family relationships
First Man - Neil Armstrong's giant leapThursday, 11 October 2018
Echoes of Phil Kaufman’s 1983 classic The Right Stuff resonate through Damien Chazelle’s new account of how Neil Armstrong became the first man to walk on the moon. The Right Stuff ended with the conclusion of America’s Mercury space programme in... Read more... |
Parents' Evening, Jermyn Street Theatre - chemistry so negligible it's antisepticThursday, 11 October 2018
The playwright Bathsheba Doran has blazed a stellar trail ever since graduating from Cambridge at the same time as David Mitchell and Robert Webb. After writing for them on the sketch show Bruiser, she earned her spurs as a comedy writer on Smack... Read more... |
The Height of the Storm, Wyndham's Theatre review - Eileen Atkins raises the elliptical to artThursday, 11 October 2018
If you're going to write a play that traffics in bafflement, it's not a bad idea to have on hand one of the most beady-eyed actresses around. That would be Dame Eileen Atkins, whose keen-eyed intelligence cuts a swathe through the deliberate... Read more... |
Wanderlust, BBC One, series finale review - you can't have your cake and eat itWednesday, 10 October 2018
So Wanderlust (BBC One) has ceased wandering and its angsty parade of characters have left a sentence unfinished for the last time. In the end, where were we, compared to where we’ve been? The final episode opened with Joy, like King Alfred, burning... Read more... |
The Best Films Out NowWednesday, 10 October 2018
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention. Apostasy ★★★★ Unquestioning faith fractures in a quietly... Read more... |
Tehran Taboo review - transgressive animationSaturday, 06 October 2018
For all the bleakness of its subject matter, there’s considerable exhilaration to Ali Soozandeh’s animation feature Tehran Taboo. That’s due, in part, to the film’s breaking of many of the official “rules” of Iranian society, the myths of the... Read more... |
The Wife review - Glenn Close deserves better from her latest Oscar bidFriday, 28 September 2018
Writers need to write, or so goes the unimpeachable argument that underpins The Wife, which is being strongly touted as the film that may finally bring leading lady Glenn Close an Oscar in her seventh time at bat. Close is terrific, as she almost... Read more... |
Skate Kitchen review - sisterhood in the skate parkThursday, 27 September 2018
“Let’s get a clip, Long Island.” One New York skateboarder encourages another, who’s from the ‘burbs, to show off ollies, pop shuvits and kick-flips for a YouTube video. But hang on: “There are too many penises in the way.” This is a posse of young... Read more... |
Poet in da Corner, Royal Court review - mind-blowing energy plus plus plusWednesday, 26 September 2018
There was once a time when grime music was very angry, and very threatening, but that seems a long time ago now. Today, Dizzee Rascal is less a herald of riot and revolt, and more of a national treasure, exuding charm from every pore, even if his... Read more... |
Lavinia Greenlaw: In the City of Love’s Sleep review - curated livesSunday, 23 September 2018
Iris is a museum conservator with a pair of pre-adolescent daughters and a failing marriage. Raif is a widower and an academic who, since writing a book on curiosity cabinets a decade ago, has quietly sunk into a kind of irrelevance. Both have... Read more... |
Wajib review - poignant, profound humanismSaturday, 15 September 2018
Annemarie Jacir’s third feature may have picked up a subtitle, “The Wedding Invitation”, for international distribution, but the key to her intimate portrait of Palestinian life seen through a father-son relationship lies in understanding the full... Read more... |
An Adventure, Bush Theatre review - epic but flawedSaturday, 15 September 2018
Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of London's most outstanding Off-West End venues, is leaving in December, on his way to becoming the creative director of the Southbank Centre. For his... Read more... |
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