wed 21/05/2025

family relationships

Menashe review - Yiddish-language film with a heart of gold

On paper this film sounds so worthy: a widowed Orthodox Jewish father struggles to convince the Hassidic community elders that he can raise his young son alone after the death of his wife. But it’s the opposite of worthy on screen – Menashe is...

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DVD: The Work

“Doing work” is the phrase that inmates of California’s New Folsom Prison have adopted to describe the group psychotherapy sessions that have been run there for more than 15 years now. Given that Folsom is a Level-4 penitentiary, in which murder is...

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Happy End review - grimly compelling but to what end?

No movie that folds Toby Jones of all people into a Gallic entourage headed by Isabelle Huppert and Jean-Louis Trintignant, the two as formidable as one might wish, is going to be without interest. Nor is it likely that the ever-severe Austrian...

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Wonder review - sweet and smart but sometimes also schmaltzy

Genuine emotion does battle with gerrymandered feeling in Wonder, which at least proves that the young star of Room, Jacob Tremblay, is no one-film wonder himself. Playing a pre-teen Brooklynite who yearns to be seen as more than the facial...

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Everybody's Talking About Jamie, Apollo Theatre review - inclusive and utterly joyful

Everybody’s been talking about Everybody’s Talking About Jamie since its Sheffield Crucible debut earlier this year. It’s unusual to see a musical come steaming into the West End based on word on mouth – not star casting, or association with an...

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The Florida Project - bright indie flick packs a punch

Sean Baker’s The Florida Project is a wonderful ode to childhood summers and America’s forgotten class. The film follows foul-mouthed six-year-old Moonee, who spends her days playing with friends and terrorising fellow motel residents, and her...

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The Glass Castle review - Woody steals the film by a wide margin

People who live in glass castles might be wary of throwing stones. That clearly was not the case with American magazine journalist Jeannette Walls, who made of her often harrowing childhood a best-selling memoir that has found its inevitable way to...

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Sigrid Rausing: Mayhem review - you want it darker?

There is fictional Nordic noir. And then there is this, the real thing. Subject matter really couldn’t be much darker than that of Mayhem: A Memoir in which publisher, philanthropist and heiress Sigrid Rausing gives her perspective on her younger...

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Top of the Lake: China Girl, BBC Two, series finale review - torpor not trauma

So who killed Cinnamon? Six weeks ago we saw the strangled sex-worker – packed in a pink suitcase – pushed into Bondi Bay. The finale of Top of the Lake: China Girl withheld enlightenment. Puss, the chief suspect, denied responsibility. Why would...

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Patti Cake$ review - endearing tale of a big girl with big dreams

Hearing that a music video director has just made their first feature film generally strikes fear into my heart. But in this instance, Geremy Jasper has done a pretty good job, directing a warm and quirky drama about a young woman from a working-...

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Late Company, Trafalgar Studios review - visceral production of Jordan Tannahill's lean, pained drama

Canadian playwright Jordan Tannahill wrote Late Company when he was only 23. It would be an impressive achievement at any age, but it seems all the more remarkable that so stark a dissection of the consequences of a tragedy should have come from so...

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Hotel Salvation review - a moving meditation on the end

There’s a rare combination of the sacred and the secular in Shubhashish Bhutiani’s debut feature Hotel Salvation (Mukti Bhawan). The young Indian director developed the film through a Venice festival production support programme awarded on the...

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