wed 11/12/2019

Hamlet

Hamlet, Park Theatre

A chalky-faced man stands in the shadows and his limbs jolt about, as if battling for position beneath his skin. This is the ghost of Hamlet's father and he is a fearful sight in ACS Random's Victorian and spectral take on Shakespeare's tragedy....

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Hamlet, Royal Exchange, Manchester

One of the oddities about theatre is that there can be a gripping performance at the heart of an underwhelming production – and so is the case with Maxine Peake’s Hamlet, directed by Sarah Frankcom. This was a much anticipated production – Peake...

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theartsdesk Olympics: En Garde! Fencing on Stage and Screen

Is that a sabre you see before you? It could be if you’re talking any of multiple stage and screen versions of Hamlet, the Shakespeare play that puts centre-stage arguably the most esoteric of all Olympics activities: fencing. (Well, OK, beach...

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Globe to Globe: Hamlet, Shakespeare's Globe

We’re fresh out of superlatives. The Globe to Globe season has put a girdle around the earth in 37 languages, and the visiting companies have now left the building. You have to high-five the Globe’s chutzpah for mounting this wondrous contribution...

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Hamlet, Young Vic Theatre

First come the strip-lit corridors, the stained breeze blocks, the locked doors; later there are restraints, drugs, needles. The time is out of joint, and we are all imprisoned in a nightmare of confusion, paranoia, guilt and despair. Who are the...

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Rosencrantz and Guildenstern Are Dead, Theatre Royal Haymarket

Lightning hasn't quite struck twice at the Theatre Royal Haymarket, where Trevor Nunn's dazzling reclamation of early Terence Rattigan (Flare Path) has been followed by the same director's transfer from Chichester of Rosencrantz and Guildenstern Are...

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Q&A Special: Actor Derek Jacobi

Derek Jacobi (b 1938) grew up in Leytonstone. His father was a tobacconist, his mother worked in a department store. Although he entered the profession in the great age of social mobility in the early 1960s, no one could have predicted that he would...

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Debate: Should Theatre Be On Television?

Get thee to an edit suite: David Tennant's RSC Hamlet on screen with Mariah Gale as Ophelia

The relationship between stage and screen has always been fraught with antagonism and suspicion. One working in two dimensions, the other in three, they don't speak the same visual language. But recent events have helped to eat away at the status...

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Hamlet, National Theatre

The National Theatre’s new production of Hamlet is both a very good Hamlet, yet also a somehow disappointing one. For a work so rich in possibilities, with so much emotion, so much superb and intricate engineering, it is often like this, in England...

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Two new Hamlets off the telly

It's an axiom trotted out in the acting profession that a young male actor measures himself against the role of Hamlet, much as an older one does with Lear. It's been announced this week that a couple more are having a stab at the Prince of Denmark...

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theartsdesk Q&A: Opera Directors Patrice Caurier and Moshe Leiser

It is rare enough for directors to collaborate in theatre, even rarer in opera. Patrice Caurier (b. Paris, 1954) and Moshe Leiser (b. Antwerp, 1956) began their long collaboration in their 20s. They are now in their 50s, and since that first...

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Hamlet, BBC Two / Doctor Who, BBC One

The BBC's reinvention of Doctor Who under the auspices of Russell T Davies has proved to be an inspired upgrade of a legendary 1960s marque fit to rank alongside BMW's resuscitation of the Mini, though it would hardly be sensible to argue that the...

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