mon 06/12/2021

Hungary

Bluebeard's Castle 1: Bullock, Finley, Theatre of Sound, Stone Nest review - scenes from a marriage

Which is the locked-in character of the two in Bluebeard’s Castle? In composing his one-act masterpiece of shattering profundity, composer Bartók clearly intended Bluebeard’s as “the tragedy of a soul destined to be alone”; the woman Judith unlocks...

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Bluebeard’s Castle 2: Komlósi, Relyea, LPO, Gardner, RFH review - consolations of solitude

Where is the stage – outside or within? The question posed by the prologue of Bartók’s only opera addresses the fundamental privacy of our thoughts, as well as setting the scene for its drama within the theatre of our own minds. For many of us a...

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First Persons: Susan Bullock, Gerald Finley and Stephen Higgins on a 'Bluebeard's Castle' with a difference

Tonight a version of Bartók's Bluebeard's Castle launches in the intimate surroundings of Stone Nest, a former Welsh chapel in London's West End. Its conductor along with soprano Susan Bullock and baritone Gerald FInley, alternating in the roles of...

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Baptiste, Series 2, BBC One review - powerful comeback for the sorrowful French detective

Baptiste (BBC One) has two powerful weapons in its armoury, in the shape of its stars – Tchéky Karyo as the titular French ‘tec, and Fiona Shaw as the central character in this second series. Both of them are astonishingly persuasive at conveying...

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Budapest Festival Orchestra, Fischer online review - Mahler movements for the fish

In verses from the folk anthology Des Knaben Wunderhorn (The Youth's Magic Horn) set by Mahler as a song, later adapted for the scherzo of his Second Symphony, St Anthony of Padua sermonizes on repentance to the fish, who all listen politely and...

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Bluebeard's Castle, LSO, Rattle, LSO St Luke's online review - slow-burning magnificence

Poulenc’s La voix humaine comes close, but Bartók’s Bluebeard’s Castle has to be the perfect lockdown opera, this heady tale of two mismatched souls stuck in a confined space (admittedly an enormous one) alarmingly pertinent. Simon Rattle’s London...

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Eavesdropping on Rattle, the LSO and Bartók’s Bluebeard

One source of advance information told us to expect a reduced version of Bartók’s one-act Bluebeard’s Castle, among the 20th century’s most original and profound operatic masterpieces. Joining 19 other lucky invitees and some of the LSO brass...

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The power of resilience: flautist Noemi Gyori on positive ways to face adversity

The magnitude of challenges that the entire classical music industry is facing due to the coronavirus pandemic is unprecedented. In the twinkling of an eye, cultural life became suspended. Many of us, mostly freelancers and entrepreneurs, smaller...

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Classical music/Opera direct to home: 1 - Budapest's Quarantine Soirées

The great Chilean pianist Claudio Arrau noted of 1920s Berlin that "itimes of trouble, people seek a better life in culture". But what if that culture can no longer be accessed live? Earlier this week theartsdesk brought you reports of two...

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Schiff, Budapest Festival Orchestra, Fischer, Barbican review – generosity and geniality

There are encores and encores – most a friendly, minimal farewell gesture from the soloist; some a jolly, festive unwind after a particularly taxing piece. And then there’s the luxury free gift that Sir András Schiff bestowed on us during the second...

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Poster, Cabeza, Aurora Orchestra, Collon, Kings Place review – shock of the new

Mozart’s piano concertos often overflow with good humour, but you seldom expect to hear a hearty chuckle from the audience in the middle of a performance of one. Yet something close to a guffaw burst out around King’s Place when soloist Tom Poster,...

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Classical CDs Weekly: Bartók, Bruckner, Busoni

 Bartók: Complete String Quartets Quatuor Diotima (Näive)Technical infallibility is now a non-negotiable when it comes to Bartók's six fiendishly difficult string quartets. Still, there's much more to these pieces than simply hitting the right...

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