installation
Best of 2024: Visual ArtsMonday, 30 December 2024
I thought I might never be able to say it’s been a great year for women artists, so forgive me for focusing solely on them.Things were kickstarted with a retrospective of Barbara Kruger (Serpentine Gallery) who uses words and images to illuminate... Read more... |
The Sound Voice Project, Linbury Theatre review - an art installation that has strayed into an opera houseSaturday, 16 November 2024
What does it mean to have a voice? And what does it mean to lose it? Those are the questions the award-winning Sound Voice Project has explored – through research, collaboration and live performance – since its beginnings in 2016. The latest... Read more... |
Yinka Shonibare: Suspended States, Serpentine Gallery review - pure delightWednesday, 17 April 2024
Yinka Shonibare’s Serpentine Gallery exhibition opens with a piece of cloth twirling in the breeze; except that it’s a bronze sculpture probably weighing a ton or more – such is the power of art (pictured below right: detail of Wind... Read more... |
Zineb Sedira: Dreams Have No Titles, Whitechapel Gallery review - a disorientating mix of fact and fictionWednesday, 21 February 2024
The downstairs of the Whitechapel Gallery has been converted into a ballroom or, rather, a film set of a ballroom. From time to time, a couple glides briefly across the floor, dancing a perfunctory tango. And they are really hamming it up, not for... Read more... |
When Forms Come Alive, Hayward Gallery review - how to reduce good art to family funFriday, 09 February 2024
Under the guidance of director Ralph Rugoff, the Hayward Gallery seems hell bent on reducing art to the level of fun for all the family. And as though to prove the point, cretinous captions strip the work of all meaning beyond the banal, while press... Read more... |
Macbeth, The Depot, Liverpool review - Ralph Fiennes leads a conventional production in an unconventional spaceFriday, 01 December 2023
Next door to the beautiful Art Deco Littlewoods Pools Building, nearly 30 years standing derelict, a set of grey sheds stand, a seat of potential for Liverpool’s nascent film industry. Nearly a century ago, the long, white, towered construction in... Read more... |
El Anatsui: Behind the Red Moon, Tate Modern review - glorious creationsWednesday, 25 October 2023
The enormous volume of Tate Modern’s Turbine Hall has overwhelmed many of those invited to exhibit there, but Ghanaian artist El Anatsui responded to the challenge with magnificent hangings that tame the huge, industrial space.Made from thousands of... Read more... |
Mike Nelson: Extinction Beckons, Hayward Gallery review - spooky installations by a master of detailTuesday, 28 February 2023
Entry to Mike Nelson’s Hayward Gallery exhibition is through what feels like the store room of a reclamation yard. Row upon row of Dexion shelving is piled high with salvaged building materials including old doors, ancient floorboards and wrought... Read more... |
Album: Maven Grace - Sleep Standing UpSaturday, 25 February 2023
Sleep Standing Up is the debut album by a trio who, according to their press release, absolutely came together due to a mutual love of Roxy Music. This connection extends to an early performance being enjoyed by Bryan Ferry at a festival, resulting... Read more... |
Points of Departure, Brighton Festival 2021 review - Ray Lee's harbour-based sound art impressesFriday, 07 May 2021
They stand in a row, nine of them, in a long, strange corridor between rows of stacked, palleted, planked wood and the red brick wall of an endless warehouse. Nine tripods, each two humans high, with a spinning helicopter head, double-ended by... Read more... |
Darren Waterston: Filthy Lucre, V&A review - a timely look at the value of artSaturday, 08 February 2020
It looks as if vandals have ransacked Whistler's Peacock Room. The famous interior was commissioned in the 1870s by shipping magnate, Frederick Richard Leyland to show off his collection of fine porcelain. The specially designed shelves have... Read more... |
Olafur Eliasson: In Real Life, Tate Modern review – beautiful ideas badly installedSaturday, 13 July 2019
At their best, Olafur Eliasson’s installations change the way you see, think and feel. Who would have guessed, for instance, that Londoners would take off their togs to bask in the glow of an artificial sun at Tate Modern. That was in 2003, when The... Read more... |
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