installation
Vox Motus: Flight, Brighton Festival 2019 review - a novel and moving experienceSunday, 05 May 2019
Flight is a show by experimental Scottish theatre company Vox Motus, adapted from the novel Hinterland by Caroline Brothers. It’s about two Afghan child refugees making their way across Europe to the fabled land of “London” and is based very... Read more... |
10 Questions for Candice Edmunds of Theatre Company Vox MotusThursday, 14 March 2019
“When we graduated we were seeing lot of theatre as a literary form,” explains Candice Edmunds of the theatre company Vox Motus, “But we were really excited by it as a visual form and everything we make, from our earliest scratch pieces up to Flight... Read more... |
Dorothea Tanning, Tate Modern review – an absolute revelationSaturday, 09 March 2019
Tate Modern’s retrospective of Dorothea Tanning is a revelation. Here the American artist is known as a latter day Surrealist, but as the show demonstrates, this is only part of the story. Tanning’s career spanned an impressive 70 years – she died... Read more... |
Robbie Thomson XFRMR, Brighton Festival review - lightning strikes outSunday, 20 May 2018
The welcome to Glasgow audio-visual artist Robbie Thomson’s performance engenders a hefty sense of anticipation. It’s almost nervousness-inducing as we’re handed ear-plugs and warned about how very loud it’s going to be. Then, walking into the main... Read more... |
The New Royal Academy and Tacita Dean, Landscape review - a brave beginning to a new eraFriday, 18 May 2018
This weekend the Royal Academy (R.A) celebrates its 250th anniversary with the opening of 6 Burlington Gardens (main picture), duly refurbished for the occasion. When it was dirty the Palladian facade felt coldly overbearing, but cleaning it has... Read more... |
Brighton Festival 2018 PreviewWednesday, 02 May 2018
This weekend sees the Brighton Festival 2018 kick off. Anyone visiting the city on Saturday 5 May would find this hard to miss as the famous Children’s Parade makes its way around the streets, a joyous dash of colour and creativity. This year’s... Read more... |
Tacita Dean: Portrait, National Portrait Gallery / Still Life, National Gallery review - film as a fine artFriday, 16 March 2018
Sometimes you come across an artwork that changes the way you see the world. Tacita Dean’s film portrait of the American choreographer Merce Cunningham (main picture) is one such encounter. Occupying a whole room at the National Portrait... Read more... |
Mark Dion: Theatre of the Natural World, Whitechapel Gallery review - handsome installationsFriday, 16 February 2018
On entering the gallery, you are greeted by the cheeping of birds. A flock of zebra finches flies around a circular cage and comes to rest on the branches of the apple tree “planted” in Mark Dion’s latest installation (main picture), before taking... Read more... |
Rose Finn-Kelcey: Life, Belief and Beyond, Modern Art Oxford review - revelation and delightWednesday, 19 July 2017
Rose Finn-Kelcey was one of the most interesting and original artists of her generation. Yet when she died in 2014 at the age of 69, she could have disappeared from view if she not spent the last few years of her life assembling a monograph about... Read more... |
Opinion: ArtReview Power 100Saturday, 22 October 2016
Compiled by an anonymous panel, the 15th edition of ArtReview magazine’s annual list of the most powerful and influential people in the art world was published on Thursday. And who doesn’t like lists, to poke fun at, to argue with – or perhaps even... Read more... |
Turner Prize 2016, Tate BritainThursday, 29 September 2016
While the Turner Prize shortlist can reasonably be expected to provide some sense of British art now, the extent to which British art can or should attempt to reflect a view of British life is surely a moot point. Art that is socially or politically... Read more... |
William Kentridge: Thick Time, Whitechapel GalleryFriday, 23 September 2016
Of all the mesmerising images in William Kentridge’s major Whitechapel show, the one that lingers most, perhaps, is that of the artist himself, now turned 60, hunched and thoughtful, wandering through the studio in Johannesburg where he lives and... Read more... |
