Hampstead Theatre
Nineteen Gardens, Hampstead Theatre Downstairs review - intriguing, beautifully observed two-hander tilts power this way and thatSaturday, 11 November 2023
A middle-aged man, expensively dressed and possessed of that very specific confidence that only comes from a certain kind of education, a certain kind of professional success, a certain kind of entitlement, talks to a younger woman. Despite the fact... Read more... |
To Have and To Hold, Hampstead Theatre review - funny but flawedWednesday, 08 November 2023
There’s only a couple of things you need to know about playwright Richard Bean: he started out as a stand-up comic, and he comes from Hull. Oh, and he wears Hawaiian shirts to press nights. So that’s three things. Oh, and that his masterpiece One... Read more... |
Octopolis, Hampstead Theatre review - blue, blue, electric blueTuesday, 26 September 2023
How many hearts does an octopus have? Answer: three. This pub quiz clincher is just one of the many fascinating facts that emerge from Octopolis, Marek Horn’s engrossing 100-minute two-hander which explores the relationship between humans and... Read more... |
anthropology, Hampstead Theatre review - AI thriller runs out of codeWednesday, 20 September 2023
With more than 20 plays under her belt, San-Francisco based Lauren Gunderson is one of the most produced playwrights in the US. But she’s chosen London to premier her very topical new thriller. It’s a sign of a good writer that they can touch... Read more... |
Song from Far Away, Hampstead Theatre review - gentle monologue from a man grappling with griefMonday, 03 July 2023
Lucky Will Young: the production of the Simon Stephens monologue Song from Far Away that he is delivering at the Hampstead Theatre is directed by Kirk Jameson, not Ivo van Hove.The modish Dutch director of the initial UK staging, seen at the Young... Read more... |
Stumped, Hampstead Theatre review - Beckett and Pinter, waiting for DoggoWednesday, 28 June 2023
Much of cricket comprises waiting – you wait on the boundary to hear news of the toss, you wait your turn to bat, you heed the call of your batting partner to wait to see if a run is on, you wait for the rain to stop. A friend once told me that he... Read more... |
Re-Member Me, Hampstead Theatre review - wittily staged but poignant lip-syncingThursday, 01 June 2023
Lip-syncing has become the hobby of many a young TikToker, but only an intrepid professional would contemplate using the technique to play Hamlet. Or rather, to “play” some of the knighted thespians and stars who have portrayed him. Dickie Beau is... Read more... |
First Person: playwright Joe White on how he came to write his Hampstead Theatre hitFriday, 07 April 2023
Before I knew – or realised – I wanted to write about alcoholism in my play Blackout Songs (premiered last autumn at the Hampstead Downstairs and moving this weekend to the mainstage), I wanted to write about love and memory... Read more... |
Sea Creatures, Hampstead Theatre review - mysterious and allusiveFriday, 07 April 2023
Is it possible to successfully challenge naturalism in British theatre today? At a time when audiences crave feelgood dramas, uplifting musicals and classic well-made plays, there is very little room for experimental writing.Still, the Downstairs... Read more... |
Akedah, Hampstead Theatre review - long-separated sisters reunite to battle over their pastWednesday, 22 February 2023
Michael John O’Neill’s first full-length play, premiering at the Hampstead's studio space downstairs, is a puzzler. There’s the title, to start with, a Hebrew word that means “binding” and is a reference to the story of Abraham preparing his son... Read more... |
Linck & Mülhahn, Hampstead Theatre review - problems as well as pleasuresWednesday, 08 February 2023
With the total loss of its Arts Council funding, Hampstead Theatre’s future as a specialist new writing venue is in doubt. But before anything drastically changes, the playwrights and plays developed by Roxanna Silbert, who was edged out as artistic... Read more... |
The Art of Illusion, Hampstead Theatre review - a hit from Paris conjures up strange-but-true storiesSaturday, 14 January 2023
First came Yasmina Reza’s 1994 long-runner Art; now another French hit, The Art of Illusion, has arrived after eight years in Paris. The two pieces couldn’t be more different: the former is a chatty spat between three sophisticated male friends (... Read more... |
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