mon 19/08/2019

family relationships

Edinburgh Fringe 2019 reviews: The Red/ Gone Full Havisham

The Red Pleasance Dome ★★★★Comic Marcus Brigstocke has spoken in the past about his addictions and now he has written this two-hander, which he directs, that goes some way to explain the constant internal dialogue he and others like him...

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Edinburgh Fringe 2019 review: Arabella Weir - Does My Mum Loom Big In This?

If nothing else, Arabella Weir quips, she can thank her mother for providing the material for her first Fringe show. For Does My Mum Loom Big In This? (see what she did there) is the Fast Show and Two Doors Down actor/comedian’s reflections on...

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Keeping Faith, Episode 4 Series 2, BBC One review - murders aplenty

Life on the Welsh coast isn’t getting any easier: defendant Madlen was found guilty of murder, husband Evan was coming home from prison, and Faith had just given Steve Baldini a rather uncomfortable snog on the beach. She’s probably pining for that...

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Edinburgh Fringe reviews 2019: On the Other Hand, We're Happy / Daughterhood / The Shark Is Broken

On the Other Hand, We’re Happy Summerhall ****This affecting co-production between Paines Plough and Theatr Clywd of Daf James’s play takes a sideways look at adoption.Twentysomethings Abbi (Charlotte Bate) and Josh (Toyin Omari-Kinch) have been...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Animals ★★★★ Emma Jane Unsworth's novel becomes a riotous and unruly...

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Barber Shop Chronicles, Roundhouse review - riotous theatre at its best

Emmanuel (Anthony Ofoegbu) runs Three Kings Barbers in London. His assistant, Samuel (Mohammed Mansaray), is the son of his erstwhile business partner, who is currently in jail. Emmanuel is boss, surrogate father and — occasionally — verbal punching...

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Helen Schjerfbeck, Royal Academy review - watchful absences and disappearing people

Light creeps under the church door. Entering as a slice of burning white, it softens and blues into the stone interior, seeming to make the walls glow from the inside. Beneath the lintel, a milder slot of sun pours upwards. To the right, a...

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Jellyfish, National Theatre review - Ben Weatherill's play hits the right notes

The intense relationship between a single parent and a single child is ramped up to its highest level when it involves a mother whose daughter has learning disabilities. From that dynamic, writer Ben Weatherill has crafted a warm, engaging and...

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the end of history ..., Royal Court review - raises more questions than it answers

An apocalyptic title proves somewhat of a red herring for a slight if intriguing play that returns the dream team behind Harry Potter and the Cursed Child to their erstwhile stomping ground at the Royal Court. Set across 20 years in the Newbury...

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DVD/Blu-ray: Mirai

Mirai made animation history when it was included in the Director's Fortnight at Cannes in 2018, the first Japanese anime feature to be so honoured. It went on to be nominated for an Oscar. Director Mamoro Hosoda, who worked at Studio Ghibli before...

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Cash Cow, Hampstead Theatre review - timely look at pushy tennis parents

“How much does she owe us?” So ponder the now estranged parents of a former tennis pro, as they calculate the very literal investment they’ve put into their daughter. This probing new play from Oli Forsyth – well timed for Queen’s and Wimbledon –...

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Mari review - bittersweet drama with flair

Mari is one part kitchen sink drama, one part dance performance, bringing a refreshing take on bereavement and family. Dancer Charlotte joins her mother and sister at her dying grandmother’s bedside, and tensions rise as cabin fever sets in.Director...

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