thu 16/05/2024

Hollywood

Finding The Way Back review - alcoholism on the rebound

Gavin O’Connor has made a career out of sturdy films that make grown men cry. His best was Warrior - a hulking, tear-jerking tale of male fragility and addiction. His latest Finding The Way Back is a potent, raw drama that...

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The King of Staten Island review - Apatow's best work in a decade

The master of crowd-pleasing comedy, Judd Apatow, returns with another on-brand tale of arrested development with The King of Staten Island. While it's near his signature anarchic charm, this comedy-drama shows that even a veteran director/...

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The High Note review - Tracee Ellis Ross shines in so-so music dramedy

Nisha Ganatra’s musical dramedy, penned by first time screenwriter Flora Greeson, isn’t going to win any prizes for originality and is almost unforgivably corny. But the feel-good vibes and winning combination of Tracee Ellis Ross and Dakota Johnson...

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Women Make Film: Part Two review - two steps forward, one step back

The second half of Mark Cousins’ documentary on films by women filmmakers starts with religion; it ends with song and dance. This is a second seven-hour journey through cinema. It reconfirms Women Make Film as a remarkable feat of excavation and...

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Blu-ray: Destry Rides Again

A calculatedly nostalgia-infused town-taming Western, 1939's Destry Rides Again out-sparkled Errol Flynn's contemporaneous light “oaters" and anticipated noir-tinged classics like My Darling Clementine (1946) and The Gunfighter (1950). Because it...

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Romantic Comedy review - a not-so-guilty pleasure

Only those who really love you can deliver the hard truths, and for filmmaker Elizabeth Sankey, that one love is romantic comedies. Better known as one half of band Summer Camp, Sankey is a self-confessed romcom expert, having watched nearly every...

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The Assistant review - riveting #MeToo drama

Harvey Weinstein is never mentioned in The Assistant, but the former movie mogul and convicted rapist looms large over this savagely relevant drama, which offers a vivid picture of what life might have been like for every one of the employees...

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Downhill review - American remake wanders off-piste

It’s hard to believe that Jesse Armstrong (Succession, Veep) co-wrote the screenplay for this feeble American remake of Swedish director Ruben Ostlund’s Force Majeure (2014). Where Force Majeure is subtle, dark and original (never have electric...

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Oscars 2020: a 'Parasite' love-in caps a night of firsts

The 92nd Academy Awards saved its surprises for a final stretch that saw Parasite make history as the first foreign language film ever to win the Oscar for Best Picture, pipping to the post the presumptive favourite, the World War One drama 1917 (...

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Blu-ray: Black Angel

Waking at a pivotal moment in Black Angel, alcoholic songwriter-pianist Marty Blair (Dan Duryea) momentarily mistakes his new professional partner Catherine Bennett (June Vincent) for his estranged wife Mavis Marlowe (Constance Dowling). Each is a...

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Seberg review - lightweight script, heavyweight performance

It’s 1968, and Seberg leaves her husband, Romain Gary (Yvan Attal) and son, Alexandre (Gabriel Sky) for an audition in Hollywood. She seems happy to be going. Touching down in LAX she joins a group of black activists, led by Hakim Jamal (Anthony...

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Terminator: Dark Fate review – look who's back

Sentient machines have taken over the Earth. The leader of the human rebellion is so effective that a robotic ‘terminator’ is sent back in time to ensure he’s never born. A guardian follows, to ensure he is. We’ve been here before. Even in the...

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