thu 29/05/2025

electronica

CD: Metronomy - Summer 08

I’m going to be honest, Metronomy isn’t really my bag. Perhaps I’m not hipster or highbrow enough, but I just don’t get their jam. I feel a bit like Jon at the beginning of Lenny Abrahamsson’s Frank – slightly bewildered by the depths of the...

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Sónar Barcelona 2016

A few beers down, in the middle of a crowd listening to music you love, you tend not to think of the latest news story as your highest priority. But Britain's relationship to Europe weighs heavy on the mind these days, and when the news of the...

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CD: Hannah Georgas - For Evelyn

How does Hannah Georgas’s 98-year-old grandmother feel about her collaborations with Graham Walsh, her two-time producer better known as part of Canadian electronic quartet Holy Fuck? It is, one suspects, one of a few aspects of this rich, immersive...

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Alfresco Festival 2016, Royal Tunbridge Wells

I looked around at the grime-flecked warehouse and surveyed the brick parquet floor. Even the dappled sunlight and birdsong couldn’t soften the realisation – or the ground, for that matter. “We’re going to struggle to get a tent peg in this,” I...

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Brighton Festival: Laurie Anderson – Song Conversation, Brighton Dome

The foyer of Brighton Dome for Brighton Festival director Laurie Anderson’s Song Conversation would have had a PR executive flummoxed; from punks in their 20s licking the rim of a plastic pint to a hobbling couple clutching programmes. The breadth...

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CD: James Blake - The Colour in Anything / Skepta - Konnichiwa

Skepta (aka Joseph Adenuga Jr) and James Blake provide a fascinating parallel as voices of the UK's “generation bass”. Both are from north London, and both have come from a grounding in the subsonic undercurrents of London's early 21st century ...

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CD: Jessy Lanza - Oh No

Canadian singer/producer Jessy Lanza's records – and this one more than ever – can feel like they're mapping an alternative history, one where populist and leftfield electronic music were never separate. Two aspects dominate her sound: her crisp,...

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theartsdesk in Denmark: Ambition and Attack in Aalborg and Aarhus

Denmark is casting a shadow in a way it has not done before. The international success of Copenhagen’s Lukas Graham is unprecedented. While Aqua, The Ravonettes, Efterklang and Trentemøller are amongst the great Danes who have made international...

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Reissue CDs Weekly: Close to the Noise Floor

The immediate reaction to Close to the Noise Floor is “Why hasn’t anyone done this before?” This new four-disc set’s subtitle captures its objective in a nutshell: to collect Formative UK Electronica 1975–1984 – excursions in proto-synth pop, DIY...

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The KVB, Ramsgate Music Hall

Without wishing to repeat myself, small venues almost always work best. The intimacy they offer heightens emotion and increases impact while breaking down the barrier between artist and audience. There's a mathematical consideration, too – fewer...

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CD: Rodion – Generator

Before the resurgence in vinyl, and the resultant pursuit of audiophile perfection on pointlessly expensive sound systems, was the musician’s fetish for vintage equipment and analogue synths. Live, this makes sense: sounds go direct into the...

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CD: M83 - Junk

There's an area in American music that is oddly under-reported given its scale. Somewhere between the garish mania of mainstream dance music, “EDM”, and the cool cachet of more underground sounds is a kind of “festival electronica”: very musical,...

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