independent cinema
Graham Fuller
As supremely silly as they are, the Twilight movies are made watchable by Kristen Stewart’s Bella Swan, whose combination of fidgetiness and aloofness puts me in mind of James Dean’s Cal Trask and Jim Stark. If not as virtuosic as Dean (she's as beautiful), Stewart has made Bella as potent an empathy-figure for today’s alienated teenage girls with Gothic fantasy lives as Dean made Cal and Jim for would-be rebellious youths in the Fifties. You can fully understand why she has millions of female fans.With her latest role, however, Stewart flies in the face of Bella’s virginal cool by Read more ...
Matt Wolf
Rebecca Hall gets slapped about - and more - during The Awakening, a putative ghost story that lands one of this country's most able and appealing actresses in many a tricky physical but also psychological spot. Whether audiences will go the distance with her may depend on individual tolerance for a film that plays like an overcooked British knock-off of the Nicole Kidman starrer The Others, complete with Dominic West on hand to contribute belated rumpy-pumpy and Imelda Staunton very visibly furrowing her brow.I suspect you'd be fretting, too, if you found yourself in the position of Read more ...
Jasper Rees
British film-makers tend towards bipolarity. Where French cinema is broadly speaking about the middle classes, we tend to get films about one thing or the other. The national fixation with the past supplies stories about how the nabobs of yore lived (and, as importantly, dressed). But from Ken Loach onwards, British directors of another cadre have always had a real feel for the street, for that tranche of society which bumps along with nothing, where substance abuse is the rule rather than the exception. Such a film, more or less, is Junkhearts.Tinge Krishnan’s big-screen debut as a director Read more ...
Jasper Rees
This is the kind of film you would very much like to like. It’s a low-budget British effort with a perfectly decent cast who are all easy on the eye. It makes the most of the windswept Isle of Man, where so many films just take advantage of tax breaks while pretending they’re in Barbados. You would like to like it. Unfortunately, as with so many low-budget British films, it just doesn’t come up to the mark.Years ago, when single dramas still proliferated on terrestrial television, Albatross would have been a perfectly acceptable, slightly lightweight Screen Two. With that door now slammed Read more ...
Nick Hasted
It takes an ultra-liberal Catholic like Kevin Smith to tear into Christian fundamentalism with Red State’s ferocious accuracy. The writer-director’s 10th is being sold as a horror film, but the only demons to be seen are those of church and state.When his debut Clerks became a micro-budget paragon of independent cinema in 1994, Smith gently dismissed himself as “a 24-year-old with a talent for dick jokes”. In some subsequent films – Jay and Silent Bob Strike Back (2001), for instance - he’s seemed happy to live down to that, and massage his own cult. Red State is a radical change. An early Read more ...
Tom Birchenough
There’s something elemental in Elizabeth Mitchell and Brek Taylor’s Island – a small-scale British independent film that scores highly on performances and more than relishes the visuals of its setting.The landscapes, shot mainly on the Isle of Mull, are glorious, and speak for the mood of the film’s heroine Nikki (Natalie Press): the emotional undercurrents of the script seem as tempestuous as local nature, especially the surrounding sea. The directors don’t hurry to bring a trace of explanation to their story (based on the novel by Jane Rogers), but it gradually becomes apparent that this Read more ...
Graham Fuller
Spare, slow and beautiful, Kelly Reichardt’s revisionist Western is an effective allegory about bad leadership in America, but it’s as a minimalist tribute to women pioneers that it excels.Inspired by the worst disaster to take place on the Oregon Trail, it hardly shows the extent of that tragedy. In reality, 150-300 wagons set out from Boise City in August 1845 and were led astray by the scout Stephen Meek (1807-86), whose cluelessness caused 24 deaths; maybe another 20 perished after the journey. Reichardt had three wagons at her disposal - each contains a pioneer couple, and one a young Read more ...
Jasper Rees
The early gurglings of love, full of vulnerability and risk, thrill and discovery, are the very stuff of the movies. Romance is cinema’s basic currency. Whenever the familiar heroic faces of the big screen are not firing pump action weapons from the hip at CGI baddies, they are falling head over heels. So it is in Beginners, but with one or two eye-catching variants. Hal, just widowed after 44 years of marriage, now wishes to play the field. He’s 75. And as he informs his son Oliver, he is keen to give free rein to his long-repressed homosexuality.Beginners is the semi-autobiographical second Read more ...
sarvenaz.sheybany
In its second year under creative director David Ansen and in its new home at the LA Live complex, the Los Angeles Film Festival seems to have recovered from the slightly rocky start of its downtown debut last year. While one or two of the several hundred volunteers still seemed to be in it for the free T-shirt, most were clearly film enthusiasts themselves, eager to swap tips with patrons about screenings and potential sleeper hits.The primary venue itself, the luxurious Regal theatre complex in downtown Los Angeles, remains an odd choice for this sort of arts event. Its location in an Read more ...
Jasper Rees
This was all set to be released in UK cinemas around about now, but at the last minute it has gone straight to DVD. Perhaps the distributors got nervous. You can imagine why. Kim Cattrall is a totem for all sophisticated, sexually expressive women of a certain age. She’s ultimately the reason Sex and the City was what it was. You can put gratuitous violence, killing, maiming and all manner of cheap moronic sleaze up on a big screen and rake in the moolah. But some things are just too much. Samantha as a former Eighties porn starlet, washed up, penniless and living in a trailer? That Read more ...
Matt Wolf
Foodies will have a good laugh at Love's Kitchen, the British rom-com that casts Simon Callow as a bibulous restaurant critic and Gordon Ramsay as, well, himself. But cineastes are likely to chuckle, as well, at the filmmaking-by-numbers predictability of it all. Small wonder the movie makes a big deal over the trifle served up by Dougray Scott, playing a chef who gets a fresh start in both the kitchen and the bedroom. On the pudding front, it takes one to know one.That this is so trifling a film comes as a genuine shame, at least for those of us who salivate at the idea of venison fillet Read more ...
emma.simmonds
The playfully titled, deliriously deadpan Kaboom doesn’t so much explode onto the screen as briefly sparkle then fail to ignite. Superficially it’s an intriguing confusion of murder mystery, Generation Sex romp and slacker comedy, and is relentlessly prone to flights of Gregg Araki’s trademark psychedelic fancy. As shag-happy as a teenage boy, with its drugs, witches, cults and cast of nubiles it sounds like fun, right? Unfortunately, for the most part, it’s a bit of a drag.In Kaboom our hero, Smith (Thomas Dekker, pictured below with Juno Temple), is plagued by mysterious dreams featuring Read more ...