feminism
Laura de Lisle
“You could read at home,” says Bettina (Anoushka Chadha), Year 10, her school uniform perfectly pressed, hair neatly styled. “You could be an annoying little shit at home,” retorts her sister Asha (Safiyya Ingar), Year 13, all fire and fury in Doc Martens and rainbow headphones. Two Billion Beats, Sonali Bhattacharyya’s new play for the Orange Tree, draws us in with snappy lines and raucous energy before delivering an emotional wallop.Asha is waiting to go home until their mum has left for work so she doesn’t have to talk about her history essay. She got 85%, but her mum only cares about the Read more ...
Helen Hawkins
Carey Crim’s 2017 play arrives from the US at north London's Park Theatre trailing a feminist playwriting award for its dissection of what happens when a smart college senior raised by two women starts to question her parentage. Eleanor wants to know who her biological father was and to this end has employed a private investigator. Her mother Allison is aghast. What will Eleanor do if what she unearths about her father is not what she hopes for, and indeed is abhorrent to her?Cracks begin to appear almost immediately in (Caucasian) Allison’s relationship with her long-term partner Nadine, an Read more ...
aleks.sierz
Irish teenager Saoirse Murphy has a dirty mouth. And she’s not afraid to use it when talking to the nuns at her convent school. But it soon emerges that her feistiness is a cover for some very disturbing problems in Sarah Hanly’s energetic debut monologue, Purple Snowflakes and Titty Wanks, which was first performed at the Abbey Theatre in Dublin last year and now visits London’s Royal Court for a short run. And although much of the material is familiar, it’s thrillingly performed by the playwright herself.Beginning with Saoirse explaining her discovery of the joys of masturbation to her best Read more ...
Nick Hasted
“Lingui” is the Chadian word for “sacred bonds, the common thread”, a social ideal put to the test here by an illegal abortion. Director Mahamet-Saleh Haroun – Chad’s artistic conscience, best-known for A Screaming Man – focuses for the first time on the sort of strong women who raised him, as they wage guerrilla war against cultural and religious strictures. Backstreet abortions were staples of ‘60s British kitchen-sink cinema, signifying grim, grey working-class reality. Haroun’s approach is very different, showing resilience, not bleak despair.We meet our heroine Amina (Achouackh Abakar Read more ...
Thomas H. Green
We did that whole state-of-things COVID/Brexit/anxiety/neurosis blah-blah in the end-of-year pieces last year. And, indeed, the year before (when Bozza was elected). Not this year. I’m over that. Let’s crack on. Live life. Own it. All that. An equivalent bullishness of tone, filtered through a defiantly feminine aesthetic, rules Marina Diamandis’s fifth album (she of Marina and the Diamonds). Or, at least, the parts of it that aren’t concerned with “highly emotional people” or mourning the end of her five year relationship with Clean Bandit’s Jack Patterson.It’s an outrageous album; Read more ...
Lisa-Marie Ferla
“How to explain Theresa May?” Grace Petrie muses from the Summerhall stage as she introduces decade-old opener “Farewell To Welfare”. “Well, in 2010, she was as bad as we thought it was going to get.”That is, on the face of it, the problem with being a protest singer: in a just world, your songs should ultimately lose their potency. But the crowd at this twice-rescheduled Edinburgh show have been waiting a long time to hear Petrie’s powerful messages of solidarity across class, race, gender and ability lines and while the names may change, the sentiments are as relevant as ever.Lockdowns Read more ...
Laura de Lisle
Zadie Smith might not be the only writer who can rhyme "tandem" with "galdem", but she’s the only one who can do it in an adaptation of Chaucer. In The Wife of Willesden, her debut play, a modern version of one of the Canterbury Tales, Smith’s talent for mixing high and low is at full power.Indhu Rubasingham’s staging at the Kiln Theatre rattles along with warmth, wit, and a whole lot of heart. The premise is a little flimsy, but forgivably so. Brent has been voted London’s Borough of Culture, and the landlady of the Sir Colin Campbell has organised an open mic night to celebrate. A Read more ...
Helen Hawkins
Katie Mitchell’s desire to bust the boundaries of theatre has taken a brilliant turn. Over her long and distinguished career as a director she has been tirelessly inventive, injecting stylised movement into Greek tragedy, projecting film onto giant screens of the actors onstage, slicing a set into three time zones. To tackle a formally bold novel, Rebecca Watson’s recent little scratch, Mitchell and her adaptor, Miriam Battye, have fashioned something equally inventive that works perfectly in the small Downstairs space at the Hampstead.Watson’s novel offers a day in the head of a young Read more ...
Gary Naylor
Tuesday, 8 November 2016. Vera is in a New York hospital room giving birth to a son. On anxiously checked phones, the votes are piling up for Hillary, but the states are piling up for Trump. Vera’s world will never be the same again.Mathilde Dratwa’s new play, Milk and Gall (directed by Lisa Spirling, Theatre 503's Artistic Director), takes a searingly unsentimental look at 21st century parenting in the big city, mining plenty of laughs along the way. Speaking from experience, I can vouch that it’s all true – except, perhaps, that the reality is even worse!In her mid-thirties, Vera ( Read more ...
Veronica Lee
Iliza Shlesinger is an American writer, performer and presenter whose film work includes roles in Pieces of a Woman and Good on Paper, the latter which she also wrote and produced. She's also an established stand-up comic, with five Netflix specials to her name. For her latest stand-up show, Back in Action, she was on a fleeting visit to London as part of an international 70-date tour, delayed by COVID, before she performs some dates in the US.From the off her performance was full of energy, with lots of adroit physical comedy – two standouts being how a woman taking off her bra looks like Read more ...
Laura de Lisle
“We haven’t started yet!” Hannah-Jarrett Scott, dressed in Doc Martens under a 19th-century shift, reassures us as she attempts to dislodge a yellow rubber glove from a chandelier in the middle of the set of Pride & Prejudice* (*sort of). So begins this rollicking all-female adaptation of the timeless Jane Austen romcom, in which the servants recreate their famous mistresses’ and masters’ turbulent love lives.Written by Isobel McArthur, the play originated in Scotland in 2018 and has gone through several versions before pitching up in the heart of the West End. Directed here by Read more ...
Daniel Baksi
In his 1985 essay “Not-Knowing”, the American writer Donald Barthelme describes a fictional situation in which an unknown “someone” is writing a story.“From the world of conventional signs,” Barthelme writes, laying out for the reader this story being written, “he takes an azalea bush, plants it in a pleasant park. He takes a gold pocket watch from the world of conventional signs and places it under the azalea bush. He takes from the same rich source a handsome thief and a chastity belt, places the thief in the chastity belt and lays him tenderly under the azalea, not neglecting to wind the Read more ...