tue 25/06/2024

Donmar Warehouse

My Night with Reg, Donmar Warehouse

Daniel loves Reg; so does John. Guy loves John; John doesn’t love Guy. Bernie loves Benny, and drives him mad. And as for Eric, he once thought he could fall for Reg – but they only shared one night together, and he never even knew Reg’s name. And...

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Fathers and Sons, Donmar Warehouse

Brian Friel’s affinity with Russian writers, notably Chekhov and Turgenev, is central to his work, the playwright seeing similarities between their tragi-comic characters, hanging onto “old certainties” despite knowing in their hearts that their...

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The Resurrection of Conor McPherson

The transfer this week to the West End of The Weir has reminded theatre-goers of Conor McPherson’s hypnotic powers as a dramatist. In the Donmar's revival of the play you can palpably feel the playwright’s storytelling magic casting its spell all...

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Coriolanus, Donmar Warehouse

In his later life Shakespeare, who never ducked ways to define a hero, offered the public a challenge: Coriolanus is a professional warrior, deaf to reason, patrician hater of people power. To beat all, this man’s man’s a mother’s boy. In a world...

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Preview: Arnold Wesker's Roots

Arnold Wesker has a theory that plays require a certain DNA to endure. When thoughts turn to the 1950s and the revolution in British theatre which allowed ordinary working-class life up onto the stage, the name which always comes up is John Osborne...

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The Same Deep Water As Me, Donmar Warehouse

Britain today: while the total of car crashes is falling the number of whiplash claims is rising by 25 per cent. Yes, the compensation culture is speeding ahead. In Nick Payne’s follow up to his immensely successful West End transfer, Constellations...

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The Night Alive, Donmar Warehouse

Can theatrical lightning strike twice? That certainly looks to be the case at the Donmar, which has followed Josie Rourke's expert revival of Conor McPherson's contemporary classic, The Weir, with the world premiere of McPherson's latest, directed...

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The Weir, Donmar Warehouse

Conor McPherson’s 1997 play has become a modern classic, and it's not difficult to see why. It's a glorious evening of storytelling that allows the cast to display their wares, as the conversation between characters who have known each other all...

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Trelawny of the Wells, Donmar Warehouse

His recent film adaptation of Anna Karenina framed the action of Tolstoy’s novel in a theatre, so it seems only natural that director Joe Wright should follow it up with a return to the stage himself. Redolent with the smell of “gas and oranges”,...

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The Dance of Death, Trafalgar Studios

It sounds unlikely but The Dance of Death makes the perfect Christmas play. Half a minute with Strindberg's squabbling couple makes the ordinary family row over underdone/overdone turkey seem like a parlour game. Need a reminder that your relatives...

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Julius Caesar, Donmar Warehouse

There’s no ignoring gender in Julius Caesar. Whether it’s Portia’s “I grant I am a woman” speech, an enfeebled Caesar likened to a “sick girl”, or Cassius raging against oppression – “our yoke and sufferance make us womanish” – the issue is written...

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The Promise, Trafalgar Studios

An expert cast delivers on their promise in Aleksei Arbuzov's triangular Russian drama from 1965 of the same name, which offers up war and peace and the shifting tides of love. There's so much of the last, in fact, that Alex Sims's production at...

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