family relationships
Ballerina review - hollow pointFriday, 06 June 2025
John Wick’s simple story of a man and his dog became a bonkers, baroque franchise in record time, converting Keanu Reeves’ limited acting into Zen killer cool. Now Ana de Armas extends her delightful No Time to Die cameo as a high-kicking, cocktail-... Read more... |
This is My Family, Southwark Playhouse - London debut of 2013 Sheffield hit is feeling its ageFriday, 30 May 2025
MOR. Twee. Unashamedly crowdpleasing. Are such descriptors indicative of a tedious night in the stalls? For your reviewer, who has become jaded very quickly with a myriad of searing examinations of mental health crises and wake up calls about the... Read more... |
Mrs Warren's Profession, Garrick Theatre review - mother-daughter showdown keeps it in the familySaturday, 24 May 2025
How do you make Bernard Shaw sear the stage anew? You can trim the text, as the director Dominic Cooke has, bringing this prolix writer's 1893 play in under the two-hour mark, no interval. And you can introduce a non-speaking ensemble of women in... Read more... |
The Brightening Air, Old Vic review - Chekhov jostles Conor McPherson in writer-director's latestSaturday, 17 May 2025
It's one thing to be indebted to a playwright, as Tom Stoppard and Harold Pinter have been at different times to Beckett, or Sondheim's latest musical is to Sartre. But Conor McPherson's The Brightening Air – the title itself is derived from Yeats... Read more... |
Conversations After Sex, Park Theatre review - pillow talk proves a snoozeWednesday, 07 May 2025
In Dublin, a city that has changed more than most in the last 30 years, a young woman, with an English accent that is expensive to acquire, is cycling through sexual partners. We eavesdrop on their conversations, witness the physical intimacy fade... Read more... |
Ghosts, Lyric Hammersmith Theatre - turns out, they do fuck you upFriday, 18 April 2025
A single sofa is all we have on stage to attract our eye - the signifier of intimate family evenings, chummy breakfast TV and, more recently, Graham Norton’s bonhomie. Until you catch proper sight of the room’s walls that is, which are not, as you... Read more... |
Ed Atkins, Tate Britain review - hiding behind computer generated doppelgängersFriday, 04 April 2025
The best way to experience Ed Atkins’ exhibition at Tate Britain is to start at the end by watching Nurses Come and Go, But None For Me, a film he has just completed. It lasts nearly two hours but is worth the investment since it reveals what the... Read more... |
theartsdesk Q&A: director François Ozon on 'When Autumn Falls'Thursday, 20 March 2025
François Ozon is France’s master of sly secrets, burying hard truths in often dazzling surfaces, from Swimming Pool’s erotic mystery of writing and murder in 2003 to the teenage boy cuckooing his way into his middle-aged mentor’s life in... Read more... |
The Monkey review - a grisly wind-upSaturday, 22 February 2025
Longlegs’ trapdoor ending snapped tight on its clammy Lynchian mood, reconfiguring its Silence of the Lambs serial-killer yarn into a more slyly awful tale. Osgood Perkins’ hit fourth horror film seemed sure to elevate his career, but follow-up The... Read more... |
Hamlet, Royal Shakespeare Theatre - Luke Thallon triumphs as the state succumbs to stormsThursday, 20 February 2025
The date, projected behind the stage before a word is spoken, is a clue - 14th April 1912. “Why so specific?” was my first thought. My second was, “Ah, yes”.Sure enough, Akhila Krishnan’s video and Adam Cork’s sound floats us on a sea of troubles,... Read more... |
Three Sisters, Sam Wanamaker Playhouse review - Chekhov's anatomy lesson on the human conditionFriday, 14 February 2025
Russia.It’s impossible to be ambivalent towards that word, that country, indeed that idea, one so very similar to our own, yet so very different. You feel it in Moscow, where I spent a week exactly 40 years ago. Like London, it is a vast city,... Read more... |
theartsdesk Q&A: Iranian director Mohammad Rasoulof on 'The Seed of the Sacred Fig' - 'It became a question of self-respect'Wednesday, 12 February 2025
Iranian director Mohammad Rasoulof is now an Oscar-nominated refugee, in a bittersweet harvest for his film The Seed of the Sacred Fig.The 52-year-old has previously probed the moral cost of his country’s dictatorship in Manuscripts Don’t Burn (2013... Read more... |
- 1 of 70
- ››
