more ...
Liz Thomson
Back in the day, the weekend started with Ready Steady Go. Now Friday evenings are once more essential viewing, and not just because we’re all locked down. While the endless ToTP reruns are often no more than bad-taste wallpaper, the music documentaries are consistently high quality.This week the camera, or perhaps the spotlight, fell on The Shadows, “the British guitar band that sparked a revolution” as Gina McKee’s voiceover to The Shadows at Sixty informed us with little or no exaggeration. Spoken of in the same breath as Cliff Richard, the original British rock idol whom they backed, The Read more ...
Adam Sweeting
Portmeirion, the Italianate village created by architect Sir Clough Williams-Ellis on the River Dwyryd estuary, might have been designed to provide the perfect surreal setting for the 1967 TV series The Prisoner. But though it resembles an opium dream of doll’s houses and fairytale landscapes, Portmeirion has proved remarkably sturdy, and with its selection of hotels and self-catering cottages functions successfully as a holiday destination.This new series will chart a year in the village’s life, and this opening episode was like following the local postman round the houses, and being Read more ...
Florence Hallett
One year on the world is drastically altered, but footage of Notre Dame’s stricken spire collapsing in flames is no less shocking. That this event, endlessly replayed, has not paled against the new reality of daily death tolls is testament to the scale of the loss. As the rector of Notre Dame, Patrick Chauvet put it: “Notre Dame is not just Paris, it’s France and beyond France, it’s the world.”By the time a fire was discovered at 6.43pm, more than 30 minutes had elapsed since a sensor had detected smoke in the attic, and Notre Dame, one of the great monuments of Gothic architecture, was Read more ...
Adam Sweeting
When the notorious Bergen-Belsen concentration camp in northern Germany was liberated by the British 11th Armoured Division on 15 April 1945, the BBC’s reporter Richard Dimbleby was there to record the occasion. It was Dimbleby’s report for BBC radio, describing how he’d been plunged “into the world of a nightmare”, that alerted the wider world to the scale of the horrors which the Nazis had been perpetrating in the camps. The BBC producers in London were so appalled by Dimbleby’s account that they were proposing not to broadcast it, until he threatened to resign if they didn’t.There were Read more ...
Owen Richards
The UK-wide lockdown has thrown the cinematic release schedule into chaos. Some films are postponed indefinitely, while others have opted for direct digital releases. It’s not ideal for anyone, but in a strange way it may play to The Whalebone Box’s favour. Specialist arthouse streaming service MUBI has secured the exclusive rights, and their captive subscribers are the ideal audience for such a strange, hypnotic piece.Experimental artist and filmmaker Andrew Kötting has built a reputation for idiosyncratic documentaries, and The Whalebone Box is true to form. Essentially, the plot follows Read more ...
Tom Birchenough
Zed Nelson brings enormous humanity to this portrait of the changing identity of Hackney’s Hoxton Street as gentrification impinges on its long-established community. Shops that have been there for decades vanish overnight, fancy new pavement cafes spring up, and Nelson listens, patiently, to all who will talk to him, with a striking sense of their being able to speak in their own time, unprompted, unhurried. A Hackney resident most of his life, he worked on The Street over four years and the trust he obviously earned speaks to the best traditions of social documentary.A couple of miles from Read more ...