indie
CD: Sleater-Kinney - The Center Won't HoldThursday, 22 August 2019
This album’s title began as a reaction to fractiousness under Trump, but gained more intimate meaning when drummer Janet Weiss quit Sleater-Kinney shortly before release. With production by St Vincent’s Annie Clark pushing these knotty indie-rock... Read more... |
The Hold Steady - Thrashing Thru the PassionThursday, 15 August 2019
At recent live shows, Hold Steady frontman Craig Finn has taken to describing the band’s current lineup as the best it’s ever been. Boosted to a six-piece by the return of Franz Nicolay on keyboards, the Hold Steady of the band’s latter-day London... Read more... |
theartsdesk in Oslo: Øya Festival 2019 reviewSunday, 11 August 2019
The timing seemed odd. Sigrid is internationally successful. She’s Norway’s highest-profile musical ambassador since a-ha. Yet instead of headlining at 2019’s Øya Festival, she hits the stage at 6.45. Has she been demoted in favour of Tame Impala,... Read more... |
CD: Bon Iver – i,iSaturday, 10 August 2019
If you’ve been paying attention, you might have already heard most if not all of Bon Iver’s curiously named i,i album – weeks before its physical release on August 30. The band debuted two tracks (“Hey Ma” and “U (Man Like)”) at London’s All Points... Read more... |
The National, Kelvingrove Bandstand, Glasgow review - rapture, catharsis and jokesThursday, 08 August 2019
With their claustrophobic melodies and cryptic lyrics, The National are not the most obvious of choices for a summer evening. But then, The National of 2019 are not the same band. On recent album I Am Easy to Find, frontman Matt Berninger’s... Read more... |
CD: WHY? - AOKOHIOTuesday, 06 August 2019
Founded in 1998, the Los Angeles based Anticon collective has become one of the most curiously individual of 21st century groupings. Taking the wordiest and nerdiest tendencies of hip hop – notably the slam poetry-informed tongue-twisting of fellow... Read more... |
Liam Gallagher, Valletta, Malta review - underperformed but rapturously receivedTuesday, 30 July 2019
Rock ‘n’ roll. That’s what was promised. It was emblazoned on the organ for all to see. And if that visual guarantee was too subtle, the set began with “Rock 'n’ Roll Star”. Only, despite the swagger, Liam Gallagher doesn’t really live up to the... Read more... |
CD: Cross Record - Cross RecordSaturday, 27 July 2019
It’s not every artist who performs “living funerals” along the way as she tours. Then again, American singer Emily Cross is far from the average rocker. Cross Record was previously Cross and her husband Dan Duszynski, who were also both in the... Read more... |
CD: Kaiser Chiefs – DuckThursday, 25 July 2019
Music can rile in a way that other artistic forms tend not to. It’s perfectly possible for people to take a dislike to someone they’ve never met based on no more than a Spotify playlist. Take any successful band and you’re guaranteed to find people... Read more... |
CD: School Of Language - 45Monday, 22 July 2019
Finding snapshots to characterise Donald Trump’s US presidential campaign and its aftermath is a tall order. There are so many, and assembling them could result in a wearying cavalcade of the all-too familiar. Whether in book form – such as Michael... Read more... |
CD: The Flaming Lips – King’s MouthWednesday, 17 July 2019
Oh to be inside the head of Wayne Coyne. The frazzle-haired frontman has always been an enigma, persistently quirky, morally dubious, and undeniably fascinating. Perhaps King’s Mouth offers our best chance yet to get in there – the album is an... Read more... |
Florence + the Machine, BST Hyde Park review - mastering the matriarchyMonday, 15 July 2019
It’s a rare thing that musicians sound better live than they do on Spotify. But Florence Welch sings a note perfect set – even when jumping up and down like a pogo stick, whirling and spinning, or sprinting along the front of the stage to meet fans.... Read more... |
