mon 06/05/2024

Germany

Blu-ray: The Damned

One German writer found a neat yet teasing way to sum up the difference between Luchino Visconti’s The Damned (1969), the first film in the Italian director’s “German trilogy”, and the two films that followed it.The Damned, known in Italian as La...

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'The din is loud these days': playwright Cordelia Lynn on her imminent premiere at the Donmar Warehouse

As I write this, we've just had our final day in the rehearsal room and are going into tech onstage next week with my new play, which is also reopening the Donmar not only to live performance but follows major renovations at their home address.It’s...

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Camp Siegfried, Old Vic review - the banality of evil, brilliantly served up

A stealthily powerful play gets the production of its dreams in Camp Siegfried, which marks a high-profile UK presence for the American writer Bess Wohl. A world premiere at the Old Vic, Wohl's two-hander shines a scary and pertinent light on a Nazi...

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theartsdesk Q&A: filmmaker Marco Kreuzpaintner

In 2011, Ferdinand von Schirach’s novel Der Fall Collini (The Collini Case) was published, its narrative of crime and punishment inspired by a law passed in Germany in 1968. Promoted by Dr Eduard Dreher, a former Nazi-era prosecutor who served in...

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Christopher Clark: Prisoners of Time review - from Kaiser Bill to Dominic Cummings

Historians seldom make the news themselves. However, Christopher Clark – the Australian-born Regius Professor of History at Cambridge University – hogged headlines and filled op-ed pages in Germany when the centenary of the First World War’s...

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Bagdad Café, Old Vic review - sweet but scattershot

A gorgeous song exists in search of a show to match over at Bagdad Café, the 1987 film that gave the world the memorably plaintive "Calling You", which is threaded throughout Emma Rice's stage adaptation of the movie with understandable...

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Album: Härtel Trübsbach - Great Again

When Marie-Theres Härtel plays the viola, she is an astonishing force of nature. If great string-playing should combine the heavenly and the daemonic, the civilised and the raw, hers certainly does.She has a deep family folk heritage from the...

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Die Walküre, Longborough Festival Opera review - heroic defiance of farcical constraints

Whatever might be said about Longborough Festival’s first live opera since 2019, the first and most important thing is to praise the company without reservation for putting on a show of anything like this quality in the face of obstacles of the sort...

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Blu-ray: The Spy Who Came in from the Cold

Martin Ritt’s 1965 classy screen adaptation of John Le Carré’s bestseller The Spy Who Came in From the Cold is an antidote to the full-colour hi-jinx of the Bond franchise that ruled over the spy movie genre in the 1960s. By the time Paul Dehn, an...

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Christa Ludwig, 1928-2021: a selective tribute

I only saw Christa Ludwig twice live in concert, but those appearances epitomise her incredible dramatic and vocal rage as well as her peerless artistry in everything she did. The first event was Schubert’s Winterreise with pianist Charles Spencer...

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Blu-ray: I Was at Home, But...

The term most often used about Berlin director Angela Schanelec’s filmmaking seems to be “elliptical”, and her latest film, I Was at Home, But..., which won the Best Director award at Berlinale 2019, is no exception. Approaching it is like an...

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Six Minutes to Midnight review - Judi Dench retains her dignity

It can't be easy maintaining dignity when everyone in your vicinity is losing theirs. But that's the position in which the inimitable Judi Dench finds herself in Six Minutes to Midnight, a bewildering movie in which star and co-author, Eddie Izzard...

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