tue 26/11/2024

interviews

Prince Philip at 90, ITV1

David Frost and Richard Nixon. Melvyn Bragg and Dennis Potter. Parky and Ali. The list of seminal TV interviews is a relatively short one, and it's not about to get any longer. Alan Titchmarsh’s hopelessly mismatched bout with Prince Philip saw the...

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theartsdesk Q&A: Musician Moby

Moby, punk, electronic orchestrator and self-confessed nerd

Moby (b 1965) has been a presence on the dance scene and in global clubland for two decades. He is best known for the multimillion-selling 1999 album Play which, among other things, combined lush electronic orchestration with old field recordings of...

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Q&A Special: Musician Mary Gauthier

The Foundling Museum in Bloomsbury preserves the story of the Foundling Hospital, established in 1739 by Thomas Coram, the artist Hogarth and the composer Handel. At the end of April, American country singer Mary Gauthier performed The Foundling, a...

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theartsdesk Q&A: Actor Christopher Eccleston

Christopher Eccleston’s performances have a raw-boned, visceral quality which makes him a sometimes unsettling - but always compelling - actor to watch. Since his big break in the harrowing Let Him Have It (1991), playing Derek Bentley who at 19 was...

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theartsdesk Q&A: Electronic Musicians Hype Williams

Inga Copeland and Dean Blunt aka Hype Williams

The music of Hype Williams is the definition of an acquired taste. It sounds ramshackle, thrown together, deliberately awkward – either deeply contrarian or the work of very, very messed-up people just playing around with archaic home recording...

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Interview: The Unthanks

Misery may be folk music’s stock-in-trade but no one does it quite like the British. Maybe it’s part of our heritage. We are a nation, after all, that has not only invented a drink called bitter but have a brand called Doom Bar. And within the UK,...

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theartsdesk Q&A: Script Supervisor Angela Allen

Angela Allen: A link with the golden age of Hollywood

The credits unfold against a backdrop of a tall, exotic plant, down whose length the camera slowly pans. The African Queen, in glorious Technicolor, based on a novel by CS Forrester, directed by John Huston, shot by Jack Cardiff, starring two of...

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Interview: Violinist Daniel Hope

Daniel Hope sets off to explore the legacy of Joseph Joachim

In the later 19th century, violinist and composer Joseph Joachim was hailed as the most brilliant fiddler of his day, but today his name lives on via the great works that he helped to bring into the classical repertoire. Brahms dedicated his...

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theartsdesk Q&A: Actor Colin Firth

In some ways it’s been an odd career. Everyone else in Another Country (1982), the stage play by Julian Mitchell about gays and Marxists in a 1930s English public school, shot out of the blocks. Colin Firth was the only actor to play both lead parts...

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Q&A: Playwright Nick Dear on Adapting Frankenstein

It is one of the most hotly anticipated new productions at the National Theatre in years, for which all but day seats have long since been sold out. Danny Boyle has been lured back to the stage to direct a version of Mary Shelley’s Frankenstein. In...

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theartsdesk Q&A: Director Robert Lepage

Robert Lepage is not just one of the most fêted and sought-after theatre directors in the world; he is also one of the most prolific. His international breakthrough came with The Dragon Trilogy in 1985, and since then the French-Canadian’s work has...

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theartsdesk Q&A: Author Michael Dibdin

“There is a sense I very much get about this place. Italians know what life is for and they know it won’t last very long. And so they take advantage. I like that. Particularly at my age.” The last of several times I interviewed the British crime...

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