humour
Gary Naylor
Unbelievable is a strange title for a slightly strange show, the brainchild of Derren Brown, Andrew O’Connor and Andy Nyman, a trio with an impeccable pedigree in creating successful magic-based events. It’s a strange title because suspension of disbelief lies at the heart of the bargain the performers make with the audience. Nobody wants to be sitting next to the unbelieving sceptic cynically informing us that it’s all done with mirrors or that she’s no longer in the box and that it's just a dummy hand in the glove. The thrill of believing it’s actually happening, however much cognitive Read more ...
Gary Naylor
Seldom can a title have given so much away about the play to follow, not just in terms of the subject matter but also in terms of the sledgehammer approach to driving home its points. Kimber Lee, who won the inaugural Bruntwood Prize for Playwriting 2019, International Award, certainly does not say anything once if she can say it twice or thrice nor leaves any ambiguity about every element of her stance regarding Orientalism. Of course, she does have a cast iron case. First up for a skewering is Madama Butterfly with its helpless/sexy Japanese girl who kills herself so her son can be saved by Read more ...
Helen Hawkins
Few comedians are such good company that you never want them to stop. The young Billy Connolly was one such; affable American Mike Birbiglia is another. He’s often billed as a master storyteller, which is very true, but doesn’t necessarily suggest his whole range as a performer. In his latest set, The Old Man and the Pool, seen at New York's Lincoln Center last season, he shows he has everything in the toolkit: a natural ease with the audience, impeccable comic timing, an ability to turn physical clown, clever scriptwriting structured around multiple little callbacks, a world view that Read more ...
Gary Naylor
Towards the end of the 18th century, Lady Emma Hamilton (like so much in this woman's life, hers was a title achieved as much as bestowed) was the “It Girl” of European society.They’ve always been around – women who have the combination of looks, intelligence and transgressive confidence fused by a rare alchemy into a concoction that a certain kind of powerful man cannot resist (and plenty of not so powerful men, too). Then, as now, such women were dangerous and the patriarchy exacted a price for the challenge not so much to its norms but to its hypocrisy. Such people burned bright, but Read more ...
The SpongeBob Musical, QEH review - musical based on popular kids' animation sinks for lack of focus
Gary Naylor
There are many things that you are not told about being a parent, a vast landscape of details that batter you with unwelcome difference from that comfortable life of Friday night prosecco and pizza. One is a whole new palette of garish colours barging into your eyeline – fluorescent yellow, eye-bleeding orange, vomity green. As quickly as you learn about this hitherto unknown spectrum that even van Gogh might think a little too much, you forget, the brain too addled by fatigue to retain any information from those shocking sleepless years. Until you go to see The SpongeBob Musical – then they’ Read more ...
Nick Hasted
This Seth Rogen-produced, Family Guy writers-co-scripted gross-out comedy with four Chinese-American women fully lives up and down to its description. With Crazy Rich Asians co-writer Adele Lim as debuting director, it’s also another demographically pioneering work.Audrey (Ashley Park), a Chinese girl adopted by white American parents, bonds with Lolo (Sherry Cola) as the only Asian-American kids in their Seattle neighbourhood, growing into odd couple adult best friends, Audrey’s promising corporate law career contrasting with Lolo’s struggling sex-positive art. Audrey’s business trip to seal Read more ...
Gary Naylor
At first, it’s hard to believe that the true story of Colonel Blood’s audacious attempt to steal The Crown Jewels from the Tower of London in 1671 has not provided the basis for a play before. After two hours of Simon Nye’s pedestrian telling of the tale as a comedy, you have your answer.We open on a lover of the King who regales us in song – since it’s Carrie Hope Fletcher (this production is not short of star quality), we can forgive the tinny piped-in music and enjoy her tremendous singing voice. The character returns a couple of times but (and this is a recurring theme in a Read more ...
Gary Naylor
Much of cricket comprises waiting – you wait on the boundary to hear news of the toss, you wait your turn to bat, you heed the call of your batting partner to wait to see if a run is on, you wait for the rain to stop. A friend once told me that he played cricket in order to make the rest of his life seem more interesting. There is something in that observation that would appeal to both principals in this play for sure.Two men bicker on the boundary as they wait their turn to bat. In at five and six, one is keeping score (and "working the telegraph", as cricket’s arcane argot has it), while Read more ...
Gary Naylor
After the pantos, the movies (epic, camp and animated) and the television series, is there anything new to be mined in the story of Robin Hood? Probably not, as this messy, misjudged show takes that hope and fires an arrow through its heart.We’re in an Albion of misty woods, mighty castles and feudal exploitation, the King weakened by poison administered by his right hand man, Sheriff Baldwyn, whose day job is brutally extracting taxes from the peasants to build a new road for the barons (Shaun Yusuf McKee, Simon Oskarsson and TJ Holmes pictured below). He doesn’t have it all his own way: Read more ...
Gary Naylor
Two years on from Sean Holmes’ production and seven on from Emma Rice’s (both of which featured diverse casts), Elle While takes a turn with the old warhorse’s lovers and fairies, its sparring couples and its Morecambe and Wise-like shambles of a play-within-a-play. The question hangs in the air – what to do to excite audiences, some of whom are so familiar with A Midsummer Night’s Dream that, a row behind me, they were laughing a beat before the punchlines were delivered?The result of such consideration is a bit of a mishmash of things that work, some that don’t and quite a lot in- Read more ...
Gary Naylor
Tom Littler opens his account as artistic director of the Orange Tree Theatre with one of the more radical choices one can make in 2023 – directing a 102 year-old play pretty much how it would have been done in 1921.It’s all very period (beautifully designed with superb attention to detail in props and costumes by Louie Whitemore) and trusts its audience to peel back the onion layers of subtext carefully concealed by Somerset Maugham. And, yes, it might make you cry as you do so.We’re in Blandings Castle territory (or would be if PG Wodehouse had allowed himself a whiff of Evelyn Waugh’s Read more ...
Gary Naylor
Just when you’ve relaxed a little, privilege duly checked and confident that you won’t be guilt-tripped for nipping into that disabled loo a few years ago at the National (c’mon, the interval was nearly over and needs must), FlawBored drop a bomb into the narrative. The temperature in the room plummets, a real coup de théâtre is effected and I'm still processing it. Yep, they went there. After garnering awards at the Vaults Festival (that’s not research, they tell you and they tell you why too), Aarian Mehrabani, Chloe Palmer and Samuel Brewer (pictured below) bring their meta- Read more ...