thu 27/06/2019

family relationships

Cash Cow, Hampstead Theatre review - timely look at pushy tennis parents

“How much does she owe us?” So ponder the now estranged parents of a former tennis pro, as they calculate the very literal investment they’ve put into their daughter. This probing new play from Oli Forsyth – well timed for Queen’s and Wimbledon –...

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Mari review - bittersweet drama with flair

Mari is one part kitchen sink drama, one part dance performance, bringing a refreshing take on bereavement and family. Dancer Charlotte joins her mother and sister at her dying grandmother’s bedside, and tensions rise as cabin fever sets in.Director...

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Mum, Series 3 finale, BBC Two review - superb comedy bows out

Always leave them wanting more, a wise man once said, and there can’t be a single fan of Mum who doesn’t want its creator, Stefan Golaszewski, to change his mind about making the third series the last. But then, when you achieve perfection perhaps...

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Napoli, Brooklyn, Park Theatre review - lacking substance

According to their mother, Luda (played by Madeleine Worrall, pictured below), each of the three sisters (pictured top) in Napoli, Brooklyn, bears one of their father’s admirable traits. Tina (Mona Goodwin), the oldest, who left school early to...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Arctic ★★★★ Mads Mikkelsen on peerless form as a deep-frozen plane...

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Blu-ray: Track 29

A chronic recycler, Dennis Potter fashioned five feature films from his earlier TV dramas and another from one of his novels. The best of them are 1985’s Dreamchild (from the BBC's Alice, 1965) and Track 29 (1987), which he adapted from the BBC...

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Too Late To Die Young review - an absorbing, Chilean coming-of-age

Chilean Dominga Sotomayor’s third feature is a beautifully crafted example of the kind of Latin drama that is slow-burn and sensorial, conveying emotion through gestures and looks rather than dialogue or action. Nothing much seems to be happening,...

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Cannes 2019: Parasite review - hilarious and horrifying

Like Snowpiercer before it, Bong Joon-ho’s rage-fuelled satire Parasite puts class inequality squarely in its sights. This time however, the story is grounded in the real world and concerns a family of hustlers who will do anything to get by. ...

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First Person: Ellen McDougall on finding the commonality in the American classic 'Our Town'

I’ve wanted to direct Thornton Wilder’s Our Town for a long time.The play is beautifully written and its form feels not only ahead of its time (it was written in 1938), but also extremely powerful for a contemporary audience in an open air...

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Birds of Passage review - mesmerising Colombian family saga

“Do you know why I’m respected?” demands Ursula (Carmiña Martinez), a Wayuu matriarch in La Guajira in northern Colombia, of Rapayet (José Acosta), who wants to marry her daughter Zaida (Natalia Reyes, soon to star in James Cameron’s Terminator...

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The Virtues, Channel 4 review - close and personal with stunning Stephen Graham

The Virtues (Channel 4) sees director Shane Meadows (Dead Man’s Shoes, This Is England) reunite with actor Stephen Graham in what is certainly their most raw and emotionally bruising project to date. Meadows returns to familiar territory, with...

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Vox Motus: Flight, Brighton Festival 2019 review - a novel and moving experience

Flight is a show by experimental Scottish theatre company Vox Motus, adapted from the novel Hinterland by Caroline Brothers. It’s about two Afghan child refugees making their way across Europe to the fabled land of “London” and is based very...

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