family relationships
aleks.sierz
Caryl Churchill is a phenomenal artist. Not only has she written a huge body of work, but each play differs in both form and content from the previous one, and she has continued to write with enormous creative zest and flair well into her maturity. Now in her 80th year, she can look over her shoulder at a back-catalogue which is stuffed full of contemporary classics, and a handful of masterpieces. Her 1982 play, Top Girls, finally getting a revival at this national flagship, is her masterpiece of masterpieces. Yes, it's that good. It proves, if proof were needed, that she is clearly the best Read more ...
Tom Birchenough
Turkish director Nuri Bilge Ceylan has been a Cannes regular for almost two decades now, and one of the festival’s more frequent prize-winners: over his career he has come away with two Grand Prix (for 2003’s Distant and 2011’s Once Upon a Time in Anatolia), the Best Director award in 2008 (Three Monkeys), and the Palme d’Or for his previous film, Winter Sleep, in 2014.Which made the fact that The Wild Pear Tree came away without a gong last year something of a surprise in itself, and indeed Ceylan seems to be rather treading water with his new film. It charts territory familiar from his Read more ...
Joseph Walsh
At its heart, Disney’s fourth-feature, Dumbo, was about the love between mother and child, and defying expectations. The 1941 animation was based on Helen Aberson and Harold Pearl’s short story and told the tale of a baby circus elephant with oversized ears and big blue eyes, who is given the cruel nickname of ‘Dumbo’, until those that tormented him realise his ears are magical and enable him to fly. It was a sweet and simple Ugly Duckling tale with a macabre edge, so who better to direct the update than the man who brought us Pee-Wee’s Big Adventure and Edward Scissorhands?Understandably, Read more ...
Owen Richards
Where would you go for a devastating study on the human condition? The home movies of teenage skaters would be very low down on that list. But most of those movies aren’t filmed, compiled and analysed by Bing Liu, the director of Minding the Gap. Perfectly balancing perspective and curiosity, it’s perhaps the most unexpected achievement on the year.Liu has apparently always been the one behind the camera. From his early teens, he’s been pointing the lens towards his friends, primarily Zack and Keire. They’re both friends we recognise: Zack is the joker, always up for partying hard, and Keire Read more ...
Matt Wolf
David Hare knows a thing or two about sustaining an onstage face-off. Skylight and The Breath of Life consist tantalisingly of little else and so, for the most part, does his 1986 curiosity The Bay at Nice, which I caught back in the day during a premiere engagement at the Cottesloe that was given immediate lustre by the ravishing Irene Worth. Its first major London revival, elegantly presented by Richard Eyre at the Menier Chocolate Factory, casts the comparatively cool Penelope Wilton as a Russian one-time student of Matisse who confronts her unhappy daughter (Ophelia Lovibond) in 1956 Read more ...
Tom Birchenough
You might think an American high school comedy an unlikely place to locate a love letter to Oscar Wilde – even if there’s a flamboyantly gay story behind it. But Freak Show screenwriters Beth Rigazio and Patrick J Clifton, adapting James St James’ source story, have a way with wit that is clearly aiming to match the writer whom they keep quoting. The fact that they sometimes try rather too hard doesn’t detract from the full-on experience that is producer Trudie Styler’s 2017 directorial debut, a film that sustains itself on the sheer over-the-top camp energy of its teenage hero, Billy Bloom, Read more ...
Veronica Lee
What a super-talented woman Phoebe Waller-Bridge is. Hot on the heels of the success of her adaptation of Killing Eve, she now spoils us with a second series of Fleabag (BBC Three, then BBC One) that opened with an episode so gobsmackingly good that I wanted to give her a standing ovation in my living room when I watched it for the second time. (In fact, like everybody else at a press screening a few weeks ago, I had done just that.)Fleabag began life as a one-woman show (directed by Waller-Bridge's long-time collaborator Vicky Jones) at the Edinburgh Fringe in 2013. Waller-Bridge then pulled Read more ...
Katherine Waters
Bea and Dan are a young married couple. They have a mortgage on their small flat in Holloway and met while out clubbing in Peckham. She’s a plain-looking, modest and hard-working psychotherapist; he’s putting in the hours as an estate agent having put his artistic aspirations on ice. Typical millennials. They’re in love. Or rather, we’re told they’re in love. In fact, we’re told rather a lot of things - it seems to be the book’s mode. Dan is mixed-race, was brought up in Peckham by his mum and hasn’t been abroad all that much: “I’m a city boy, aren’t I? And I don’t speak French.” Bea, on the Read more ...
aleks.sierz
Well, you have to give it to French playwright Florian Zeller — he's certainly cracked the problem of coming up with a name for each of his plays. Basically, choose a common noun and put the definite article in front of it. His latest, The Son, is the last in a trilogy which includes The Father and The Mother. His other recent work is titled The Truth and The Lie — see what I mean? Peasy. Then there's The Height of the Storm, a slight variation. Anyway, the previous parts of the Moliere-Award-winning writer's trilogy have won an Olivier (The Father) and critical acclaim (The Mother) so what Read more ...
Markie Robson-Scott
An angry little boy, in jail after stabbing someone, stands in a Beirut courtroom and tells the judge that he wants to sue his parents. Why? For giving birth to him when they’re too poor and feckless to care for him. And he wants them to stop having children.Fair enough. Director/writer Nadine Labaki’s Oscar-nominated third film – it also won the Jury Prize at Cannes last year - is in a different league to her two previous quite jolly features, Caramel and Where do we go now? It is a passionate indictment of the plight of Lebanese street children. Unregistered and without birth certificates Read more ...
Saskia Baron
Time once again to roll out that line about the road to hell being paved with good intentions. The creators of All in a Row, a new play at Southwark Playhouse about the last evening at home for an autistic non-verbal 11-year-old before his despairing parents send him away to residential school, was doubtless conceived with the dramatists’ belief that they were shining a light on a dark place. But the result is a grim 90-minute shouting match of bitter mutual recriminations and self-lacerating jokes which only reinforces every stigmatising cliché about the torment of having a child with Read more ...
Owen Richards
Oh I do like to be beside the seaside – well perhaps not, if Jellyfish is anything to go by. Set in Margate, this independent feature paints a picture of a town and people that have been left behind. Cut from the same cloth as Ken Loach’s I, Daniel Blake, it tells the story of Sarah (Liv Hill), a young carer barely able to balance school, work and her homelife. Told with heart and nuanced performances, Jellyfish makes the most of its modest budget.Sarah is crushed with responsibility, juggling classes with looking after her two younger siblings and a part-time job at the local arcades. Mum Read more ...