drama
Sam Marlowe
A night when a fresh fall of snow was fluttering from the heavens could hardly have felt more fitting for the opening of this Shakespearean romance – particularly since David Farr’s production for the RSC, first seen in Stratford in 2009, so felicitously counters fire with ice. Cruelty and rage, the willful closing off of the heart, the reawakening of hope and the resurrection of enduring love: passion both kills and sustains in the worlds of Sicilia and Bohemia; and if the staging sometimes seems slightly ponderous, it delivers moments of arresting intensity.Sicilia, under the chilly rule of Read more ...
theartsdesk
The relationship between stage and screen has always been fraught with antagonism and suspicion. One working in two dimensions, the other in three, they don't speak the same visual language. But recent events have helped to eat away at the status quo. On the one hand, theatre has grown increasingly intrigued by the design properties of film. Flat screens have popped up all over the place, notably in Katie Mitchell’s National shows and at the more ambitious work of the ENO. Meanwhile, theatre and opera have been encouraging those who, for reasons of distance or price, can’t make it to Read more ...
aleks.sierz
Middle-class family angst continues to be this season’s theme at the Royal Court Theatre, but this time it is seen through the eyes of 10-year-old girls at a 1990s boarding school. But don’t expect this to be an episode of Malory Towers or even the rather good-natured naughtiness of St Trinian’s. No, this is a bleak institution where the girls are foulmouthed and vicious in their rivalry. As Mrs B, who supervises the dorms, says to the headmistress: “They are small dogs doing what small dogs do.”Certainly, E V Crowe paints a vivid and atmospheric picture of this boarding school, with its Read more ...
Veronica Lee
When The L Word, an American drama series following the interconnected lives of a group of lesbians in Los Angeles, first aired in 2004, much of the acres of coverage it attracted made disbelieving mention of the cast members’ attractiveness, which is an implicit suggestion that lesbians are more usually at the back of the queue when good looks are being given out. Rather irritatingly, Lip Service, a drama series following the interconnected lives etc etc... in Glasgow, and which was immediately dubbed "the British L Word", garnered some of the same responses when it first aired last month. Read more ...
Markie Robson-Scott
Adrift (A Deriva), Brazilian director Heitor Dhalia’s third feature film, is a sensuous coming-of-age story as well as an ode to the Brazilian beach landscape of Buzios and the band of gorgeous bikini-clad teenagers who run wild in it. Although Dhalia says the film is not strictly autobiographical, he concedes that it partly mirrors his own childhood beach holidays near Recife and his parents’ divorce when he was 10.The family in Adrift - which is set in the 1980s (you can tell because a typewriter features heavily and there are no iPods or mobiles) - seems idyllically happy at first Read more ...
theartsdesk
Defying predictions that there would be no audience for a period costume drama set in an Edwardian country house, Downton Abbey has become the TV event of 2010. Episode one notched 11.6 million viewers (including repeats and ITV Player viewings), while episode two edged up to 11.8 million. The concluding episode seven threw all the cards in the air, blowing apart Mary and Matthew's romance, leaving Anna and Mr Bates dangling in limbo, and ending with the shattering news of Britain's declaration of war on Germany. There was even, briefly, a pregnancy for the fortysomething Countess of Grantham Read more ...
theartsdesk
Maggie Smith Violet, Dowager Countress of GranthamHugh Bonneville Robert, Earl of GranthamPenelope Wilton Mrs Isobel CrawleyDan Stevens Matthew CrawleyMichelle Dockery Lady Mary CrawleyTheo James Kemal PamukJim Carter Mr CarsonBrendan Coyle Mr BatesRob James-Collier ThomasThomas Howes WilliamJoanne Froggatt AnnaRose Leslie Gwen[bg|/TV/Downton_Gallery/]Four writers on theartsdesk review the whole series of Downton AbbeyWatch Downton Abbey on ITV PlayerFind Downton Abbey on Amazon
alexandra.coghlan
Offbeat in more than just their rhythms, jazz musicians have always had an affinity to the extraordinary, living lives syncopated against the regular tread of society. Maybe it was the informality of their training, or the influence of brothels, bars and back streets that were their concert halls, but the likes of Buddy Bolden and Django Reinhardt have left a legacy of autobiography every bit as bold and unusual as their music. It is in this legacy that Alessandro Baricco’s fictional pianist Novecento claims his share, in a 90-minute monologue that riffs on the unlikely melody of his life to Read more ...
alexandra.coghlan
This first feature from Swedish writer-director Ruben Östlund arrives heavy with awards, the seasoned and decorated product of film festivals across Europe. Brutal, quirky and elegantly self-conscious, it does little to challenge the trends that have recently made Swedish cinema (Let The Right One In, The Millennium Trilogy) such hot property. The title serves as agent provocateur for the action that follows: a fractured and wilful deconstruction of group dynamics, of the pressures and “victims” of the social collective.Two barely teenage girls (Linnea Cart-Lamy, Sara Eriksson) pose and pout Read more ...
Jasper Rees
It’s taken 20 years for Ken Follett’s doorstopping saga to storm the little screen in the corner of the room. According to Rufus Sewell, playing a stonemason who knows about these things, it takes only 15 to knock up a spanking new Gothic cathedral complete with the latest in flying buttresses. Not that it would be fair to compare The Pillars of the Earth with the pillars of any of the great churches erected in England in the period under observation here. You don’t get lifeless gargoyles of this quality in the Middle Ages.In the restless pursuit of authenticity, a British cast has been hired Read more ...
gerard.gilbert
Far more than gay men, lesbians are one of the great invisible minorities of British TV drama – British TV generally, in fact. Sure, there have been the milestone moments – the Brookside kiss that titillated the nation back in 1994 and was the making of the then 18-year-old Anna Friel, or Jeanette Winterson’s terrific 1989 adaptation of her own novel, Oranges Are Not the Only Fruit. Both featured lesbianism as an issue or a problem rather than a well-adjusted sexual orientation.More recent dramas have set the Sapphism in the past, with the likes of Fingersmith, Tipping the Velvet or The Read more ...
Adam Sweeting
The American networks have so far been able to resist the stick-insectish charms of David Tennant, but the BBC would probably start up a new channel just for him if he asked them. In this new four-parter, his comeback appearance after handing over the keys of the TARDIS to Matt Smith, Tennant plays Dave Tyler, a successful Glasgow photographer married to teaching assistant Rita (Laura Fraser). They have a ramblingly large house full of kids and a dog, and live one of those exuberantly chaotic lives that only exist in TV drama, where domestic duties and hectic leisure activities magically co- Read more ...