education
First Person: Royal Academy of Music Principal Jonathan Freeman-Attwood on why a conservatoire should make recordingsWednesday, 11 January 2023
Why is it important for a music conservatoire to make recordings? What is the educational context? These are questions we have continued to reflect upon at the Royal Academy of Music – celebrating its bicentenary this year – since we took our first... Read more... |
First Person: composer and co-founder of The Multi-Story Orchestra Kate Whitley on car-park creativityMonday, 07 November 2022
We started The Multi-Story Orchestra back in 2011 with a group of friends when we’d left university. Conductor Christopher Stark and I basically wanted to find new ways to play orchestral music that would escape formal concert halls and be more... Read more... |
The Corn Is Green, National Theatre review – Nicola Walker teaches a life lessonMonday, 25 April 2022
Let’s talk repertoire. Over the past decade the range of British plays, especially those from the 17th, 18th and 19th centuries, has shrunk in state-subsidized theatres. You can no longer easily see work by Shakespeare’s contemporaries, Restoration... Read more... |
Playground review - bleak but brilliant schoolyard dramaThursday, 21 April 2022
Nora is seven, and it's her first day at school. Big brother Abel, already enrolled in their local primary, promises to find her at playtime. Prised away from her father's embrace, tearful Nora is set up from the opening moments of Playground... Read more... |
The Teacher, Channel 5 review - inappropriate behaviour in the school environmentTuesday, 01 February 2022
Having had her own problems with alcohol and anxiety, Sheridan Smith no doubt felt some kinship with Jenna Garvey, the central character she plays in The Teacher. Evidently a talented educator who inspires loyalty and enthusiasm in her pupils, Jenna... Read more... |
DVD/Blu-ray: Another RoundTuesday, 05 October 2021
Thomas Vinterberg’s Festen left me dumbstruck in the cinema in 1998 with its brilliant depiction of an incestuous, viciously glamorous family imploding over a family celebration. At the time, I hoped that my Danish mother never saw what looked, to... Read more... |
Blu-ray: To Sir, with LoveTuesday, 27 April 2021
To Sir, With Love is a very loose adaptation of ER Braithwaite’s autobiographical novel. Reflecting on his experiences as a teacher in London’s East End in the late 1940s, Braithwaite’s commentary (one of two provided here) advises us that “as you... Read more... |
Album: Hilang Child - Every MoverMonday, 11 January 2021
The key tracks on Every Mover are “Play 'til Evening” and “Earthborne”. The first shimmeringly fuses anthemic, gospel-edged singing and surging instrumentation with a Philip Glass pulse and a trance-like throb. The second is a sparse contemplation,... Read more... |
Small Axe: Education, BBC One review - domestic drama concludes groundbreaking film series with quiet powerMonday, 14 December 2020
The fifth and final film in the Small Axe series is titled Education. At first, it appears this refers to the education of the central character, 12-year-old London boy Kingsley Smith, impressively played by Kenyah Sandy, who’s transferred to a... Read more... |
LFF 2020: Another Round review – a glass half emptyFriday, 16 October 2020
In 2012, two great Danes, director Thomas Vinterberg and actor Mads Mikkelsen, teamed up for the powerhouse drama The Hunt, about a teacher victimised by his community when wrongly accused of abusing a pupil. For their reprise, Mikkelsen again... Read more... |
A Special School, BBC Wales review - heartwarming film about special needs educationTuesday, 15 September 2020
This warm-hearted and informative documentary series about life in a Welsh special education school probably isn’t going to be a ratings buster for the BBC but it’s one of the most touching and well-made shows I’ve seen in a long time.A Special... Read more... |
First Person: Royal College of Music Director of Programmes Diana Salazar on a transformation in learning and teachingTuesday, 14 July 2020
I wasn’t the only one who felt emotional when I left our beautiful building in South Kensington for the last time before lockdown. By that stage in mid-March the corridors had become quiet. The sense of loss was palpable: no concerts, no playing... Read more... |
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