Donmar Warehouse
The Resistible Rise of Arturo Ui review - 'Lenny Henry covers Trump's greatest hits'Wednesday, 03 May 2017
It’s a bigly Trump-fest over at the Donmar, with adaptor Bruce Norris determined to make Brecht great again – or at least pointedly contemporary. Despite a legal disclaimer in the knowing prologue, the current tangerine regime looms large, replacing... Read more... |
Limehouse, Donmar WarehouseThursday, 09 March 2017
Politics is a serious business, but it’s also a spectator sport. Think of the duels in Prime Minister’s Questions; or the marathon that is Brexit. It’s a place of cartoon villains (Corbyn), straight villains (Trump) and plain cartoons (Boris). But... Read more... |
Saint Joan, Donmar WarehouseTuesday, 20 December 2016
How’s this for a Christmas-week story? Joan, a young peasant girl – played in this version by the charismatically attractive Gemma Arterton – grows up in the bleak French countryside. She hears voices. It’s 1429, and they tell her to lift the... Read more... |
Shakespeare Trilogy, Donmar at King's CrossThursday, 24 November 2016
If you are new to the Donmar Warehouse all-female stagings of Shakespeare’s Julius Caesar and Henry IV – 2012 and 2014 respectively – the biggest surprise is not so much that these highly masculine dramas are performed entirely by women. It is their... Read more... |
One Night in Miami..., Donmar WarehouseTuesday, 18 October 2016
Kemp Powers’s play is set in a motel room in Miami on the night of 25 February 1964, after Cassius Clay (as Muhammad Ali then was) had earlier beaten Sonny Liston to gain the world heavyweight title. He is joined by two friends, the singer Sam Cooke... Read more... |
Faith Healer, Donmar WarehouseWednesday, 29 June 2016
Oh dear. I could have sworn I had a book about Irish playwright Brian Friel somewhere. But I can’t find it. Or maybe I never bought it. Maybe I just thought I might have bought it. Maybe it’s a false memory. Better ask my wife. Now at least I’m in... Read more... |
Elegy, Donmar WarehouseThursday, 28 April 2016
Playwright Nick Payne has carved out a distinctive dramatic territory – neuroscience. In his big 2012 hit, Constellations, he explored the effect on memory of living with a brain tumour, while two years later in Incognito, the story of what happened... Read more... |
Welcome Home, Captain Fox!, Donmar WarehouseThursday, 03 March 2016
It’s often remarked that are no new stories, only old stories retold. The French playwright Jean Anouihl got the idea for his first play from a French newspaper report of 1919, about a young man who turned up on a railway platform with no knowledge... Read more... |
Bon voyage, Jean Anouilh!Sunday, 21 February 2016
In the icy early hours of 1 February 1918 a bizarre figure was seen wandering aimlessly along the platform of a railway station in Lyon. A solider. Lost. When asked his name he answered, “Anthelme Mangin”. Other than that he had no memory of who he... Read more... |
Les Liaisons Dangereuses, Donmar WarehouseFriday, 18 December 2015
The last time I saw Janet McTeer, she was doing her best with the slightly underwritten role of sister to Glenn Close’s lethal Patty Hewes in Damages, the ultimate TV series about the discrepancy between seeming and being. Which is the theme, too,... Read more... |
Splendour, Donmar WarehouseWednesday, 05 August 2015
On contemporary stages, absence is a constant presence. This is very odd if you consider how corporeal and concrete theatre is. Unlike film, which is just light shining on a screen, or books, which are just letters on the page, theatre is live... Read more... |
theartsdesk Q&A: Choreographer Stephen MearSaturday, 11 April 2015
From Singin’ in the Rain and Anything Goes to Hello, Dolly! and Mary Poppins, Olivier Award winner Stephen Mear has done more than any other British choreographer to usher classic musicals into the modern era. But adept as he is at razzle-dazzling ’... Read more... |
