thu 08/05/2025

independent cinema

Silence

A taciturn, bearded Irishman leaves Berlin to return to his homeland. He’s travelling there to record silence. Arriving in Donegal, he wanders the countryside with a microphone trying to capture an environment where sounds made by humans do not...

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The Woody Allen story: 'Why do I feel like I got screwed?'

Woody Allen once joked that he would prefer to achieve immortality not through his work but through not dying. He is now 77 and the inevitable is a lot nearer than it was when he first realised, aged five, that this doesn’t go on forever. Fear of...

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Wadjda

In the independent cinema world, the question of where exactly a director hopes to find his or her audience never goes away. On home ground? Around the international festival circuit? Or in a lucky combination of the two, when a film resounds both...

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The Comedian

The life of the stand-up is a balance, often precarious, between those stage moments when things seem to be going just right, and the ones which look like they're about to go very wrong. The hero of Tom Shkolnik's debut feature The...

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The Stoker

Where there’s a stoker there must be a furnace, and this being Russian director Alexei Balabanov’s latest story from St Petersburg’s gangster 1990s, as well as heating some snow-bound Soviet industrial hulks, its flames also conveniently consume...

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Shell

As a finely drawn portrayal of loneliness and solitude encouraged by bottled-up emotions, Shell would be noteworthy enough. But it also contains two scenes – father and daughter interactions - that are deeply uncomfortable viewing. First-time...

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Smashed

“Cringed” is the adjective you want to invent to describe Kate, the dipso heroine of James Ponsoldt’s Smashed who's played by Mary Elizabeth Winstead. If there’s one thing that Ponsoldt's script, co-written with Susan Burke, captures - actually,...

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DVD: Corpo Celeste

The onset of puberty is difficult, and especially so for girls in art house films. Marta is 12 and has been away from Italy for 10 years. In the days after returning with her mother and sister, she contends with being prepared for her first...

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theartsdesk at Sundance London

This weekend Robert Redford and his Sundance Institute are bringing a sort of taster version of the world’s leading showcase for independent (non-studio) English-language films to London. No one’s going to mistake Greenwich’s O2 Centre for an...

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Interview: Whit Stillman, Metropolitan Filmmaker

Unlike the New Seekers, Whit Stillman does not want to teach the world to sing. He does, however, want to teach it to dance, specifically to dance the Sambola (or, to give it its full name, Sambola! The New International Dance Craze). Instructions...

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theartsdesk Q&A: Actor-Director Karl Markovics

 It’s not so very rare for actors to be given a shot at directing their own film. It happens slightly less often that they find financial backing to work on their own script. What makes Breathing, which opened this week in the UK, such a...

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Bonsai

One of the most refreshing aspects of current Latin American cinema, most evident in Argentina, Uruguay and Chile, is a particular brand of off-beat romantic comedy – one with echoes of the literate and quirky US independents of the Eighties and...

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