family relationships
But I'm A Cheerleader: The Musical, Turbine Theatre review - two cheers for feelgood showFriday, 04 March 2022
We open on “Seventeen is Swell”, the antithesis of Janis Ian’s 70s angsty anthem, “At Seventeen”. Megan is living it large as the cheerleader’s leader with her football captain boyfriend, two loving if strict parents and a golden future of all-... Read more... |
Two Billion Beats, Orange Tree Theatre review - bursting with heartThursday, 24 February 2022
“You could read at home,” says Bettina (Anoushka Chadha), Year 10, her school uniform perfectly pressed, hair neatly styled. “You could be an annoying little shit at home,” retorts her sister Asha (Safiyya Ingar), Year 13, all fire and fury in Doc... Read more... |
Never Not Once, Park Theatre review - disappointing UK debut for a feminist award-winnerMonday, 21 February 2022
Carey Crim’s 2017 play arrives from the US at north London's Park Theatre trailing a feminist playwriting award for its dissection of what happens when a smart college senior raised by two women starts to question her parentage. Eleanor wants to... Read more... |
Saturday Night Fever, Peacock Theatre review - crowd-pleaser stays true to its rootsThursday, 17 February 2022
Wind the clock back 45 years and the Big Apple was bankrupt, the lights had gone out and many native New Yorkers were packing their bags. Gangs controlled whole neighbourhoods, drugs were the currency of choice and, for a kid with no college,... Read more... |
Broken Wings, Charing Cross Theatre review - new musical fails to flyWednesday, 16 February 2022
Somewhere in the world right now, one can hear Mister Mister's AOR hit, "Broken Wings" on an MOR radio station, capturing mid-Eighties synth pop perfectly. Few listeners will know that its inspiration is a 1912 autobiographical novel by Lebanese-... Read more... |
The Forest, Hampstead Theatre review - puzzling world premiere from Florian ZellerWednesday, 16 February 2022
If Florian Zeller isn’t a Wordle fan, I’d be very surprised. As with the hit online game, the French playwright likes to offer up a puzzle for the audience to solve, clue by clue, before the curtain falls. His latest play, The Forest, which had its... Read more... |
Wuthering Heights, National Theatre review - too much heat, not enough lightFriday, 11 February 2022
“If you want romance,” the cast of Emma Rice’s new version of Wuthering Heights say in unison just after the interval, “go to Cornwall.” They’re using the modern definition of romance, of course – Emily Brontë’s novel is full of the original meaning... Read more... |
A Number, Old Vic review - revelatory yet againThursday, 03 February 2022
Time continues to be kind to A Number, the astonishing 2002 play by Caryl Churchill that reaps fresh rewards with every viewing. Revived just prior to the pandemic at the Bridge, here it is anew at the Old Vic, in a smart reappraisal by the director... Read more... |
Force Majeure, Donmar Warehouse review - fissures in a marriageTuesday, 11 January 2022
It sounds like the title of a play by Rattigan. No such luck: “Force Majeure” – a legal term with which all too few will be familiar, in which circumstances beyond anyone’s control cancel a contract – is how Ruben Östlund’s 2014 film Turist is known... Read more... |
The Humans review - staring headlong into the abyssMonday, 10 January 2022
A small film that packs a significant wallop, The Humans snuck into view at the very end of 2021 to cast a despairing shadow that extends well beyond the Thanksgiving day during which it takes place. Adapted from the much-traveled Tony-winning play... Read more... |
A Hero review - a morality tale with no firm conclusionsFriday, 07 January 2022
A Hero, set in the ancient city of Shiraz in southwest Iran, revolves around Rahim (Amir Jadidi), a weak man with gleaming white teeth and a permanent smile. He’s on leave from prison for the weekend, an odd concept in itself, as there are no... Read more... |
Habeas Corpus, Menier Chocolate Factory review - grappling with Alan Bennett's anti-farceWednesday, 15 December 2021
In his 1973 play Habeas Corpus, now revived at the Menier Chocolate Factory under the direction of Patrick Marber, Alan Bennett had his way with the venerable Whitehall farce. Today’s younger playgoer would probably marvel at the popularity of these... Read more... |
