thu 15/05/2025

family relationships

The Height of the Storm, Wyndham's Theatre review - Eileen Atkins raises the elliptical to art

If you're going to write a play that traffics in bafflement, it's not a bad idea to have on hand one of the most beady-eyed actresses around. That would be Dame Eileen Atkins, whose keen-eyed intelligence cuts a swathe through the deliberate...

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Wanderlust, BBC One, series finale review - you can't have your cake and eat it

So Wanderlust (BBC One) has ceased wandering and its angsty parade of characters have left a sentence unfinished for the last time. In the end, where were we, compared to where we’ve been? The final episode opened with Joy, like King Alfred, burning...

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Tehran Taboo review - transgressive animation

For all the bleakness of its subject matter, there’s considerable exhilaration to Ali Soozandeh’s animation feature Tehran Taboo. That’s due, in part, to the film’s breaking of many of the official “rules” of Iranian society, the myths of the...

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The Wife review - Glenn Close deserves better from her latest Oscar bid

Writers need to write, or so goes the unimpeachable argument that underpins The Wife, which is being strongly touted as the film that may finally bring leading lady Glenn Close an Oscar in her seventh time at bat. Close is terrific, as she almost...

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Skate Kitchen review - sisterhood in the skate park

“Let’s get a clip, Long Island.” One New York skateboarder encourages another, who’s from the ‘burbs, to show off ollies, pop shuvits and kick-flips for a YouTube video. But hang on: “There are too many penises in the way.” This is a posse of young...

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Poet in da Corner, Royal Court review - mind-blowing energy plus plus plus

There was once a time when grime music was very angry, and very threatening, but that seems a long time ago now. Today, Dizzee Rascal is less a herald of riot and revolt, and more of a national treasure, exuding charm from every pore, even if his...

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Lavinia Greenlaw: In the City of Love’s Sleep review - curated lives

Iris is a museum conservator with a pair of pre-adolescent daughters and a failing marriage. Raif is a widower and an academic who, since writing a book on curiosity cabinets a decade ago, has quietly sunk into a kind of irrelevance. Both have...

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Wajib review - poignant, profound humanism

Annemarie Jacir’s third feature may have picked up a subtitle, “The Wedding Invitation”, for international distribution, but the key to her intimate portrait of Palestinian life seen through a father-son relationship lies in understanding the full...

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An Adventure, Bush Theatre review - epic but flawed

Director Madani Younis, who since 2011 has transformed the Bush Theatre in West London into one of London's most outstanding Off-West End venues, is leaving in December, on his way to becoming the creative director of the Southbank Centre. For his...

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The Seagull review - Chekhov classic gets the all-star treatment

A starry and mostly American cast does well by The Seagull, Chekhov's eternally moving portrait of egomania run wild and self-abasement turned tragically inward. Combining two major players from the New York theatre world in director Michael Mayer (...

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The Humans, Hampstead Theatre review - a riveting family portrait

Transatlantic theatrical traffic is busier than ever, and now here at the Hampstead is not just Stephen Karam’s Tony-winning play, first seen in 2015, but director Joe Mantello and his full Broadway cast. It seems fitting that they should travel...

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Wanderlust, BBC One review - an unflinching look at stale sex

What signals the end of a relationship? The loss of attraction? Infidelity? Or is it, as Wanderlust explores, something more innocuous? The opening episode of BBC One's latest show packed in enough domestic drama to sustain most series, but found...

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