tue 07/04/2020

education

I and You, Hampstead Theatre review - now streaming online, this YA play is oddly pertinent

The way that theatres and other arts institutions have leapt into action over the past week, providing a wealth of material online and new ways to connect with audiences, has been truly inspirational. Yesterday, the Hampstead Theatre re-released on...

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Sex Education, Series 2, Netflix review - the teen sex show we deserved

Netflix’s Sex Education has returned to our screens and streams. The show made waves last year for its refreshing take on the teen comedy-drama. It took on abortion, consent and female pleasure — subjects strikingly absent from our actual high...

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Faustus: That Damned Woman, Lyric Hammersmith review - gender swap yields muddled results

Changing the gender of the title character “highlights the way in which women still operate in a world designed by and for men,” argues Chris Bush, whose reimagining of Marlowe’s play premieres at the Lyric ahead of a UK tour. It’s certainly a...

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Suzman, London Schools Symphony Orchestra, Edwards, Barbican review - a cabaret from hell

The devil wore all manner of outlandish attire in last night's chameleonic programme devised by Peter Ash, the London Schools Symphony Orchestra's challenging artistic director. There was searing verse from Marlowe, Milton and Goethe; music from...

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Education, Education, Education, Trafalgar Studios review - politics and pupils, mayhem and music

It's the 2nd May 1997, the morning after the night that swept New Labour into power. We’re in the staffroom of a school somewhere in Britain and the teachers are jubilant. They've been glued to their TV sets for the results and have shagged and...

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Admissions, Trafalgar Studios review - topical and whiplash-smart

Joshua Harmon knows how to stir and excite an audience and does that and more with Admissions, newly arrived in the West End as part of the ongoing tsunami of American theatre across the capital just now. Opening the same day as news reports of...

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Kes, Leeds Playhouse review - seminal Yorkshire story soars

Robert Alan Evans’ adaptation of Kes is a dark, expressionist reworking of Barry Hines’ novella. It pays lip service to Ken Loach’s iconic film version, and most of the memorable bits are present and correct here: the wince-inducing rant from head...

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James Graham: 'the country of Shakespeare no longer recognises arts as a core subject'

Thank you. It’s an honour to have been asked to speak here today. Although looking at the h100 List this year, I’ve no idea why I’m presumptuously standing here; given the talent, creativity and achievements far surpassing my own within this room....

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Holy Shit, Kiln Theatre review - what's in a name?

Holy shit! After being closed for two long years, the old and battered Tricycle Theatre in Kilburn has been refurbished and relaunched, with a name change and £5.5 million-worth of improvements. It’s now a much more welcoming place, full of light at...

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Dance Nation, Almeida Theatre review - a tarantella through the convulsions of the teenage psyche

Lycra, jealousy and pubescent ambition are put under the spotlight in Clare Barron’s provocative probe into the American competitive dancing scene. Dance Nation is a tarantella through the convulsions of the teen psyche as its characters respond to...

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theartsdesk at bOing! International Family Festival - the best of European children's theatre

Theatre for children can often be dismissed – a box to tick for parents who want to keep up with cultural practices; a job for actors who haven't quite made it in the mainstream; theatre that mums and dads want to see that works for their little...

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Pin Cushion review - a twisted fable of daydreams and bullies

On the surface, Pin Cushion is a whimsical British indie, packed with imagination and charm. But debuting director Deborah Haywood builds this on a foundation of bullying and prejudice, creating a surprisingly bleak yet effective film.Teenager Iona...

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